MMK: Nagarjuna's Mula Madhyamaka Karika

Whether the Enlightened person is subject to Karma is an important philosophical question. If so, what's the use of Enlightenment? If not, then the law of causation is not universal. (source)

Everytime it is brought up that the Enlightened person is free from Karma the roof falls in. From the Samsara side of things it just doesn't compute and most are willing to argue and argue on and on over it because it is so contradictory to everyday experience. Actually it's so simple it isn't worth the time for the most part...however, the following "explanation" from the works of Nagarjuna leads up to and through a potential resolving of the issue...presented here in TEN pages. Ten pages, 190K, for something simple.

PRESENTED BY
...the Wanderling

FROM A MUCH LONGER PAPER (546K) BY
Johnah Winters(1)


ADDITIONAL NAGARJUNA LINKS:

Nagarjuna I

Nagarjuna II

Nagarjuna III

Nagarjuna IV



MMK: Nagarjuna's Mula Madhyamaka Karika

Structure of the Karika

A study of Nagarjuna's philosophy encounters many initial obstacles. Not only can his thought itself seemingly be impenetrable, but also the mythical stature he has acquired obscures much understanding of him. One modern scholar of Nagarjuna has admitted that the veneration of Nagarjuna "at times reached such ridiculous heights that his name was sanctified and stamped everywhere with reckless abandon."

FOOTNOTE: Kenneth Inada, quoted in Kalupahana 1986, 3 One result of this is that often it cannot be determined precisely which works attributed to him are authentically his. Of the more than one hundred texts bearing Nagarjuna's name, only thirteen are almost certainly his.

FOOTNOTE: Lindtner, 9-11 There are two reasons that it is difficult to determine which of these many works are his: One, his influence was extensive and his name venerated. It was not uncommon in Indian tradition for an adherent of a school to attribute a work to the school's original founder, as a means of paying respect. This certainly happened within Madhyamika. Two, there was likely more than one author actually named Nagarjuna, and there may have even been many.

FOOTNOTE: A. K. Warder, Indian Buddhism (Delhi: Motilal Banarsidass, 1980), 375 Of these thirteen works that were authentically written by the Nagarjuna in question, one stands out as being his chief work: the Mulamadhyamakakarika, "Verses on the Fundamentals of the Middle [Way]."

FOOTNOTE: Nagao writes that the name of this work was likely given to it by the Sino-Japanese tradition. This tradition found one verse of the treatise, XXIV.18, to be paramount; this verse concluded with the term madhyama pratipat, "Middle Path," and the treatise was named after it. (Nagao 1991, 190) This work stands supreme primarily because of its inherent merit, both in terms of philosophical acuity and innovativeness. It is also one of the few works that are indubitably his. The treatise also deserves to be regarded as unique because it was historically pivotal; it inspired a number of subsequent commentaries by other acclaimed thinkers and galvanized Buddhism into developing a wholly new school of thought based on this work, the Madhyamika, the "Middle Way" school. Finally, the Indian, Chinese, and Tibetan traditions are all unanimous in considering the karika as Nagarjuna's magnum opus.

FOOTNOTE: Lindtner, 10 The karika consists of 450 sententious verses.

FOOTNOTE: (448 verses plus 2 in the dedication) These verses have been preserved in the form of twenty- seven short chapters, each dealing with one topic. (For sake of clarity, it was necessary to differentiate between Nagarjuna's chapters and the chapters of this thesis. To solve this, Nagarjuna's chapters will henceforth be referred to as "sections," and the word "chapter" shall be taken to refer to chapters of this thesis.) The entire karika, minus commentary, would only run to thirty or forty pages. The chapter (section) structure in which the text is preserved is possibly a later formalization, most likely by Candrakirti. This is evidenced by the fact that the section titles provided by Candrakirti are often misleading as to the actual contents of the section, and also because copies of the karika preserved in Chinese and Tibetan occasionally contain very different section headings.

FOOTNOTE: Sprung, xv The verses are written in a precise metered form which was the staple of classical Sanskrit composition.

FOOTNOTE: Coulson, 250 Each verse consists of two lines of exactly sixteen syllables each which, while not rhyming, are very poetic and rhythmic when read aloud or chanted. Part of the reason for this writing style was to facilitate memorization. Books were often preserved in writing by this period in time, but the chief means of transmission was still oral. However, this is not the only import of the karika's poetic structure. Nagarjuna was not merely a reflective philosopher. He was a monk, and the purpose of monasticism was to facilitate meditation and traveling the path to enlightenment. This work, like his hymns, was surely intended to be an aid in meditation. One could memorize the karika and meditate on it by contemplating one verse at a time. The verses were not intended to be prosaic explanations of a philosophical position, but rather were meant to illuminate, in a terse and often aphoristic manner, certain precise aspects of the Buddha's teachings about the nature of reality and the proper path. Although the meaning of the verses is usually clear, there are many that defy interpretation. Like the famous Zen koans, some verses seemingly make no attempt to explain a philosophical theory but instead aim to provoke an immediate transcendence of conceptual limitations.


Methodology of this Examination of the Karika

There is no easy and obvious way to approach the karika. Most modern interpreters have opted to approach it by analyzing in isolation the broader topics with which it deals, such as anatman or dependent arising, and pulling quotes and examples from all sections of this work and from other works to explain each topic. Other scholars have chosen to select merely one subject of Madhyamika to address, such as emptiness, or one methodological consideration, such as the use of dialectic. Such approaches seem unsatisfactory for the present examination of Madhyamika because only the karika and its themes are the focus here, not the spectrum of Madhyamika as a whole. Attempts have also been made to categorize the sections of the karika into larger groupings of several chapters each and indicate the broad themes which Nagarjuna supposedly had in mind with each section.

FOOTNOTE: cf. Kalupahana 1986, 27-31 This approach, too, can be misleading and has no definitive validity; ultimately it may reveal little more than the interpretive bias of the interpreter. The most fruitful approach in the present context will be first to present in summary form the scope and thought of the karika itself and only afterwards to discuss its broader philosophical meaning and possible intent.

There are two admitted drawbacks of this approach, i.e. examining the karika and the karika alone. One, it will not be possible to present "the thought of Nagarjuna" as a whole. Other of his works show different sides to his thought and character and provide fruit for differing interpretations of his place in the broad spectrum of Buddhist thought. For example, the karika makes almost no mention of any of the themes which came to be emblematic of the "Greater School" of Mahayana,

FOOTNOTE: The only exception is one mention of the Bodhisattva-career in XXIV.32. However, even this mention does not demonstrate Nagarjuna to be an advocate of Mahayana, so it could be objected that an examination of the karika only would attribute too much "Older School"-ness to him. A second drawback is that presentations of his concepts could often be made clearer by recourse to other of his or his follower's works. It will be responded that these two drawbacks are not debilitating, and may not even be handicaps. An exposition of solely the karika can be defended because this work is truly the cornerstone of the entire subsequent Madhyamika school in all of its variety. The karika is the vitalizing influence of Madhyamika and all the main themes of the school are to be found in it. As mentioned above, the Buddhist tradition is unanimous in considering it to be the keystone of Madhyamika and perhaps even the single most influential work in all of Buddhism after the original sutras.

What would perhaps be most desirable would be to skip a section-by-section analysis of the karika and jump straight to a discussion of its broader themes and significances. An attempt to do this was the initial intent of this thesis. What quickly became apparent, though, was how great the amount of background knowledge necessary to make sense of this work and how little of this knowledge could be presupposed on the part of the reader. Take, for example, this wonderfully cryptic verse: "The arising of arising is exclusively the arising of primary arising. Again, the primary arising produces the arising of arising."

FOOTNOTE: karika VII.4. (All quotations from the karika, unless otherwise noted, are from the translation of David J. Kalupahana in Kalupahana, 1986.) Lest the reader be kept in suspense, this verse is explained in context below, page 57. The obscurity of such a statement is not the fault of the translation; the above is perhaps the clearest translation of this verse available. It is not to be assumed that the meaning of a verse like this automatically becomes pellucid if one has a background in Buddhist philosophy, but it does illustrate the difficulties one faces in attempting to comprehend and communicate Nagarjuna's thought. It was thus deemed necessary to summarize the basic themes of each of the twenty-seven sections, one by one, and briefly introduce the reader to the concepts contained therein. Only after this has been done can broader observations be made and the philosophical significances extracted. Certain translations of Madhyamika thought have presented only selections from the original works, sometimes calling them the essential selections.

FOOTNOTE: e.g. Sprung 1979 The implication of this pointed out by David Kalupahana, translator of and commentator on the Mulamadhyamakakarika, is that the remaining sections are inessential.

FOOTNOTE: Kalupahana 1986, 27 This thesis will not adopt that approach. While the following exposition of the karika may appear lengthy, the reader must be assured that prolixity has been scrupulously avoided and only the few most essential themes of each section have been mentioned.

Nagarjuna was both a Buddhist monk and an apologist for Buddhism. It is the Buddha's philosophy, and this philosophy only, that engaged his thought and veneration, as evidenced by frequent references to "the Buddha(s)" and "the fully enlightened one."

One thought informs the whole karika: the Buddha taught that there is no substantial essence underlying and supporting the manifest world.

FOOTNOTE: The reader's attention is called to the etymology of the word "substantial:" the Latin roots are sub = "under" + stare = "to stand." A "substance" is that which stands under something and provides the ground of being for it. The abiding soul and/or an absolute God posited by some schools of thought is, by definition, not dependent upon any element of the world for its existence, and the Buddha's philosophy holds that anything that is not dependent cannot be real. It would either transcend or precede existence, and thus could not exist. Notwithstanding, the mass of humanity perceives and believes in the real existence of the world, all the elements contained therein, and the characteristics of and relations between these elements. Nagarjuna devotes the majority of his sections to an analysis of these aspects of the putative world, such as cause-and-effect, the senses, action, and time. Following this, he examines the Buddha's teachings themselves, focusing on the nature of the enlightened being, the Noble Path, enlightenment itself, and dependent arising.


A Presentation of the Treatise

SECTION ONE

Causation, and some Initial Problems

(i.e. : An analysis of the static view of the world; composed of inherently existing things having properties like being the cause of ... or being caused by .... An analysis of the "elements" of dependent arising.)

Nagarjuna devotes his first section, "Examination of Conditions (pratyayas)," to the subject of causation. A discussion of causation had to precede his examination of the elements of reality (dharmas), for it is a thing's origin that determines its ontological status. Discussion of causal theories held a paramount place in Indian philosophy, because it was felt that a system's theory of causality reveals the method of the entire system.

FOOTNOTE: Murti 1960, 166 The Buddha's explanation of the causal process is dependent arising: "if this arises, that arises. If this ceases, that ceases."
It is unlike any of the non-Buddhist theories of causation which fall in one of four categories:

The philosophy of Nagarjuna almost defies interpretation. By the second verse of the first section, one is already hard-pressed to explain exactly what Nagarjuna is saying. Following an introductory dedication to the Buddha,

FOOTNOTE: discussed below, pages 115-118 he opens the karika with, in the first verse, what would appear to be an unqualified rejection of all the possible theories of causation.

FOOTNOTE: karika I.1 This can be, and has been, interpreted to be a pure denial of causation. In the next verse, though, he lists the four conditions (pratyayas) that function causally: There are a few very different ways to interpret Nagarjuna's stance on causation.  
The following summary of the karika will first present Nagarjuna's basic arguments on each topic and reserve commentary until all elements have been examined. The above five interpretations can be kept in mind to help understand his themes and what to make of them. It is hoped that this will not prove too confusing at times; the reader is to be reassured that generalized elucidation is forthcoming.
 
 
The majority of this first section seems to be an examination of what type of relation holds between the effect and the conditions pratyayas) which gave rise to it. (or simply to show that both usual extreme position have problems.) Nagarjuna also demonstrates that one cannot view either conditions (pratyayas) or the effects arising from them as existent. FOOTNOTE: karika I.7 Nagarjuna's clear presentation of the implications of cause-and-effect demonstrates that the entire problem stems from an over-analysis of the categories. There is only a problem if one attempts to separate cause and effect and speak of each in isolation. While the argument is clear and seemingly incontrovertible as he presents it, the consequences of his conclusion are far- reaching. If cause and effect arise only in mutual dependence, as the Buddha taught, then all talk of real existence must be abandoned, a radical conclusion indeed.

FOOTNOTE: It may seem that an inherent contradiction in Nagarjuna's philosophy is exposed by his language: in the very act of denying the reality of either existence or non-existence the verb "to be" is used. For example, verse XXV.10 reads "nirvana is neither existence nor non- existence" (italics mine). This problem stems from translation only. Unlike English, Sanskrit does not rely on the verb "to be" to express relations. In this example, the original is "na bhavo nabhavo nirvanam," which literally reads "Neither existence nor non- existence nirvana." (Curiously, though Sprung pointed out this problem, he neglected to answer it. Cf. Sprung 12)


GO TO:
SECTION II

THE RELATIONSHIP BETWEEN NOMINAL AND VERBAL SUBJECTS


(1)NOTE: This series of pages has been modified and edited by the Wanderling to facilitate a smoother, easier reading for a somewhat complicated subject matter. The original unmodified 190K format can be reached by clicking HERE


AWAKENING 101

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