Kusari
Gama Kill is 400-666 bpm
noisecore/noisegrind drum machine fun, including blast beats, pitch
shifted screams and noise.
All made by my old friend
Martin
and
me. Martin does the graphix and the noise, and I program the drum
machines and sing.
More mp3's at
http://www.soundclick.com/kusarigamakill
Read more about Kusari Gama Kill
here, and visit our
Myspace
Our first album
Dead
Animal Noise Party can be bought at
R.O.N.F. Records, or downloaded
as a rar-file by clicking the cover below.
It was
reviewed in
Vital Weekly #
584 and the review reads:
KUSARI GAMA KILL - DEAD ANIMAL NOISE
PARTY (CD, private)
There is no time to prepare on this assault! Seconds after you begin
the exploration into the crushing territories of latest album from
Danish project Kusari Gama Kill, sonic disturbance rolls like cascading
waves of turbulence and thrashes into the auditory canals of the poor
listener. Kusari Gama Kill, is a joint venture between the two artists
Martin Weile and Janus Blomfrø, the latter also known for his
excellent Noise-project Bobby Blitzkrieg. Not for the fainthearted,
Kusari Gama Kill, is ready to blow the hell out of you with their
latest album. Carrying the not-so-friendly title, "Dead animal noise
party", the album doesn't try to disguise its stylistic expression.
With 99 (!) tracks included on the album, the album turns my mind back
to Sore Throats 60-track freaky album of grindcore/punk titled "Never
mind the napalm, here's Sore Throat" (1989). And as was the case with
Sore Throat's legendary album, the power of grindcore is an important
part of the explosives on "Dead animal noise party". Needless to say,
each track has only a limited run-time, yet during the short lifetime
of each track, the explosive energy has been so well packed and
compressed like a nuclear bomb. Combining heavy low-end rumblings,
impenetrably dark atmospheres, chants from the grave, and overwhelming
feedback with merciless drum machinery and death growls, the two
artists has established 99 short works each of abrasive brilliance.
Apparently the artists seem to have their inspirational roots in both
the Grindcore and the Noise scene, as the album, compositionally is
built on electronic distortions, human death growling and ultra-fast
drum-machinery blended into a cocktail of apocalyptic extremity. Thus,
no matter how different metal music and electronic music seems, Kusari
Gama Kill demonstrates how beautifully these two genres stylistically
can be melted into one sonic hell. Everyone being interested in extreme
music, this being metal or e-music, need to check the album out.
This is black art in its most beautiful form! (NM)