Hello and welcome to the unofficial Brian De Palma website.
Here is the latest news:

De Palma a la Mod

E-mail
Geoffsongs@aol.com

De Palma Discussion
Forum


Exclusive Passion
Interviews:

Brian De Palma
Karoline Herfurth
Leila Rozario

------------

Warren Beatty's
Howard Hughes
moving forward

Filmmaker Mike
Cahill believes
he has world's
first double-
vertigo shot

Rie Rasmussen
to direct remake
of Cronenberg's
Shivers

Mentor Tarantino
says she's the "perfect
choice" to direct

AV Club Review
of Dumas book

Spielberg Predicts
'Implosion' of
Film Industry

Scorsese tests
new Zaillian
script for
The Irishman
with De Niro,
Pacino, Pesci

James Franco
plans to direct
& star in
adaptation of Ellroy's
American Tabloid

Coppola on
his recent films:
"What I was
trying to do with
those films was to
make three student
films in order to
try and set a new
trajectory and try to
say, 'Well, what
happens if I have no
resources?' Now, having
done that, my new
work is going to be
much more ambitious
and bigger in scope and
budget and ambition,
but now building on a
new confidence or
assurance. The three
little films were very
useful. I'm glad I did
it. I hope George Lucas
does it, because he
has a wonderful personal
filmmaking ability that
people haven't seen
for a while."

Sean Penn to
direct De Niro
as raging comic
in The Comedian

Scarlett to make
directorial feature
debut with
Capote story

Keith Gordon
teaming up
with C. Nolan for
supernatural
thriller that
he will write
and direct

Recent Headlines
a la Mod:

-Picture emerging
for Happy Valley

-De Palma's new
project with
Said Ben Said

-De Palma to team
with Pacino & Pressman
for Paterno film
Happy Valley

« August 2014 »
S M T W T F S
1 2
3 4 5 6 7 8 9
10 11 12 13 14 15 16
17 18 19 20 21 22 23
24 25 26 27 28 29 30
31

Interviews...

De Palma interviewed
in Paris 2002

De Palma discusses
The Black Dahlia 2006


Enthusiasms...

The Virtuoso
of the 7th Art

The De Palma Touch

The Swan Archives

Carrie...A Fan's Site

Phantompalooza

Paul Schrader

Alfred Hitchcock
The Master Of Suspense

Alfred Hitchcock Films

Snake Eyes
a la Mod

Mission To Mars
a la Mod

Sergio Leone
and the Infield
Fly Rule

Movie Mags

Directorama

The Filmmaker Who
Came In From The Cold

Jim Emerson on
Greetings & Hi, Mom!

Scarface: Make Way
For The Bad Guy

The Big Dive
(Blow Out)

Carrie: The Movie

Deborah Shelton
Official Web Site

The Phantom Project

Welcome to the
Offices of Death Records

The Carlito's Way
Fan Page

The House Next Door

Kubrick on the
Guillotine

FilmLand Empire

Astigmia Cinema

LOLA

Cultural Weekly

A Lonely Place

The Film Doctor

italkyoubored

Icebox Movies

Medfly Quarantine

Not Just Movies

Hope Lies at
24 Frames Per Second

Motion Pictures Comics

Diary of a
Country Cinephile

So Why This Movie?

Obsessive Movie Nerd

Nothing Is Written

Ferdy on Films

Cashiers De Cinema

This Recording

Mike's Movie Guide

Every '70s Movie

Dangerous Minds

EatSleepLiveFilm

No Time For
Love, Dr. Jones!

The former
De Palma a la Mod
site

Entries by Topic
A note about topics: Some blog posts have more than one topic, in which case only one main topic can be chosen to represent that post. This means that some topics may have been discussed in posts labeled otherwise. For instance, a post that discusses both The Boston Stranglers and The Demolished Man may only be labeled one or the other. Please keep this in mind as you navigate this list.
All topics
Ambrose Chapel
BAMcinématek
Bart De Palma
Becoming Visionary
Bill Pankow
Black Dahlia
Blow Out
Blue Afternoon
Body Double
Bonfire Of The Vanities
Books
Boston Stranglers
Bruce Springsteen
Cannes
Capone Rising
Carlito's Way
Carrie
Casualties Of War
Columbo - Shooting Script
Cop-Out
Cruising
Daft Punk
Dancing In The Dark
David Koepp
De Niro
De Palma Blog-A-Thon
De Palma Discussion
Demolished Man
Dionysus In '69
Dressed To Kill
Eric Schwab
Femme Fatale
Film Series
Fire
Frankie Goes To Hollywood
Fury, The
Get To Know Your Rabbit
Greetings
Happy Valley
Heat
Hi, Mom!
Hitchcock
Home Movies
Inspired by De Palma
Iraq, etc.
Key Man, The
Lithgow
Magic Hour
Mission To Mars
Mission: Impossible
Montreal World Film Fest
Mr. Hughes
Murder a la Mod
Nancy Allen
Nazi Gold
Obsession
Oliver Stone
Paranormal Activity 2
Parker
Parties & Premieres
Passion
Paul Hirsch
Paul Schrader
Phantom Of The Paradise
Pino Donaggio
Prince Of The City
Print The Legend
Raggedy Ann
Raising Cain
Red Shoes, The
Redacted
Responsive Eye
Rie Rasmussen
Robert De Niro
Sakamoto
Scarface
Sean Penn
Sisters
Snake Eyes
Sound Mixer
Star Wars  «
Stepford Wives
Tabloid
Tarantino
Toronto Film Fest
Toyer
Treasure Sierra Madre
Tru Blu
TV Appearances
Untouchables
Vilmos Zsigmond
Wedding Party
William Finley
Wise Guys
Woton's Wake
Blog Tools
Edit your Blog
Build a Blog
RSS Feed
View Profile
You are not logged in. Log in
Saturday, August 9, 2014



The George Lucas quote above is included in an article by City Guide New York's Linda Sheridan, about the upcoming 60th anniversary of Serendipity 3, "the renowned NYC confectionery and eclectic gift shop."

Posted by Geoff at 10:11 PM CDT
Post Comment | Permalink | Share This Post
Monday, January 27, 2014
ANOTHER 'STAR WARS'-ERA PHOTO


The photo above was posted two days ago on the Twitter page of StarWars7783. The photo was taken in late 1979, and everybody looks pretty happy. Seated at the table (or squatting), from left to right, are Marcia Lucas, actress Verna Bloom, George Lucas, screenwriter Jay Cocks, and Nancy Allen. Standing from left to right are Paul Hirsch, Brian De Palma, and Paul Hirsch's wife, Jane.
(Thanks to Nancy Allen for filling in the gaps for us, and thanks also to Romain!)

Posted by Geoff at 1:51 AM CST
Updated: Saturday, February 1, 2014 1:33 AM CST
Post Comment | Permalink | Share This Post
Monday, September 2, 2013
PIC: AFTER THE ROUGH CUT OF 'STAR WARS'
DE PALMA, HIRSCH, KURTZ, SPIELBERG, LUCAS, FROM LEGENDARY EVENT


In 1977, George Lucas showed a rough cut of Star Wars to a group of his friends to get their feedback. The picture above, which was tweeted today by Will McCrabb, shows part of the group after the screening: Brian De Palma talking to editor Paul Hirsch, with Gary Kurtz, Steven Spielberg, and Lucas himself all standing behind them, to the right. (Not sure where the picture originated from.)

Posted by Geoff at 11:29 PM CDT
Updated: Monday, September 2, 2013 11:33 PM CDT
Post Comment | Permalink | Share This Post
Tuesday, July 23, 2013
DE PALMA INTERVIEW - PORTUGUESE
'PASSION', 'STAR WARS', OSCARS, STAIRCASES
The Portuguese weekly Sol posted an interview with Brian De Palma today. Passion opened in Portugal on July 11. Here is a Google-assisted translation of the interview:
---------------------------

In Passion we feel great respect for Hitchcock. What do you consider most inspiring in his work?

This is a question I've been answering for 40 years. I learned a lot from Hitchcock thrillers. He created a grammar of cinema that many of us use, but I have my own way of seeing things.

I seemed to detect references to movies such as Vertigo. Am I wrong?

Do you know how long filmmakers have been filming spiral staircases? This began in silent films, it is the best way to capture someone walking up stairs. Hitchcock used this trick in Vertigo but before that it had been used dozens of times.

One realizes that dreams have a key role in your films ...

The majority of my thoughts occur during dreaming. Our subconscious is always working ...

In Passion there is a smartphone that takes account of the action. Are you a technology fan?

When I was in high school, I built computers, so we already see that my love of technology comes back. Today we walk with iPhones and film everything. Even my kids force me to take pictures of people with whom I speak [pauses to take a picture of the interviewer]. It’s for them to see what their father is doing.

To what extent do you think that technological tools can influence the movies?

When I started we had to raise a lot of money to make a movie. My first feature film cost $100,000, which we got from a rich girl. My second film cost $50,000. It is clear that both were flops. For the third film we raised $20,000. And it was a success. Today people complain about not having money to make films, but anyone can make them. It's all digital, and they can be edited on a computer. And if you cannot get a cast and write a script, it is best to do something else. Today there are no longer those excuses.

Feel part of a generation of filmmakers who changed cinema?

Yes, I am part of a group of filmmakers who arrived when the Hollywood system was ending. We were a little crazy and created sort of strange films like Easy Rider, but they made a lot of money. Suddenly we were considered the leaders of the city.

You began by making a very experimental film. Would you like to have followed this route?

In the beginning we experience everything to realize what we can do. I made a series of documentaries and experimental films, and won several awards. But only with my third film, which was Greetings, did I begin to enter the Hollywood scheme. I made several independent films that nobody remembers. Carrie was my tenth film.

Is it true or is it a myth that you wrote the first lines of the script of Star Wars?

No, I did not write these lines. George Lucas had an intro that was too complicated and I just told him, 'George, I don’t understand anything of what's written here'. So me and a screenwriter simplified the text. I have been accused of being the sarcastic type that made fun of 'The Force' ... It is true that I was always the official 'clown' of that group, but I'm also a good friend of George’s, and was there to help. My biggest contribution was untangling the mess at the beginning.

But it is true that you discovered Robert De Niro. How did that happen?

He came to see me because of an ad I had placed in a magazine to find a person who could project the movies. And he turned out to audition for a film I was doing in a garage. He was just amazing and I hired him. After two films he did some plays with me.

Do you keep in contact?

Not really. I saw him recently at a dinner that George [Lucas] gave. He appeared with his wife.

You have won several awards, but have never been nominated for an Oscar. Is that important to you?

In America the awards are only television shows in which the stars on the red carpet parade. They end up selling clothing and jewelry.

Were you able to anticipate the success of any of your films?

Only with The Untouchables.

And Carrie?

Carrie. It was a cheap horror movie that was released on Halloween. Stephen King was not even known. The book did not sell very well and only during the production of Carrie did it become a best seller. But nobody knew who Stephen King was.

Scarface [1983] was another of your great successes. Were you expecting that?

No. When it was shown in Hollywood, people left the room. I thought it would be a massacre. It wasn’t until it reached audiences that I realized it was something that had never been seen before.

Are there any films of yours that are considered special?

Mostly the controversial films. There is much talk of The Godfather, but Coppola had a traumatic experience. He was supposed to be fired almost daily. Dressed to Kill was ravaged by the women’s liberation movement ...

Is it important to shock the audience?

It is important to catch them off guard. It's like taking the rabbit out of the hat and putting it back in the hat when they are not looking.

It's on television that we see some of the finest moments of current fiction. How do you see this?

Television is a medium dominated by producers and screenwriters. [The directors are the types that take the cables the way] ... Look at The Sopranos or Mad Men: they are almost like War and Peace. The characters are developed over years! That is unprecedented.


Posted by Geoff at 10:44 PM CDT
Updated: Thursday, July 25, 2013 12:24 AM CDT
Post Comment | Permalink | Share This Post
Tuesday, June 11, 2013
1990 VIDEO: SPIELBERG INTERVIEW
DISCUSSES DE PALMA SPARKING THE IDEA FOR OPENING SCRAWL IN 'STAR WARS', & MUCH MORE


In a section of the terrific interview above, Steven Spielberg talks about the way he and his filmmaking friends would help each other out as they were all coming up in the industry:

"We had such a wonderful kind of an incubator in the early '70s. Late '60s/early '70s. I really began directing in '69, that was television, I was 21, but... And I met all these people around that period of time. I met George Lucas in 1967 when we were both in college. I was at Long Beach State, he was at USC. And I met a lot of those fellows in college, and professional life, and it was not a clique, not a 'Brat Pack,' nothing that people claim we were. We were just a bunch of filmmakers that weren't afraid to show our rough cuts to each other, and weren't afraid of that kind of criticism. We weren't afraid of George Lucas or Brian De Palma. I'll never forget the day Brian De Palma and I saw the rough cut of Star Wars. And there were only about six of us in the room. And it was the very first time George had ever showed the picture to anybody, and chose the six of us to show it to. Well, Brian went off the deep end. [Smiling as he playfully imitates De Palma] 'Whaas... Makes no sense! Nonsense! What's this all about?' And through all of the contention of that wild evening where Brian liked the movie, but thought it was sort of mixed up... it was really mixed up, it just didn't have 89 percent of the special effects in them-- who could possibly make head or tails of Star Wars without all those, you know, 500 effects shots? But, Brian's contention did lead to George inventing the now very famous forward, like the old serials, that crawled up the screen. You know, 'A long time ago, in a galaxy far, far away.' Now that came out of that rough cut screening. You know, and that was exciting to see things like that happen. I sat with Scorsese, in the editing room, heloing him edit the last ten minutes of Taxi Driver. Which is a film totally unlike who I am. But he asked me to come in, and to give my opinion, and to make some comments, and I did. That was fun, you know, we've all helped each other with our movies. The shark blowing up in Jaws was not my idea. It wasn't in the Peter Benchley novel, wasn't in the Peter Benchley screenplay, and the Carl Gottlieb screenplay. It was simply some filmmaker friends of mine who read the script and said, 'The shark's gotta blow up at the end. You've got to find some way to explode it. Not just kill it, it's gotta explode!' And without that kind of, sort of selfless thinking, where the ego is not leading you around by your nostrils, but you're open to pain, and to embarrassment, and to ridicule, and by being open to that with peers that know what it's like to make a movie, that have made movies, that you can respect their word, their critique, so to speak... and it's a great way to work. A great way to make your movies even better."


Posted by Geoff at 10:57 PM CDT
Post Comment | View Comments (1) | Permalink | Share This Post
Wednesday, April 17, 2013
DE PALMA MENTIONED ON 'PARKS & REC' OUTTAKE
OSWALT IMPROV RANT INCLUDES GETTING DE PALMA TO WRITE OPENING SCRAWL FOR 'STAR WARS VII'


Above is an unedited version of a rant (or "ramble") Patton Oswalt delivers on tomorrow night's episode of Parks And Recreation on NBC. The opening scrawl for this video explains that Oswalt appears on the episode "as a man who launches a filibuster to prevent a city council vote. The producers asked him to ramble a bit about whatever subject he wanted. What follows is one continuous take of that scene - 100% improvised."

What Oswalt rambles on about are his ideas for "Star Wars VII," which he hilariously cross-brands with the Marvel universe, as both are now owned by Disney, and also with the mythical figures of Clash Of The Titans. But to start it off, he begins at the beginning:

"We begin with standard title sequence," says Oswalt, "John Williams fanfare, followed by a scrawl to be written-- I would like to mention that Brian De Palma wrote the original opening scrawl for Star Wars Episode IV: A New Hope. I think it would be a nice nod to the franchise if he were to write this opening scrawl."

In fact, it was De Palma and Jay Cocks who rewrote the opening scrawl. When George Lucas showed a rough cut of Star Wars to his friends, he'd had a long scrawl at the beginning that seemed to go on and on. Among the friends at the screening were De Palma, Cocks, and Steven Spielberg. Cocks recalled in the Nov/Dec 2002 issue of Creative Screenwriting that the morning after the screening, "I was sitting in a work room above a garage in [George Lucas'] house with a yellow pad with George and Brian and a couple of other people. Brian said, 'All right Jay, you sit down there at the typewriter. No one understands what this movie is about, we gotta set it up.' What I remember saying is: 'George, you gotta make other people understand this is a fairy tale.' We wrote something that [did] that, and in some form became the prologue to Star Wars or was part of the prologue to Star Wars."


Posted by Geoff at 7:33 PM CDT
Updated: Thursday, April 18, 2013 8:17 PM CDT
Post Comment | View Comments (1) | Permalink | Share This Post

Newer | Latest | Older