-'HUMAN ZOO' FINALLY MAKES U.S. DEBUT AT NEW BEVERLY
-RIE Q&A AT EVERY SCREENING THIS WEEK
-TALKS TO COLLIDER ABOUT LEARNING FROM DE PALMA, BESSON, TARANTINO
Rie Rasmussen's 2009 debut feature Human Zoo finally had its U.S. premiere last night at Quentin Tarantino's New Beverly Cinema in Los Angeles. (Tarantino befriended Rasmussen around the time he was working on Inglourious Basterds, and invited Rasmussen to hang out on the set of that film.) Human Zoo will play again tonight and tomorrow night (Saturday & Sunday) as a double feature with Luc Besson's Angel-A, which starred Rasmussen in the title role. Rasmussen will be on hand for a Q&A following each screening of Human Zoo throughout the week (last night's Q&A was moderated by Elvis Mitchell).
In an interview with Collider's Christina Radish, Rasmussen talked about the autobiographical nature of Human Zoo, and how she ended up acting in it, as well as writing and directing. She was also asked about what she learned from working with Brian De Palma, Besson, and Tarantino:
At the time, Brian De Palma was such a hard-on for me. I was just really losing my shit, to work with him (on Femme Fatale). I was on set for as much as I could be, which was probably a month, and I only shot for four or five days. But, I did do that one, long steadi-cam shot that is the Brian De Palma signature. That was so awesome for me. It was following me! Who even cares about the rest of the movie? No. In my formative years, Brian De Palma taught me by watching him. From when I was 18 to 25, there was nothing better than Brian.
From 12 to 15 or 16, there was nothing better than Luc Besson, with Big Blue and La Femme Nikita. That was it. With Angel-A, he wanted to prove to everybody that he could make a feature film in six weeks, put it out five months later, package it and distribute it for no money.
Watching Quentin Tarantino write his new magnum opus, motherfucker of a film, Django Unchained, has been more than a lesson in writing. I always knew that the man was genius, but I have been astonished at what comes out of him. He’ll read me the scenes. He’s like, “I just had to redo this scene and I want to read you this new dialogue I wrote.” He read me this dialogue, and I was just on my ass. Just to watch him rattle it off like that, he’s genius. So, yeah, you learn. I pay attention. My eyes are wide open, and my eyelids are pinned to the back of my head.
According to The Playlist's Jeff Otto, Tarantino said that with Human Zoo, "Rie Rasmussen makes an electrifying directorial debut. It’s as shocking and violent as it is moving and charming." It is worth noting that Rasmussen has worked with cinematographer Thierry Arbogast on all three of her formulative films, first meeting him on De Palma's Femme Fatale, then working together on Besson's Angel-A before shooting Rasmussen's Human Zoo. Rasmussen told Collider that her next project as director will be Good and Evil, which is written by Nicolas Constantine as an adaptation of Philip Carlo's novel The Night Stalker, based on the life of Richard Ramirez. Prior to Rasmussen's involvement in that project, James Franco had been rumored to be interested in playing the lead role.