| Date | Work/Performance | Venue |
| Jun 2003 | simulcast Sound installation. Multi-channel composition for 3 Philips HC8410 headphones. Part of the installation day organised by Aki Pasoulas at Goldsmiths College, University of London. | Goldsmiths College, University of London |
| May 2003 | _jttp_ For tape (stereo). Entry for the Jeu de Temps/Times Play 2003 competition co-organised by the Sonic Arts Network (UK) and the Canadian Electroacoustic Community. Download at http://www.sonicartsnetwork.org/jeu_de_temps/jttp_2003_pieces.html#chong |
Web-based |
| Mar 2003 | ...because you discover fantastic variety and fantastic responses in yourself... For tape (stereo). Part of the Electronic Music Studio concert at Goldsmiths College, University of London. |
Goldsmiths College, University of London |
| Feb 2003 | Music & Performativity Presentation in the English & Comparative Literature Postgraduate Network Seminar (Spring Term 2003) series, Goldsmiths College, University of London. |
Goldsmiths College, University of London |
| Dec 2002 | stepping through myself For tape (stereo). Part of the Electronic Music Studio concert at Goldsmiths College, University of London. |
Goldsmiths College, University of London |
| Nov 2002 | Electronic Music for Piano by John Cage Realisation with Tania Chen (piano); John Lely, Sebastian Lexer, James Saunders, Richard Thomas and Li-Chuan Chong (electronics). The concert was part of the British Music Information Centre - The Cutting Edge 2002 series. |
The Warehouse, London |
| Sep 2002 | Level II Studio Composition Teaching undergraduate course as Visiting Tutor (part-time) at Goldsmiths College, University of London. |
Goldsmiths College, University of London |
| Jul/Aug 2002 | Oleanna Music and sound design for a play by David Mamet, adapted and translated into Chinese (Mandarin) by director Nelson Chia. Production was by The Theatre Practice (Singapore). |
Singapore Art Museum, Singapore |
| Jun 2002 | While You Sleep Sound for a short film written by Fumie Nishikawa, directed and produced by Eva Tang. While You Sleep was screened in the short film section of the 59th Venice Film Festival (2002). |
National Film Theatre, London; Venice, Italy |
| Jun 2002 | Mama Looking for Her Cat Music and sound design for a play by Kuo Pao Kun, directed by Lim Hai Yen. |
Greenwood Theatre, Kings College London |
| May 2002 | Melatonin Music and sound design for dance project by Daniel Kok. Part of the DanceSpace2002 programme organised by The Substation. |
The Substation, Singapore |
| Mar 2002 | Like Sand For tape (stereo). Part of the Electronic Music Studio concert at Goldsmiths College, University of London. |
Goldsmiths College, University of London |
| Mar 2002 | Untitled Improvisation trio: Li-Chuan Chong (PowerBook), Denis Dubovtsev (soprano sax) and Sebastian Lexer (piano and PowerBook). Part of the Interlace concert organised by Incalcando Contemporary Music Publishing. |
Goldsmiths College, University of London |
| Feb 2002 | Skinless Drum For bass drum and tape (stereo). Part of the concert programme in the electroacoustic concert series: images, real and imaginary 3 organised by the Department of Music, City University, London (UK). 2nd UK performance by Simon Limbrick. |
City University, London, United Kingdom |
| Feb 2002 | Was it a cat I saw? Sound installation. A palindromic composition for the Yamaha Disklavier, midi-grand piano. |
Goldsmiths College, University of London |
| Dec 2001 | The Lightness of Unbearable Being For oboe, percussion and tape (stereo). Part of the New Noise concert at Goldsmiths College, University of London. World Premiere of The Lightness of Unbearable Being performed by New Noise: Janey Miller (oboe); Joby Burgess (vibraphone and marimba). |
Goldsmiths College, University of London |
| Nov 2001 | Untitled Improvisation trio: Li-Chuan Chong (PowerBook), Denis Dubovtsev (soprano sax) and Sebastian Lexer (PowerBook). Part of First Aid, a concert series organised by Marianthi Papalexandri-Alexandri. | Bar Oporto, London, United Kingdom |
| Sep 2001 | Level II Studio Composition Teaching undergraduate course as Visiting Tutor (part-time) at Goldsmiths College, University of London. |
Goldsmiths College, University of London |
| Jul 2001 | Garden City Soundtrack for short film by Eva Tang. Garden City is a Singapore Short Film Finalist in the 15th Singapore International Film Festival. |
London/Singapore |
| May 2001 | Papillons For 8-channel tape. Part of the Electronic Music Studio concert at Goldsmiths College, University of London. |
Goldsmiths College, University of London |
| May 2001 | Quantifiable Flux, but we're just going to measure it by ear (this time) Improvisation trio: Li-Chuan Chong (PowerBook), John Lely ('live' electronics and PowerBook), Sebastian Lexer (piano and PowerBook). Part of a lunchtime concert presented by the Electronic Music Studio at Goldsmiths College, University of London. |
Goldsmiths College, University of London |
| Feb 2001 | Afterwords Sound installation. Part of the Spending Time with Raffles group exhibition curated by Lim Kok Boon at the Singapore High Commission (London). Catalogue available at the "Institute of International Visual Arts" (inIVA) Listen to excerpt at http://www.angelfire.com/electronic/phase2/sound/ |
Singapore High Commission, London, United Kingdom |
| Feb 2001 | Kitchen For tape (stereo). Part of the evening concert programme for the Composing Sound: electroacoustic and computer music (Postgraduate Research Conference) at Goldsmiths College, University of London |
Goldsmiths College, University of London |
| Feb 2001 | Non-linearity and asymmetry in sound design for visual (video) and 'live' art (theatre) - a theory in practice. Presentation in the Composing Sound: electroacoustic and computer music (Postgraduate Research Conference) at Goldsmiths College, University of London |
Goldsmiths College, University of London |
| Oct/Nov 2000 | Double Happiness Collaboration with Bodies in Flight (UK) and spell#7 performance (Singapore). Music and sound design for devised theatre piece. Touring production. |
Singapore venue The Black Box, Fort Canning Centre United Kingdom venues Contact Theatre, Manchester Bonington Gallery, Nottingham Loughborough University Arnolfini, Bristol |
| Sep 2000 | Truth, Reconciliation & Babelfish Talk on materiality and responsibility in the aesthetic practice of electroacoustic music. |
The Substation, Singapore |
| Aug/Sep 2000 | Pale Testament Soundtrack for video installation by Heman Chong aka NoSleepRequired. Part of [names changed to protect the innocent]: trans-media cockroach presented by The Necessary Stage (Singapore). |
Marine Parade Community Building, Singapore |
| Jun 2000 | Rosencrantz and Guildenstern Are Dead Music and sound design for a play by Tom Stoppard, directed by Nelson Chia. |
Goldsmiths College, University of London |
| May/Jun 2000 | Equus Music and sound design for a play by Peter Schaffer, directed by Do Jea-Houng. |
Goldsmiths College, University of London |
| May 2000 | Skinless Drum For bass drum and tape (stereo). Part of the Electronic Music Studio concert at Goldsmiths College, University of London. World Premiere of Skinless Drum performed by Simon Limbrick. |
Goldsmiths College, University of London |
| Mar 2000 | Phase and Freedom 2 concerts of music for piano, 'live' electronics and tape. Part of the programme for Fukuoka Asian Art Museum 1st Anniversary Celebration. Programme includes the World Premiere of Seven, for piano and 4-channel tape, and the 2nd performance of Angel One (see Dec 1999) performed by Tania Chen (piano). |
Fukuoka Asian Art Museum, Fukuoka City, Japan |
| Dec 1999 | Angel One For piano and 4-channel tape. Part of the Electronic Music Studio concert at Goldsmiths College, University of London. World Premiere of Angel One performed by Tania Chen (piano). |
Goldsmiths College, University of London |
| Sep 1999 | For Want of a Better Word (or Please) Music for performance/installation by Daniel Kok. Part of the SeptFest99 programme organised by The Substation. |
The Substation, Singapore |
| Aug/Sep 1999 | Molotov Cocktails Soundtrack for video installation by Heman Chong aka NoSleepRequired. Part of Brainstorm (what's that in your head?) presented by The Necessary Stage (Singapore) at the Singapore Art Museum. |
Singapore Art Museum, Singapore |
| Jul 1999 | The (Original) Art of Sound and The Art of Sound II 2 solo concerts of electroacoustic music. Part of the MusicSpace99 - Flip the Switch programme organised by The Substation. |
The Substation, Singapore |
| Mar 1999 | The Other Room Tape catalyst for improvisation. Part of the Contemporary Music Ensemble (CME) concert at Goldsmiths College, University of London. 1998/99 CME session directed by Roger Redgate. |
Goldsmiths College, University of London |
| Nov 1998 | The Art of Sound Solo concert of electroacoustic music. |
Goldsmiths College, University of London |
| Aug/Sep 1998 | State Apparatus: Anthem for Doomed Youth Sound installation. Part of the Danger Museum group exhibition organised by Woon Tien Wei. |
The Substation, Singapore |
| Jun 1998 | Hammer Song: Music of the Spheres Sound installation. Part of the Shelf Gallery group exhibition organised by Miho Shimizu. |
Goldsmiths College, University of London |
| May 1998 | Yes, I have Music and sound design for dance performance by Daniel Kok. |
Goldsmiths College, University of London |
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