Topic: Architecture / Chicago
In his popular book, The Language of Post-Modern Architecture (1977), architectural historian Charles Jencks makes a number of cheeky, provocative, humorous, and often enlightening observations about high-Modern and contemporary architecture. In his first chapter, "The Death of Modern Architecture" (which occured at 3:32PM in St. Louis on July 15, 1972 with the demolition of a notorious housing project), Jencks includes a rather sarcastic analysis of IIT's campus.
He calls the Boiler Plant a cathedral, since it is divided into 3 long sections with a smokestack/tower--"a central nave structure with two side aisles expressed in the eastern front....there are clerestory windows on both aisle and nave elevations. Finally, to confirm our reading that this is the campus cathedral, we see the brick campanile, the bell tower that dominates the basilica." He goes on to (mis)read the plain campus chapel as a boiler house and the architecture school's Crown Hall as the President's Temple.He caustically attributes the unexpected employment of these forms to solemn old Mies van der Rohe's "stunning wit." I came across this book in a used section of the Prairie Avenue Bookshop, Chicago's fabulous architectural bookstore. It seems to have been owned (and discarded) by an offended Miesian who wrote several angry comments in the margin (which abruptly end halfway through the first chapter). I found Jencks' analysis to be irreverently hilarious, but there are reasons why Mies is still interesting and relevant today. His forms are ambiguous, and depending on their function might communicate a number of conflicting ideals: do the open glass ground floors of his Federal Center in the loop denote a transparency and honesty of government, or a higher pure order of authority? Does an empty glass house place its inhabitants in the midst of nature, or do its materials, in their climactic insuitability and bird-killing invisibilty betray a complete disregard for the environment?
There are no right answers, but to get the most out of Mies, it's important to ask all the questions, and I think that's something Jencks does well.
Posted by thenovakids
at 3:38 PM CST
Updated: Saturday, 25 November 2006 4:22 PM CST
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Updated: Saturday, 25 November 2006 4:22 PM CST
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However, I completely disagree with his conclusion regarding the Mets recent color theme. He's worried that black will replace the dominance of blue and orange, and cites numerous examples of the team's on-field apparel and a more recent (not universally adapted)
The St. Louis Cardinals, despite my desperate plea for otherwise, won the World Series tonight. Detroit's fielding was horrendous, and Pudge couldn't hit a thing. The Cardinals continued their pesky, wormy ways, sneaking in revenge-runs after every inning Detroit laboriously managed to score. 
The 2006 Mets postseason ended last night in an exciting game against the Cardinals at Shea. It was a major disappointment for the organization and their fans, but it's important to realize this was the greatest mets team since 1986. If you act entitled to a trip to (and victory in) the World Series people will start mistaking you for a Yankees fan. Newsday ran a headline today, "Heilman couldn't get it done," but the bullpen was close to impeccable this postseason, including last night. If anyone couldn't get it done it was the middle of their lineup--Beltran, (who struck out looking on 3 pitches with 2 outs and the bases loaded in the bottom of the 9th!!!), Delgado, and Wright, all of whom failed to get that big hit the team desperately needed. But let us rejoice in the wonderful season the tenacious and pesky Mets had, stealing bases, playing small ball, and being postseason contenders despite losing 2 of their big starters. They finally have a lineup that can build a dynasty, that they can keep more or less the same for the next several years. One thing that was lacking, to my knowledge, as an estranged Midwestern Mets fan, was a peppy campaign song like this one from 1986. Watch it to the end for the cameos by New York celebrities partially obscured by the poor digitized quality. Please leave a comment if you figure any out. So far I am able to discern Mayor Ed Koch, Twisted Sister, and Cameo.




Suspiciously, Snyder of Berlin (pronounced BER-lin) is located near the location of the better-known/more widely distributed Snyder's of Hanover, though their packaging declares, "We are not connected with Snyder's of Hanover, Inc." In fact, it seems they were once the same company but split in 1981, at which point the Berlin plant became the lesser-known company. However, Snyder's of Hanover does not offer Hulless Cheese flavored puffed corn, giving Berlin a distinct advantage. But you know who does? 
I have admired its ramshackled crudeness from the CTA bus many times, but it seems like people are getting pretty sick of it. It is certainly absurd that neither the public, the city, or Metra's own dignity have demanded its replacement. The Tribune article offers explanations about budget delays, and other predictable set-backs. But with the shiny new condos going up around it, I imagine something's going to have to happen soon.
The 1908 Chicago and Northwestern Railway Bascule Bridge south of Kinzie Street has been added to 

When I first passed by the Chicago Board of Trade, I thought I recognized its logo from somewhere. Upon reflection, I realized it is extremely similar to that of Omni Consumer Products (OCP), the sinister corporation that runs Detroit in the 1987 film Robocop. One or two friends confirmed this similarity, so I thought I would investigate.
The website