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ComaWorld

 

By Steven Grogan

 

PART TWO: Social Bleeding

 

FADE IN

 

 

1                    EXT CAMERON’S HOUSE NIGHT

 

The camera is soaring in over treetops toward a gigantic mansion-style house. There is a two-car garage to the right, and we can see a swimming pool in the backyard off to the left. A long chain of cars stretches the entire length of the block in front of the house. On the second floor balcony we see several PARTY-GOERS. Some of these are couples making out, others are groups of male and female friends, Every single one has plastic cups filled with beer. Camera pans down to the front door. Two lines have formed in front of the entrance. As Randall’s voice-over begins we slowly zoom in on the line.

 

RANDALL: (V.O.) I do remember a time when things weren’t so bad, when life was…well, livable. (pauses) Ah, who am I kidding? It was always bad. Let me rephrase that. I remember a time when things were tolerable. (pauses) This house you see right now was the residence of a young man named Cameron Diel. He was the only kid in my entire school that anyone would actually consider rich, but he wasn’t the typical stuck-up brat. Every summer Cameron’s parents went away to Rio for two weeks, and for the first week and a half Cameron threw the biggest party of the summer. It was eleven days of partying and then three days of cleaning up. As an incentive to get more people to help clean up Cameron offered to put each helper’s name on a list. Come next summer, whoever was on that list got in for free, and Cameron always kept his word.

 

By now we have reached the front door. Two big JOCKS stand on either side of the door. Randall and his friend JOSH are a few feet away from the entrance. Each time a new pair of people reach the majestic portal, Jock 1 asks for (and promptly receives) five dollars.

 

JOSH: I’m fuckin’ pumped, man. This party is gonna kick ass.

 

RANDALL: Parties usually do kick ass, Josh. That’s what they’re supposed to do. That’s why they are called parties in the first place.

 

JOSH: Dammit, man, why do you always have to ruin my excitement? You know, I’ll tell you right now that that’s why you never get laid. You drag everyone down. Maybe if you were more positive…

 

RANDALL: Hey, I’m celibate by choice, thank you very much.

 

JOSH: (sarcastically) Oh, okay. I see. Hey, I believe you, man.

 

RANDALL: Just shut up and get your money ready.

 

JOSH: (as they reach the door) I’m one step ahead of you, buddy.

 

The money is requested of them and they hand it over. It takes Jock 2 a moment to make change for Josh. Randall steps inside the doorway and waits there. We can already see the immense crowd milling about just beyond our protagonist. Loud techno music, complete with a bass knob that must be cranked to eleven, is pounding away. After Josh receives his money the two waste no time in plunging into the thick of the party. Camera moves forward.

 

 

2                    INT HOUSE EVENING

 

Randall and Josh walk through the crowd, exchanging several greetings as they move along. The variety of activity going on around them isn’t too diverse; people are either dancing, drinking, smoking (weed or cigarettes), talking or making out. As we follow the two young men through this gathering , Randall narrates once again.

 

RANDALL: (V.O.) You might wonder who this character is that keeps harassing me. His name is Josh Freely and, sad as it makes me to say it, he was my best friend at the time. You might find it hard to believe, but when he wasn’t in his irritating mode Josh was the coolest person you could ever meet. He was the kind of bastard who could make you laugh at your mom’s funeral.

 

 

3          INT UPSTAIRS HALLWAY

 

Randall, Josh and several other people are waiting in line with plastic cups.

 

RANDALL: (V.O.) But that summer, 1993…I think that was when I first realized just how far downhill the world had gone. (pauses) I was only seventeen, and I already felt like there was no hope for humankind.

 

 

 

 

 

4          INT BATHROOM           

 

Randall and Josh are in the doorway. CAMERON and his girlfriend LIZ stand by the bathtub, which is filled up by two kegs and countless bags of ice. People in line walk over to the couple two at a time to put their cups to good use.

 

CAMERON: (handing a cup to MALE GUEST) There you go, pal. Enjoy the party. And remember, anyone who helps clean up gets in free next year.

 

MALE GUEST: Thanks, Cameron. (to Liz) See you later, Liz.

 

LIZ: (handing a cup to ANOTHER GUEST) Yeah, see you around. Hey, if you see Tammy tell her I need to talk to her.

 

MALE GUEST: (as he turns to leave) Okay, will do…but in this crowd I doubt I’ll run into her. Later!

 

Male Guest leaves the bathroom, followed by the guest Liz was helping. As Randall heads over to Liz, Josh rudely pushes past him to hand his cup over to the blond-haired blue-eyed cheer-leading beauty. Randall stares at Josh, completely amazed at his behavior.

 

CAMERON: Hey, guys! Glad you could make it. (looks at Randall) Randall, you gonna get a drink or did you pay the five bucks just for shits and giggles?

 

RANDALL: Oh…right, sorry about that. (steps over to the tub) Fill her up, Cameron.

 

JOSH: So how are you, Liz?

 

LIZ: Doing great, Josh. How about you?

 

JOSH: Not bad at all. (pauses) Hey, I can’t believe you weren’t homecoming queen last year.

 

LIZ: Yeah, well…I guess I didn’t sleep around enough.

 

JOSH: (laughs) You think that really is what decides it?

 

LIZ: (smirks) You’d be amazed. So sad that some girls do that just to be a goddamn homecoming queen.

 

JOSH: Yeah, I guess I never thought about that. I mean, if it were something major like an Academy award I could understand it, but just to be homecoming queen? (pauses) Oh well. Just thought I’d let you know I voted for you.

 

LIZ: (smiling) Why, thank you, Josh. I appreciate that. (hands him his cup) There you go. Sorry if I didn’t do too good there. I always give too much head. (blushes) I mean I…uh…(laughs).

 

JOSH: (laughs) No worries, no worries. I know what you mean. And by the way, there is no such thing as too much head. Hell, I don’t think I get enough!

 

Randall shoots Josh another shocked glance. He isn’t even aware that Cameron is handing his cup back.

 

CAMERON: Randall, man, wake up! (laughs) Sheesh, are you sure you didn’t drink or toke up before you got here?

 

RANDALL: No, not at all. (takes the cup) I just got a lot on my mind, that’s all. Hey, thanks for the beer.

 

CAMERON: No problem. And hey, whatever you got on your mind…don’t dwell on it. This is a party. It’s time to have fun for a change, okay?

 

Randall looks Cameron right in the eye. At first the host is smiling, but Randall’s intense gaze melts the grin away.

 

 

5                    INT HALLWAY

 

Randall comes out of the bathroom and slowly walks away, sipping his beer. A few feet from the top of the stairs, he comes to a stop.

 

RANDALL: (V.O.) How could Cameron do that? Just stand there and let Josh talk so perverted to Liz? (pauses) Was Cameron extremely confident that Liz couldn’t be won away, or was it that he just didn’t care? (pauses) I don’t know about other people, but with me…confident or not, I’d never let a guy talk to my girlfriend that way. Such blatant disrespect shouldn’t be tolerated.

 

6                    INT BATHROOM

 

Josh is standing off to the side while Liz and Cameron fill more cups. She looks around between party-goers.

 

LIZ: Say, where did your buddy go?

 

JOSH: (looks around, shrugs) Who knows? I’m not worried. I’ll meet up with him sooner or later. Besides, it’s not like he can’t be entertained without me. (sips his beer) So anyway, do you get a break from this?

 

 

7                    INT LIVING ROOM

 

Randall is standing by the fireplace, studying all the action around him and nursing his beer. Some of the teenagers are sitting in a circle nearby. They are passing around a joint. One of them offers it to Randall, but he declines. SCOTT walks over and pats Randall on the shoulder.

 

SCOTT: What’s going on, Randall? How you been?

 

RANDALL: Hey, Scott. I’m doing all right. How about you?

 

SCOTT: Not too bad. Hey, I got something for you. (pulls a cassette tape out of his pocket: Smashing Pumpkins, GISH) This is a pretty cool album, man. Thanks for letting me hear it. I mean, you know me. I’m a total radio and MTV kid so I like Siamese Dream better, but Gish is good too.

 

RANDALL: Oh, I hear you. (puts the tape in his pocket) It took a while for Gish to grow on me too, after hearing Dream first. But after hearing these two albums, I gotta say I think the Pumpkins are probably one of the best band to come out of this decade.

 

KID NEARBY: You’re nuts, man. They suck! Nirvana totally kicks ass over the friggin’ Pumpkins!

 

RANDALL: (irritated) First of all, I didn’t say the Pumpkins were the best, I said one of. And even if I do think they are the best, it’s my fucking opinion and I’m entitled to it.

 

KID NEARBY: Well, then your opinion sucks.

 

Someone calls out to the belligerent youth immediately after this insult; he heads off to greet whoever called out to him. Randall moves to pursue the instigator, but Scott holds him back.

 

SCOTT: Hey, man, it’s really not worth it. (looks around once Randall relaxes) But listen, I gotta go look for some people. You take it easy, all right? I’ll see you later.

 

RANDALL: Yeah, okay. (Scott heads off, Randall swigs his beer) Easy my ass.

 

 

8                    MONTAGE

 

Scenes of Randall wandering around the party aimlessly. We see people playing drinking games, skinny-dipping in the pool, pissing in the garden, puking on the lawn and in bushes. We also see scenes of Josh and Liz talking and laughing.

RANDALL: (V.O.) I don’t want anyone who hears my story to get the wrong impression about me. I don’t want you to think I was always sitting alone in the back of the class or reading books in the stairwell like Christian Slater in Pump Up the Volume. (pauses) No, as you can see by how many people talked to me at this party I had several friends and acquaintances. I wasn’t the most popular kid in school, but I was well-known. I wasn’t alone, I was lonely. (pauses) My main problem was I couldn’t find any real connection with my peers. I mean, how was I supposed to identify with people like our school’s quarterback, Phil Fox?

 

We see PHIL at the same time Randall mentions him. He is surrounded by a diverse crowd: hippies, cheerleaders, punks, etc. Phil is holding two pitchers of beer, downing one in a matter of seconds then moving right on to the next. Everyone applauds. Randall stands slightly to the left of the crowd, stone-faced and absorbed in his own little world. Phil notices him. He hands the empty pitcher off to someone then walks over to Randall.

 

PHIL: Randy! Shouldn’t you be getting drunk or laid…or both? That’s what everyone else is doing.

 

RANDALL: Dammit, Phil. First of all, don’t call me Randy. And second, there’s more to life than being drunk and getting laid.

 

PHIL: Really? That’s what you honestly fuckin’ think? You gotta be crazy. Beer and sex are the kinda things that make life worth living.

 

RANDALL: Well, there are other things beyond those two.

 

PHIL: Like what? Come on, gimme examples.

 

RANDALL: (growing frustrated) Like…like poetry and music…movies, philosophy, paintings…

 

PHIL: (pats Randall’s shoulder) Randy, you’re a cool kid. I like you ‘cos you’re funny, but…my God, you can be a fucking idiot sometimes.

 

RANDALL: Oh yeah? And why’s that, Phil? Because I get pleasure out of things that you don’t understand?

 

PHIL: (slightly angered) Now hold on a second. Are you trying to say I’m a dumb jock? You trying to stereotype me here? Just because I don’t like reading poetry and feeling sorry for myself doesn’t mean I’m a moron.

 

RANDALL: Phil, I didn’t mean it like that. I’m sorry. I’ve just been having a rough night. This party hasn’t exactly been fun for me.

 

PHIL: Well why the hell not, buddy? A party should always be fun for…(trails off) Hey, isn’t that your buddy Josh over there?

 

Randall looks in the same direction as Phil. Josh is standing on the patio with Liz. They are both very drunk. Liz is in hysterics. Josh caresses her cheek, runs a hand through her hair.

 

RANDALL: Oh my God, this is unreal.

 

PHIL: You better get him away from her before Cameron finds out.

 

RANDALL: You’re not kidding. He’ll be leaving this party in a goddamn bodybag. (heads off) Later, Phil. Sorry about the misunderstanding.

 

PHIL: That’s all right. It happens. We’re still pals.

 

RANDALL: Glad to hear it. See you later.

 

As Randall runs, the camera’s focus switches to the patio. Liz has put a hand on Josh’s shoulder.

 

LIZ: Lemme tell you, Josh, if I’d had any idea that you were so damn funny, we would have hung out a hell of a lot more before tonight. You’re so damn funny!

 

JOSH: And sweet. Don’t forget that.

 

LIZ: (smiling) How can I? (pauses) Where have you been all my young life?

 

RANDALL: (loud) Josh, there you are! I’ve been looking all over for you! (grabs him by the arm) Listen, we have to talk.

 

JOSH: (getting dragged off) Hey, no…wait a sec, dammit! Liz, can I get your…

 

RANDALL: (tugging again) Nope, no time for that.

 

 

9                    EXT BACKYARD

 

Randall drags Josh over to a somewhat secluded spot. A couple walks by. Once they are gone Randall ruthlessly shakes Josh.

 

JOSH: Hey, what the fuck is your problem?

 

RANDALL: You’re one to talk, asshole! What were you doing back there?

 

JOSH: Just macking it up, man. The whole point of this party is to score, you fucking idiot! If you wanna mope and slink around in the shadows then go right ahead! That’s your problem, but don’t make it mine. And if you ever fuck up my game like that again I’m gonna haul off and smack you. I don’t want to mope around like you. Moping is your hobby, not mine.

 

RANDALL: Oh, yeah, I mope all right but not because I like it. I’ve been programmed my whole damn life to mope by people like you.

 

JOSH: And what the fuck does that mean?

 

RANDALL: It means I’m sad because I was about to watch you get yourself killed. You were on that patio trying to screw Cameron’s girlfriend! Do you understand what that means? Think about it! And use the bigger head to think this time!

 

JOSH: (coming back to reality) All right, so maybe I was outta line…

 

RANDALL: Damn right you were! And let me tell you something, maybe you think it isn’t so bad because you didn’t get very far, but Cameron won’t see it that way. And you should consider yourself the luckiest bastard in the universe if it doesn’t get back to him. Now come on, let’s get back to the party and try to find a single girl for you to nail.

 

 

10                INT LIVING ROOM

 

Randall and Josh are walking around, scoping out the women and greeting people here and there. Suddenly Randall stops dead in his tracks when he sees GWEN talking to some friends not too far away. Gwen is not your average Goth chick; this manner of dress actually accentuates her beauty. Raven-black hair contrasts starkly against her pale skin. The lack of pigmentation doesn’t make her look sick or like a vampire; instead Gwen resembles a precious porcelain doll. Standing out above any other feature are her startling blue eyes. Her outfit is completely black and rather baggy, but we get the hint of a great figure moving beneath the clothes.

 

JOSH: Hey, man, who are you checking out?

 

RANDALL: (nodding) Gwen. That Goth chick straight ahead.

 

JOSH: (looking her over) Wow, she’s pretty nice, dude. Isn’t that the one you’ve been fawning over since Christmas?

 

RANDALL: Thanksgiving. I met her at another party. We talked for only five minutes or so, but let me tell you those were the most enjoyable five minutes of my friggin’ life.

JOSH: What party did you meet her at? Who threw it?

 

RANDALL: I can’t remember. It wasn’t at anyone’s house. You know those fields across the street from my house? (Josh nods) That’s where it was.

 

JOSH: An outdoor party in November? That’s nuts. (pauses) But where the hell was I? I don’t remember being there.

 

RANDALL: (laughs) Then you must have had a great time.

 

JOSH: (chuckles) You fucker! Listen to me: if you like this chick so much you should go talk to her.

 

RANDALL: I’m too nervous. Look at all the people around her.

 

JOSH: What you need, sir, is more beer. Then you won’t care who’s around.

 

RANDALL: Beer is not the answer for everything, you imbecile. If I drank every time I couldn’t find the nerve to do something, I’d be an alcoholic by now.

 

JOSH: (thinking) All right, then. What if I go there with you? Like for moral support. Think that would help any?

 

RANDALL: Yeah. Actually I think it’d help a lot. Thanks.

 

JOSH: No problem, sir. You can thank me later. Now get moving.

 

They slowly make their way toward Gwen. The pace of their approach is due more to Randall’s reluctance than anything else; it can’t be blamed on the crowd because that has thinned out a bit. Gwen spots Randall and makes eye contact with him. He gives a weak grin, then abruptly turns around.

 

JOSH: Hey, hey…where are you going?

 

RANDALL: (in a breathless whisper) Going away. I…I can’t do this. What the hell was I thinking?

 

JOSH: Well you have no choice now. She already saw you coming. Look, she’s smiling and waving. (Randall looks to see Josh isn’t lying) Look, this is the moment of truth now. Do you really want to let that pretty lady down?

 

RANDALL: You’re right. Dammit, I can’t believe I’m admitting to it but you are actually right. (turns back to Gwen, makes his way over to her) Hi there, Gwen. Do you remember me?

 

GWEN: Yeah ,we met around Thanksgiving last year. You’re…Randall Gibson, right?

 

RANDALL: (V.O.) Wow, she even knew my last name. That was even more than I knew about her. (speaks) Yeah , that’s right. And this is my friend Josh.

 

JOSH: How’s it going, Gwen?

 

GWEN: I’m doing good.

 

GOTH GUY: Okay, Gwen, I’d better get going.

 

GWEN: All right. (hugs him) See you around.

 

RANDALL: (as Goth Guy leaves) So what have you been up to since I saw you?

 

GWEN: Not much. I went to see Type-O Negative at Saratoga Winners about a month ago.

 

RANDALL: Oh, that’s cool. Was the show any…

 

JOSH: (barging in) Those guys fuckin’ rock! Don’t they sing that song that goes, “Lovin’ you is like lovin’ the dead.”

 

GWEN: (smiles) That’s Type-O all right. That’s so cool that you know them!

 

RANDALL: So anyway, was the show good?

 

GWEN: Are you kidding? They always put on a good show.

 

RANDALL: Cool. At least you didn’t waste your…

 

JOSH: Hey, did you see Stabbing Westward when they were at Winners?

 

GWEN: No, I had to work that night.

 

JOSH: Really? Where do you work?

 

GWEN: At the Cumberland Farms on Pawling Ave.

 

JOSH: (patting Randall on the back) No wonder she looks so familiar! (to Gwen) I’ve seen you in there before. We both have, actually. You remember seeing her, man?

 

RANDALL: (irritated) Yes, Josh, how could I forget?

 

JOSH: Yeah ,we saw you the night that my brother got beer for us and this dude here puked all over himself. (laughs) And he didn’t even realize it! Then he went into Hanaford’s to buy something.

 

RANDALL: (getting red in the face) Josh, come here a moment. There’s something I forget to tell you.

 

JOSH: What? You can just tell me here.

 

RANDALL: It’s kinda personal. Could you just…

 

JOSH: Come on, man. This chick’s cool. She won’t care.

 

RANDALL: (angry edge in his voice) Well I do care, all right?

 

JOSH: (sighs) All right, let’s go talk. Be right back, Gwen.

 

GWEN: Sure. I’ll wait right here.

 

The two walk away. Josh stops, but Randall pushes him further away from Gwen.

 

JOSH: Hey, take it easy!

 

RANDALL: No, how about you take it easy? You asshole! What the fuck are you doing? You convince me to go up and talk to her, and now you’re running the conversation!

 

JOSH: Okay, so you want me to just stand there like a statue or something? That would be a little unfriendly.

 

RANDALL: Yeah, well you know everything about being unfriendly. (pauses) You know what, I just realized what you’re up to. Yeah, you may think I’m dumb or something but I know your game. You persuaded me to start talking to Gwen because you were too chickenshit to break the ice yourself!

 

JOSH: Oh, come on, man. Why are you getting so upset? It’s not like you were gonna get some anyway.

 

RANDALL: You don’t get it, fuckface. There’s more to life than sex. I actually like this girl. And if you were a real friend, you’d quit interrupting me so I can maybe get somewhere with her.

 

JOSH: All right, buddy. I’m sorry.

 

 

 

RANDALL: Oh yeah? Well here’s another thing, pal. If you tell her any more embarrassing stories about me, you’ll be sorrier than you ever dreamed you could be. I don’t care if it ruins my chances with her. I’ll kick your ass all over this house if you fuck this up for me.

 

Randall starts back over to Gwen. Josh slowly follows.

 

RANDALL: (V.O.) If only I had known what was going to happen next, I would have said to myself, “Well, there’s plenty of fish in the sea…might as well kick the shit out of this so-called friend and then move on.”

 

GWEN: (as they get back to her) Hey, Josh, you wanna go for a walk with me?

 

JOSH: Sure! Where to?

 

GWEN: I don’t know. I hadn’t thought that far. Anywhere will do.

 

JOSH: Hey, sounds like a plan to me.

 

GWEN: Cool. (as they head off) See you later, Randy.

 

Randall stands there in complete disbelief. People push their way past him rudely; he takes no notice. After the shock wears off he looks into his cup and realizes it is empty.

 

 

11                STAIRS NIGHT

 

Randall is running up as fast as he can, dodging people who are either headed downstairs or just standing there.

 

RANDALL: (V.O.) My warning to Josh had come too late. The damage had already been done. Gwen wasn’t meant to be with me.

 

 

12                INT BATHROOM

 

Randall runs in, his cup extended to Cameron.

 

RANDALL: Hey, man, fill me back up.

 

CAMERON: Randall, my friend! Never thought I’d see the day.

 

RANDALL: Just pour, please. I got a lot of catching up to do.

 

CAMERON: All right, all right! Keep your shirt on.

RANDALL: (V.O.) I should have warned Josh before we got over to Gwen, but then again how was I to know he’d do something like that? He was supposed to be my friend.

 

13                HALL

 

Randall immediately sets about pounding his beer.

 

RANDALL: (V.O.) The fucker had cornered me. By mentioning embarrassing stories, he put himself in a win-win situation. If I didn’t defend myself, the girl would think Josh’s stories were true; otherwise I would have protested against them. But on the other hand, if I did defend myself then I looked scary to the girl not only because of my reaction but because of the way josh played down what happened. (imitating Josh) Come on, man. What’s wrong? This chick’s cool, she doesn’t care. (pauses) Asshole.

 

 

14                LIVING ROOM

 

Randall is obviously drunk now. He stumbles across the room.

 

RANDALL: (V.O.) The only option I had left was to get wasted to the point where my inhibitions disappeared. Then I’d be able to approach anyone. Now that Josh was gone, I could at least get some meaningless sex out of the night.

 

Several scenes of Randall talking to various girls. Apparently there are no takers. One girl seems inclined to go with him, but then she leans forward and vomits. He narrowly avoids the barrage. Later on, even a fat girl standing all alone in a corner turns him down.

 

RANDALL: (V.O.) I hadn’t realized how much damage Josh had done.

 

 

15                EXT HOUSE NIGHT

 

Randall is walking out. In a fit of rage he kicks the first car he gets near, leaving a very noticeable dent in the door.

 

RANDALL: (V.O.) There was no way to change the shitty course the night was taking. Everyone had either paired up or wasn’t interested in me.

 

 

16                INT RANDALL’S CAR

 

It is a beat-up old Chevrolet Celebrity station wagon. Randall’s frustration grows as the car refuses to turn over.

RANDALL: (V.O.) All I could do was go home and sleep it off. I just had to hope my anger would have vanished by morning. But one thing was for sure: (car finally turns over; Randall drives off) that was it for Josh and I. He’d proven to me once and for all that he wasn’t much of a friend. In fact, I would be better off calling him my enemy. (pauses) I’m sure everyone has known someone like that. You all must know the old cliché: with friends like that…

 

 

17                RANDALL’S BEDROOM

 

Randall stumbles in and collapses on his bed, kicking off his shoes as he passes out. For a moment he stares up vacantly at the ceiling, then drifts off.

 

RANDALL: (V.O.) At least the alcohol would knock me out fast. That was the only good thing about Cameron’s party that year.

 

 

18                SCHOOL MORNING

 

Randall is walking down the hall. He sees Josh up ahead with Gwen. They are talking and laughing. Randall hangs back to watch. Josh turns to leave, but Gwen spins him back around and kisses him good bye.

 

RANDALL: (V.O.) Summer went by. I figured maybe things between Gwen and Josh had been dissolved. It still bugged me that Josh had most likely fucked her more than once, but hey…what was done was done. (pauses) Little did I know, Josh and Gwen weren’t done.

 

 

19                LIVING ROOM EVENING

 

Lisa sits on the couch, drinking and watching television. She lights up a cigarette just as the phone starts to ring. All she does is look at it.

 

LISA: Randall, answer the fucking phone!

 

 

20                RANDALL’S ROOM

 

He is playing guitar on his bed. After hearing his mom yell, Randall sets the instrument down and goes to the phone on his desk

 

RANDALL: Hello?

 

JOSH: (V.O.) Hey, man, what’s up? (pauses) Randall?

 

RANDALL: You’ve got some fucking nerve calling me. Why don’t you call your new girlfriend? You know, the one who probably could have been mine if you hadn’t fucked the whole thing up for me. Just call her up and forget I exist.

 

JOSH: (V.O.) No way, man! We’ve been friends for too long just to throw it away over one chick. Besides, who ever said she was my girlfriend? I just like that I can more or less get laid any time I dial her number.

 

RANDALL: (all choked up) You…you’re with her…just because you want to fuck her? (pauses)You don’t even care about her for anything else.

 

JOSH: (V.O.) Yeah, well…in my opinion there isn’t much to be interested in except for how wild she is in bed.

 

RANDALL: (through gritted teeth) Josh, I’m going to tell you this just once, so listen up. You better pray you never cross my path ever again because so help me God I’ll rip your balls off right on the spot.

 

He slams the phone down.

 

 

21                INT BASEMENT

 

Randall, naked from the waist up, is practicing on a wooden dummy. The force with which he hits it is terrifying.

 

RANDALL: (V.O.) I had never known such rage before. If anyone new had met me that day, they would have no desire to talk to me again. The anger was visibly burning me up. Hell, it was my anger and even I was getting scared. There was no other choice. I had to see Sifu right away.

 

 

22                RANDALL’S CAR AFTERNOON

 

Randall is driving along, listening to the Smashing Pumpkins. Up ahead the traffic light is turning yellow. He applies the brakes and comes to a stop just as the light turns red.

 

RANDALL: (V.O.) I’d felt so shitty the night before, but a I sat there at the light my spirits started to rise. Even if Sifu didn’t have an immediate answer on how I could best control my anger, he’d at least point me toward a solution.

 

 

 

 

 

23                EXT STREET

 

Some maniac is speeding down the road, easily doing seventy in a 30 mph zone. He is approaching the same intersection at which Randall sits. DRIVER looks at his watch, then up ahead. The light starts turning yellow.

 

DRIVER: No way, dammit. I gotta make this appointment.

 

 

24                INT RANDALL’S CAR

 

The light turns green for Randall. He still waits a second before accelerating.

 

25                EXT INTERSECTION

 

Randall moves forward, not realizing impatient Driver on the side street is still screaming toward him. Then he is made all too aware of it when Driver flies off the side street and slams into the tail end of Randall’s car. The collision sends Randall spinning 180 degrees before finally coming to a stop.

 

 

26                INT RANDALL’S CAR

 

Breathless, shaken and scared, Randall looks himself over.

 

 

27                EXT STREET

 

Randall slowly climbs out of his vehicle. Instead of looking at his car, he runs over to the other to help Driver out.

 

RANDALL: Mister, are you all right?

 

DRIVER: (shrugging away from his touch) Yeah, I’m fuckin’ fine! Get your damn hands off me!

 

RANDALL: (taken aback) Hey, I’m only trying to help.

 

DRIVER: (points at his car) You call that help? Oh, man, you are gonna pay for this, you little bastard.

 

RANDALL: (utter disbelief) What! You’re the one who ran the red light, mister. There’s no way in hell that this could be called my fault.

 

DRIVER: It is your fault! You should have been paying attention to the fact that I was speeding toward you.

 

RANDALL: Well, I was paying attention to the fact that you had the red light and were driving way over 30 miles an hour.

 

DRIVER: (looks around, then gets in Randall’s face) Well, you got any witnesses to prove that? (pauses) Didn’t think so. See you in court, punk.

 

We see the rage build in Randall’s face as Driver turns away. He spins the antagonist back around and punches him in the nose. The blow knocks Driver on his ass. Blood flows from his nostrils. Randall kneels down and wipes some crimson on to his fingers, then goes over to the other vehicle. He leans in and wipes the fluid on Driver’s steering wheel. All while Randall does this, Driver curses up a storm.

 

DRIVER: You fuckin’ punk! You broke my nose!

 

RANDALL: (calmly) No, sir…the accident is what broke your nose. You really should remember to wear your seatbelt.

 

DRIVER: What are you talking about? You just hit me!

 

RANDALL: (looks around, gets in Driver’s face) You got any witnesses for that? (pauses) Didn’t think so. See you in court, asshole.

 

 

28                INT LIVING ROOM

 

Lisa paces, smoking and chugging vodka right from the bottle. Randall comes in.

 

LISA: (yelling) What the fuck happened?

 

RANDALL: Nothing! Some asshole ran into me, that’s all!

 

LISA: That’s all! Isn’t that enough? Who do you think is gonna pay the outrageous lawyer fees, huh? Me! And I bet it wasn’t even that guy’s fault! I bet you weren’t paying attention, as usual…lost in daydreams about your stupid guitar!

 

Randall holds back from saying something. He turns around and heads back out of the house. Lisa takes on more swig and hurls the bottle at the door.

 

 

29                INT LAWYER’S OFFICE

 

Randall is pacing, rubbing his eyes. LAWYER sits behind his desk, flipping through a thick legal book.

 

RANDALL: So, this ridiculous case is really going to go to jury trial?

 

LAWYER: Most likely. Your word against the defendants, no witnesses. We definitely have to get you prepared for it.

 

RANDALL: How much will this cost me?

 

LAWYER: Well, jury trial is $1,000 per day, plus what you have to pay for today’s services.

 

RANDALL: And what about the day of the initial hearing?

 

LAWYER: (sighs) Well, don’t worry about it for now. (closes book, gets up) I’ll work with you on it. (comes around to Randall) Really, I’m on your side.

 

RANDALL: Thanks. At least someone is.

 

 

30                INT CLASSROOM AFTERNOON

 

Randall sits off in a corner with some FRIENDS. They are all talking and laughing it up. Despite all the joy around him, Randall isn’t smiling; he isn’t even paying attention to his friends. Instead Randall just sits back in his chair, staring blankly out the window.

 

 

31                EXT WOODS DUSK

 

Randall is walking down a path.

 

RANDALL: (V.O.) During this time I withdrew from everyone. My so-called friend had stolen away a girl I liked just to fuck her. Now my car was totaled, and I was looking at a damn hefty legal fee…three grand at least.

 

 

32                EXT GRAVEYARD DUSK

 

We see Randall in the distance. He is approaching a solitary headstone at the top of a hill. At this point we can’t read the stone. When Randall stops, camera pans over to reveal the name: David Gibson, 1947-1989.

 

RANDALL: (V.O.) Dad hadn’t been a millionaire, but when he died he did leave us a good bit of money, (pauses) but I knew there was no way in hell mom would let me use it for the lawyer’s fees. She needed it for boozing.

 

 

33                BACKPORCH NIGHT

 

Randall quietly opens the door and slips in.

 

 

34                INT KITCHEN

 

The debris of a failed dinner lies strewn about the floor, the counters, the table. Randall surveys the scene and shakes his head.

 

 

35                INT LIVING ROOM

 

Lisa is passed out on the couch. The television is still on, flickering the images of a game show across her still form. Randall creeps up to the couch and leans over to look at his mom. He studies her intensely, biting his lip (which is trembling). A tear nearly comes to his eye.

 

RANDALL: (V.O.) I remember a time when things weren’t like this between my mom and I. After dad died, though, it all went downhill. (pauses) My family was the only real foundation my life had. My friends sure as hell were no source for support. (pauses) My world was falling apart right under my feet.

 

 

36                INT HALL

 

Randall walks up to his bedroom door. There is a note on it, written in his mom’s drunken hand: “Randy, Tina and Eric called for you. They were at Tina’s house. I am so sorry about earlier, sweetheart. Love, mom.”

 

RANDALL: (V.O.) Another apology. Oh, she really did mean she was sorry. (pauses) Until the next violent outburst, that is.

 

 

37                IN RANDALL’S ROOM

 

Randall is sitting at his desk. He picks up his phone and dials a number, narrating while he does so.

 

 

 

 

 

 

 

 

RANDALL: (V.O.) Tina and Eric were a couple I’d help fix up. Tina had been my friend years before I met Eric, but I knew they’d be good for each other. (pauses) I never depended on them for much, which is probably why they never let me down. (pauses) They tried returning the favor, tried fixing me up with people they knew, but their matchmaking skills were terrible. Whenever they declared they found my soulmate, they always set it up as a double-date, and I think the reason for that was because I had a car and it was an easy way to get me to pick them up. They knew how lonely I was. It was so simple to sucker me into driving them all over creation. (pauses) When I look back now, I cringe at how gullible I was.

 

TINA’S DAD: (V.O) Hello?

 

RANDALL: (V.O.) When I heard that voice, I decided my gullible days had to come to an end. (over the phone) Hi, may I speak with Tina please?

 

TINA’S DAD: Sure, hold a second.

 

RANDALL: Hey, Tina, you called me earlier?

 

TINA: Hey, Randy, how’s it going?

 

RANDALL: Ah, not so good. My car got wrecked, and I…

 

TINA: (cutting him off) So me and Eric were wondering if you wanted to hang out tonight. My brothers said they’re gonna get some beer and rent out a hotel room. You up for some partying?

 

RANDALL: (sighs) Tina, you know, it sounds great but the guy who hit my car…

 

TINA: (shocked) What? You got in a car accident?

 

RANDALL: (slowly) Wow, Tina, you amaze me. That was one of the first things I said to you! My car got wrecked.

 

TINA: Well, I didn’t remember.

 

RANDALL: (angry) Don’t remember? That was two minutes ago! Listen, the guy who hit me is trying to say it was my fault. There were no witnesses so it’s gonna go to jury trial, and that might run me $1,000 per day.

 

TINA: So…what are you trying to say?

 

 

 

RANDALL: (throws his hands up in frustration) Do I have to spell it out for you? I can’t afford to run an hour out to Castleton, another half hour to wherever we go, and then another two hours to get us all home! If it were my car I wouldn’t care, but I’d be driving my mom’s car tonight. If I bring it back with an empty gas tank, she’ll be pissed.

 

TINA: Well, Eric and I can give you gas money.

 

RANDALL: Oh yeah, right. How stupid do you think I am? You guys never give me money, and you said you would lots of times.

 

TINA: No, Randy, I mean it this time. We don’t want you to just sit around moping about the trial. You need to get out. (pauses) Don’t worry. You won’t get in trouble. We’ll help you out with gas.

 

RANDALL: (hesitantly) You realize I’ll need enough to fill the tank back up?

 

TINA: I know. We have enough, trust me.

 

RANDALL: (V.O.) What a wimp I am. (to Tina) All right, I’ll be there soon.

 

 

38                INT LIVING ROOM

 

Randall quietly enters. He spots Lisa’s car keys on the end table. They jingle as he picks them up. Lisa shifts in her sleep, then settles. Now Randall leaves through the backdoor.

 

 

39                INT MOM’S CAR

 

Randall looks at the fuel gauge; it is on “F.” Then he starts the car up and backs out of the driveway. DISSOLVE TO:

 

 

40                INT MOM’S CAR LATER

 

Fuel gauge is now at the three quarter mark. Randall stops outside a white two story house sitting on a hill. He gets out and runs up to the front door. Camera follows.

 

 

41                EXT HOUSE NIGHT

 

Randall rings the bell. Almost immediately TINA and ERIC come out.

 

TINA: Hi. My brother and his friends are already in a motel room.

 

RANDALL: What about the alcohol? They got that too?

 

TINA: No, he said he was gonna wait until everyone got there to see what everyone wanted.

 

RANDALL: (heading toward the car) All right then. Let’s get going.

 

 

42                INT CAR

 

Once again we DISSOLVE TO the fuel gauge, which is now between three-quarters and one-half.

 

 

43                EXT MOTEL NIGHT

 

Randall’s car pulls up. He and his two passengers get up.

 

TINA: They’re in room thirty-two.

 

 

44                INT ROOM THIRTY-TWO

 

Loud music is playing, laughter and cigarette smoke floating in the air as the party rambles on. Most of the people in the room are male. There is a knock at the door. Tina’s brother NICK (who has an oafish build) walks over to it.

 

NICK: Guys, be quiet for a sec. Turn the music down. (music goes down) Okay. (cracks open the door) Who is it?

 

TINA: It’s us, Nick. Let us in.

 

He opens the door. Cheers abound when everyone recognizes who it is. The only other girl at the party, NICOLE (thin, tan, sexy), runs over to hug Tina. Randall is clearly attracted to Nicole but holds back from any actions or comments.

 

NICK: You must be Randall. (holds out his hand) I’m Tina’s brother Nick.

 

RANDALL: (shakes his hand) Nice to meet you.

 

NICK: Same here. (to others) All right, everybody! (shuts the door) Now that we’re all here, let’s decide what to get.

 

The room is flooded by noisy debate: people want beer, people want hard liquor, others aren’t picky. Money is pooled together as the choices are narrowed down. During all the commotion, Randall takes a seat near the stereo. While he idly flips the dial, Nicole approaches him.

 

NICOLE: (flashing a seductive smile) Hi, what’s your name?

 

RANDALL: I’m Randall, and you are…

 

NICOLE: Nicole. Nice to meet you. (shakes his hand) So how did you get invited?

 

RANDALL: Oh, I know Tina.

 

NICOLE: Really? That’s cool. How long have you known her?

 

RANDALL: Probably three or four years now.

 

NICOLE: That’s odd. I’ve known her for just as long, and she never mentioned you before.

 

RANDALL: (laughs) Well, that doesn’t surprise me.

 

NICOLE: (laughs, obviously inebriated) Say, can I sit on your lap?

 

RANDALL: (looks around) Uh…don’t you have a boyfriend?

 

NICOLE: (shakes her head) Nope, no boyfriend for me. (pauses) Well, not at the moment anyway.

 

RANDALL: I see. Well, in that case make yourself at home.

 

As she sits down Nick walks over. He is tallying up the funds.

 

NICK: Hey, Randall, I need to ask you a favor. Can we use your car to go get the alcohol? Mine has barely enough gas to get me home and then to work tomorrow.

 

RANDALL: Uh, I’m kind of busy here, Nick.

 

NICK: I know, but it won’t take long. We know what we’re getting, and the liquor store is only five miles up the road.

 

RANDALL: (sighs; to Nicole) You wanna go for the ride?

 

NICOLE: Nah, I think I’ll stay here. They’re gonna be rolling another joint soon.

 

RANDALL: Okay. Well, needless to say I won’t be long.

 

NICOLE: (touching his face) Good. You hurry back to Nikky, okay?

 

RANDALL: (laughs) You better believe I will.

 

 

45                EXT LIQUOR STORE

 

Randall is crouched down in the front seat so as not to be seen. He keeps looking at his watch impatiently. Finally Nick gets back in the car.

 

RANDALL: (as he starts up) What the hell took so long, man?

 

NICK: Look, don’t start bitching, okay? The employee didn’t think my I.D. was real, so I had to wait until the manager came up to check it out.

 

RANDALL: (backing out) And where was the manager?

 

NICK: He was in the office talking to his wife long-distance. (pauses) Sorry, man, I didn’t do it on purpose.

 

 

46                INT ROOM 32

 

Nick and Randall come back in. Our protagonist isn’t 100% shocked when he finds Nicole making out with another guy. The other guests swarm to the booze. Passage of time is shown via a dissolve.

 

 

47                INT ROOM 32 LATER

 

Nicole moves from one guy to the next, making out with all except Randall who sits off on his own, ignored by all.

 

RANDALL: (V.O.) Yes, I could have gotten drunk or high. I could have let euphoria black out my memory and gone with the flow of the others, but I didn’t want to. I wanted to let the anger build. All night I kept holding and holding it in. There were so many times I wanted to cut loose, but I had tremendous self-control. I had to save it all for Tina and Eric when the party was over.

 

 

48                INT ROOM 32 LATER

 

Most of the people are passed out. Tina and Eric lay on one of the beds falling asleep. Randall is slumped over in a corner. Slowly he comes around and looks at his watch. It says it is now 4:13 A.M.

 

RANDALL: Oh fuck! (leaps to his feet) I gotta have that fuckin’ car back by six! (runs over to the bed) Hey, you two, wake up. (they do not stir; he shakes them) Get up or I’m leaving you here!

 

TINA: (groggy) Go ahead. My brother can take us home.

 

RANDALL: All right, but you still have to give me some gas money.

 

TINA: Some..some what?

 

RANDALL: (after a stunned pause) Uh, some gas money? That was the deal, remember? Don’t even think about stiffing me for the money.

 

TINA: (slowly sits up) Settle down, Randall. We’ll give you some money. (shakes Eric) Eric, we need to give Randall his gas money.

 

Eric doesn’t move. Tina roots through his pockets and then her own. Once she has handed the money over to Randall, she flops back on the bed. Randall counts the money; he has four dollars in his hand.

 

RANDALL: Four bucks? You call this enough to fill my fucking gas tank!

 

TINA: Randall, what are you getting so pissed about?

 

RANDALL: You know why I’m pissed! I told you what the deal was when I came out here to pick you assholes up in East Bumblefuck, and you broke your promise again!

 

ERIC: Hey, Randall, could you keep it down, man? We’re trying to sleep.

 

RANDALL: (grabbing the scrawny youth by the shirt) Listen, you dumb fuck, I don’t give a shit what you’re trying to do! You fucked me for the last time!

 

Frustrated beyond belief, Randall throws Eric down on the bed. Tina leaps at him, but Randall executes a simple sidestep. Tina’s momentum keeps her moving forward, and she falls flat on her face. Nick is starting to come around. When he sees his sister on the floor and the rage in Randall’s face, he immediately launches into action. He lands a punch or two before Randall gives him a quick strike to the throat. As Nick stumbles away gasping, Randall runs out of the room.

 

 

49                EXT MOTEL DAWN

 

Randall is fumbling with the keys as he runs over to the car. He quickly hops in and takes off. Nick comes out of the room just in time to be covered in a plume of dust. He stands there watching Randall drive off.

 

 

50                INT CAR

 

Randall looks at the measly four dollars in his hand, then looks at the fuel gauge. It is hovering just below the one-quarter mark. His face is flushed red with anger.

 

RANDALL: (V.O.) And that was how my last encounter with Tina and Eric ended, with my pent-up anger still trapped inside me, bucking and kicking like a race horse trying to get out of its stall.

 

 

51                EXT RANDALL’S HOUSE

 

Randall is already parked. He gets out of the car and slowly walks into his house.

 

RANDALL: (V.O.) It was my fault, though, for not knowing any better. Tin and Eric wouldn’t be in any trouble if my mom’s gas tank wasn’t full, so why should they care? Plus they had a long history of letting me down. (pauses) In the end, I had no one to blame but myself.

 

 

52                INT TRAINING HALL

 

Sifu is watching Randall go through a form. It’s not hard to see Randall’s mind is elsewhere. He seems to be just going through the motion.

 

SIFU: Stop right there. (Randall holds still) Look at me. (The pupil does as he is told) Where is your mind today, Randall?

 

RANDALL: (puzzled) Why do you ask that, Sifu?

 

SIFU: Because I can tell you are distracted.

 

RANDALL: Sifu, I told you already. I’ve been having so many problems lately I don’t even know where to start looking for answers.

 

SIFU: (shakes his head) Randall, you cannot master wing chun with just your body. (points at Randall’s head) Victory begins here. You must devote 110% of yourself to what you are doing. Leave your problems outside. They do not exist in this training hall. All that matters here is wing chun.

RANDALL: Leaving my problems behind isn’t as easy as you might think.

 

SIFU: Do you think I’ve never known strife? Do you think I have gone my entire life without seeing one bit of pain? I didn’t come of age in the 1990s, Randall. I grew up when the only Chinese person this country knew was Charlie Chan. I grew up in the darkest hours of ignorance, but I survived. You must learn to push your problems aside. You have idea how to solve them now, so don’t worry yourself anymore. The more desperate you get to find an answer, the more it will avoid you. Answers come when they are ready. Do you understand?

 

RANDALL: Yes, sifu, I believe I do.

 

SIFU: Maybe we should call it a day, Randall. Come back tomorrow after you’ve thought about what I just said.

 

RANDALL: (bows) Yes, Sifu.

 

SIFU: And Randall, one more thing. Don’t be ashamed because you don’t know all the answers to your problems. There is no reason to feel down on yourself just because you are confused. It happens to everyone.

 

RANDALL: Yes, Sifu. (bows again) Thank you.

 

 

53                EXT SCHOOL AFTERNOON

 

Randall sits on the front steps, staring off into space. Every now and then another student (or pair of students) walks by; some say hello to him, but he barely mutters a reply. In the background we see THREE GIRLS come out of the school. One of them is TARA, a preppy-looking, pretty young lady. She sees Randall and comes to a stop. Her friends light up cigarettes.

 

GIRL 1: So what’s the plan? Are we going to the mall tonight?

 

GIRL 2: Depends if Tara can get her mom’s car. (pauses) Hello? Earth to Tara!

 

TARA: Is that Randall Gibson over there?

 

GIRL 1: (looking) Yeah. (takes a drag) He’s a bit weird, isn’t he?

 

TARA: I don’t think so.

 

GIRL 2: Well, anyway…Tara, are you going to get your mom’s car tonight?

 

TARA: (embarrassed) I don’t know. I kind of forgot to ask her this morning. (friends express disappointment) Well, I’m sorry!

GIRL 2: Tara, you’re hopeless.

 

TARA: (defensive) What’s that supposed to mean?

 

GIRL 1: (to Girl 2) She must be really head over heels with Randall. (to Tara) What she means is you’re always forgetful when you like a guy!

 

TARA: (whiny) Look, you two, I said I was sorry. I’ll ask my mom when I get home and then I’ll call you, all right? You don’t have to resort to picking on me.

 

GIRL 1: We were only teasing you, silly. (drags) Okay, so just call us when you know what’s up.

 

GIRL 2: Yeah, give us a ring. (pitches her cigarette) We gotta get going, though. Talk to you later.

 

TARA: (as they walk off) Yeah, see you later.

 

Our focus returns to Randall again while Tara lingers in the background, trying to decide if she should approach him or not.

 

RANDALL: (V.O.) I didn’t know what to do. Hold the anger in? No, that wasn’t a good idea. Find someone who might listen and vent my feelings to them? (laughs) Impossible. In this day and age of “me, me, me” no one wants to listen to anyone anymore. Nobody has the time to be a shoulder to cry on. (pauses) No one has time to care.

 

TARA: (approaching, sits down beside him) Hi. Our name’s Randall, isn’t it?

 

RANDALL: (V.O.; looking at her) Or…is it possible? Could I be wrong about humankind? (to Tara) Yeah, that’s me. And you are?

 

TARA: Tara Wilkins. You’re in my history class.

 

RANDALL: (laughs) Oh, right! That’s the class I call “nap time.” I mean, I don’t know how anyone can stay awake in there. Mr. Salzone’s voice just drones on and on and on.

 

TARA: (laughs) I know what you mean. (pauses) So what are you doing now?

 

RANDALL: Just thinking about things. (seeing she doesn’t understand) I’ve been having a rough time lately. A lot of problems. You know the deal, I’m sure.

 

TARA: Oh, I’m sorry to hear that. Do you want to talk about them?

 

RANDALL: (shakes his head) No, no way. You seem like you’re normally a bright and cheery person. I wouldn’t want to bring you down.

 

TARA: No, really…I want to listen. (touches his arm) Honestly.

 

Randall looks from her hand up to her face. He sees a lovely smile and sympathetic eyes.

 

 

54                STREET EVENING

 

Randall and Tara are walking along and talking.

 

RANDALL: (V.O.) I couldn’t help but open up after looking into those eyes. I told her about everything…my dad, my mom, even about the recent bullshit going on with my car accident and my so-called friends. (They stop at a corner) She didn’t seem to mind at all. She even asked questions and gave her insights as to why people acted the way they did. (pauses) And on top of her warm, caring nature, it didn’t hurt that I also thought she was cute as hell.

 

TARA: Well, it’s too bad those people have been assholes to you. (pauses, smiles) You’re so wonderful. You don’t deserve treatment like that.

 

RANDALL: Thanks. (pauses) Well, I really enjoyed walking with you.

 

TARA: (fishing around in her bag) Same here. (takes out pen and paper, scribbles something down) Here, take this.

 

RANDALL: What is it? (looks at it) Your number?

 

TARA: (laughs) Can’t put one by you, can I? (Randall laughs) Give me a call tomorrow. I’ve got to get home now.

 

RANDALL: All right. See you around.

 

She walks away. He watches her go.

 

RANDALL: (V.O.) I want you people to remember this scene. I want you to remember that she approached me. She insisted that she didn’t mind hearing me complain, that she offered me her shoulder to cry on. Tara insisted, not me.

 

Dissolve to:

 

 

 

55                INT RANDALL’S ROOM

 

Randall sits down at his desk. He picks up the phone and dials Tara’s number.

 

TARA: (V.O.) Hello?

 

RANDALL: Hi, may I speak with Tara please?

 

TARA: (V.O.) This is her.

 

RANDALL: Hey, it’s Randall. How are you?

 

TARA: (V.O.) Hey there! I’m all right. How about you? Hey, how come you weren’t in history today?

 

RANDALL: It was my first very expensive day in court.

 

TARA: (V.O.) You don’t sound too thrilled. Guess it didn’t go well, huh?

 

RANDALL: No. If today is anything to go by, it doesn’t seem this case will be over too quickly. And that really sucks because, as you may or may not remember, the lawyer told me each day in court is $1,000.

 

 

56                MONTAGE

 

We see different scenes of Randall and Tara talking on the phone, walking around downtown, sitting at a street corner café. The assembly of these different locations serves to map the course of their relationship over the next few weeks. As it goes on, Tara’s mood visibly changes. She doesn’t seem to be as interested in Randall’s company anymore.

 

RANDALL: (V.O.) Things started out so great. Up until that point in my life, I’d never had a girlfriend. Tara was the closest I’d come to one. (pauses) I don’t know when she changed her mind about me, but a couple weeks after we first met I noticed a difference. When we were together, she made less and less physical contact. There was one point when we used to walk around hand in hand all day, but suddenly she was making excuses to avoid touching me. And on the phone things changed too, If I didn’t talk, there was dead silence. She would never start the conversation. The only time she spoke was in response to me, and even then she seemed to give the shortest answers possible.

 

 

 

 

57                INT RANDALL’S ROOM

 

He is calling Tara again, but this time he doesn’t look half as excited as he used to. (NOTE: During this conversation we actually switch back and forth between Randall’s and Tara’s rooms for each line of dialogue unless a voice-over is indicated.)

 

RANDALL: (V.O.) Then, one day Tara wouldn’t even talk to me in history class. She just handed me a note that said. “Call me tonight at seven.” (pauses) So that is exactly what I did.

 

TARA: Hello?

 

RANDALL: (V.O.) May I speak with Tara please?

 

TARA: This is her.

 

RANDALL: Hey, it’s Randall. So what’s up?

 

TARA: (V.O.) Oh, not too much. Just working on my history essay.

 

RANDALL: Well, you don’t sound too thrilled to be hearing from me. (silence) In fact, you haven’t sounded thrilled in weeks. (pauses) What was that note in history all about?

 

TARA: (V.O.) Randall, I don’t know how to say this. (sighs) I don’t want to talk to you anymore.

 

RANDALL: (laughs) This is a joke, right? (pauses) You’ve got to be kidding me. This can’t be true. Tell me you’re not serious.

 

TARA: (V.O.) No, Randall, I’m not joking at all. I’m dead serious.

 

RANDALL: But why? I don’t understand. We’ve been getting along so great!

 

TARA: I know, but it’s just that…(trails off)

 

RANDALL: (V.O.) Just what? (pauses) Come on, I deserve to know what’s up since this does involve me.

 

TARA: Well, when you tell me about your problems and all that…when you complain and whine…it really drags me down.

 

RANDALL: (almost too stunned to speak) Well I’ll be a son of a bitch! Let me remind you, you are the one who came up to me! You’re the one who said you didn’t mind, that you wanted to listen when I said, “No, it might drag you down.”

 

TARA: (V.O.) I know, Randall, and I’m sorry.

 

RANDALL: I don’t want to hear “sorry.” I want to hear why you didn’t tell me it bothered you sooner. The only reason I kept going is because I thought you still wanted to listen. If it bothered you, you should have told me. I would have stopped. Hell, I still can change my ways now that I know it bugs you.

 

TARA: Randall, it’s too late for that. You’re right, it’s my fault for not being honest and telling you this sooner.

 

RANDALL: (VO.) You’re damn right it’s your fault! If I do something that bugs you, you have to tell me so I can stop. It’s not like I’m an asshole who keeps on doing things to irritate people. So now that I know what the problem is, why can’t I try to resolve it? Why do we have to stop talking? We can get beyond this.

 

TARA: Look, I just don’t think I can do that.

 

RANDALL: And why the hell not?

 

TARA: Because I don’t trust that you can change, okay? (sniffles back some tears) Look, don’t sit next to me in history, and don’t talk to me anymore. I’m sorry, Randall, but I’ve got to do what’s right for both of us.

 

RANDALL: (V.O.) Hold on, now! I don’t think it’s ri…

 

She hangs up on him. Randall holds the phone away from his face and looks at it in disbelief, mouth agape. Dissolve to:

 

 

58                INT HISTORY CLASS

 

Randall sits alone in the corner staring out a window. Tara comes in and, without even looking his way once, sits down at the head of the class.

 

RANDALL: (V.O.) How could she act so cold like that? How could she go from liking me so much to the ultimate slap in the face of acting like I never existed?

 

 

 

 

 

 

59                INT RANDALL’S ROOM

 

He sits on the bed with his guitar, alternating between playing chords and singing and pausing to write down the lyrics (which he is apparently making up as he goes along). We don’t hear his singing because of the narration.

 

RANDALL: (V.O.) If nothing else, all this bullshit was proving to be great fodder for some rocking tunes, but I wanted more than good music from bad experiences. I wanted to find a way to avoid these kinds of tragedies. (pauses) I just wanted to be treated decent for a change.

 

 

60                EXT PARK

 

Randall is switching between three tasks now: eating his lunch, playing chords, and writing down the music.

 

RANDALL: (V.O.) My inspiration spread like wildfire. Suddenly I had to bring my guitar everywhere I went. One moment away from my instrument caused a panic attack because I feared there would be some rockin’ monumental riff that would enter my head but would disappear before I could get to my instrument and play it out.

 

 

61                INT CAFETERIA

 

Randall sits alone in a corner, eating and playing guitar.

 

RANDALL: (V.O.) At the time I didn’t even realize how I felt. I mean, it’s true I was sitting around writing songs about miserable situations in my life, but when I look back at this time now, I can honestly say I was happy. And I’m not really sure how to explain it, but I think that maybe this creative explosion kept me constantly absorbed in my own little world and I wasn’t aware of anything going on around me. (pauses) Yes, escape from reality. I guess it’s what helped me rebound so nicely from Tara. Even though my songs were about the misery caused by her and everyone else, I still felt good. Dwelling on my problems through songwriting was different than bitching about them to someone. For some reason, analyzing my problems with music was more therapeutic.

 

At a nearby table several girls have taken notice of Randall playing. One of them, an “alternative” girl named MELODY, stares at him longingly.

 

TRACY: Melody, would you quit drooling? I’m trying to eat here.

 

MELODY: (standing up) Shut up, Tracy.

 

She walks over to Randall and stands in front of him. He is so absorbed in his playing that she goes unnoticed for what seems to be an eternity. In fact Randall doesn’t see her until he pauses to write down some lyrics.

 

RANDALL: (surprised) Oh, hi! Have you been standing there long?

 

MELODY: (smiling) Just a couple seconds.

 

RANDALL: I’m sorry, I didn’t mean to ignore you.

 

MELODY: That’s all right. I came over to hear you play. Are you in a band?

 

RANDALL: No. I don’t have too many songs written, so I was going to start looking for bandmates after I got about twenty songs under my belt. And I mean twenty good, solid, perfect songs, not fifteen good and five mediocre.

 

MELODY: You should really get one going. My last boyfriend played guitar. He was in a band for seven years, but I think you sound better than him. It’d be a shame if no one ever heard you play.

 

RANDALL: (modestly) Oh, come on. I’ve been playing for only three years. How could I be better?

 

MELODY: I don’t know, it’s just the way you sound. Some people are just more gifted than others.

 

RANDALL: That’s true.  I guess I just never thought of myself as too good.

 

They continue with small chitchat as we dissolve to:

 

 

62                IN CAFÉ

 

The coffee house is set up for an open mic night. A young man sits onstage reading a poem. Randall (with his acoustic guitar) sits off to the side with Melody. We can see his hands trembling. Melody notices too; she reaches out to hold him steady.