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Interviews:

Brian De Palma
Karoline Herfurth
Leila Rozario

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Warren Beatty's
Howard Hughes
moving forward

Filmmaker Mike
Cahill believes
he has world's
first double-
vertigo shot

Rie Rasmussen
to direct remake
of Cronenberg's
Shivers

Mentor Tarantino
says she's the "perfect
choice" to direct

AV Club Review
of Dumas book

Spielberg Predicts
'Implosion' of
Film Industry

Scorsese tests
new Zaillian
script for
The Irishman
with De Niro,
Pacino, Pesci

James Franco
plans to direct
& star in
adaptation of Ellroy's
American Tabloid

Coppola on
his recent films:
"What I was
trying to do with
those films was to
make three student
films in order to
try and set a new
trajectory and try to
say, 'Well, what
happens if I have no
resources?' Now, having
done that, my new
work is going to be
much more ambitious
and bigger in scope and
budget and ambition,
but now building on a
new confidence or
assurance. The three
little films were very
useful. I'm glad I did
it. I hope George Lucas
does it, because he
has a wonderful personal
filmmaking ability that
people haven't seen
for a while."

Sean Penn to
direct De Niro
as raging comic
in The Comedian

Scarlett to make
directorial feature
debut with
Capote story

Keith Gordon
teaming up
with C. Nolan for
supernatural
thriller that
he will write
and direct

Recent Headlines
a la Mod:

-Picture emerging
for Happy Valley

-De Palma's new
project with
Said Ben Said

-De Palma to team
with Pacino & Pressman
for Paterno film
Happy Valley

« August 2014 »
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Interviews...

De Palma interviewed
in Paris 2002

De Palma discusses
The Black Dahlia 2006


Enthusiasms...

The Virtuoso
of the 7th Art

The De Palma Touch

The Swan Archives

Carrie...A Fan's Site

Phantompalooza

Paul Schrader

Alfred Hitchcock
The Master Of Suspense

Alfred Hitchcock Films

Snake Eyes
a la Mod

Mission To Mars
a la Mod

Sergio Leone
and the Infield
Fly Rule

Movie Mags

Directorama

The Filmmaker Who
Came In From The Cold

Jim Emerson on
Greetings & Hi, Mom!

Scarface: Make Way
For The Bad Guy

The Big Dive
(Blow Out)

Carrie: The Movie

Deborah Shelton
Official Web Site

The Phantom Project

Welcome to the
Offices of Death Records

The Carlito's Way
Fan Page

The House Next Door

Kubrick on the
Guillotine

FilmLand Empire

Astigmia Cinema

LOLA

Cultural Weekly

A Lonely Place

The Film Doctor

italkyoubored

Icebox Movies

Medfly Quarantine

Not Just Movies

Hope Lies at
24 Frames Per Second

Motion Pictures Comics

Diary of a
Country Cinephile

So Why This Movie?

Obsessive Movie Nerd

Nothing Is Written

Ferdy on Films

Cashiers De Cinema

This Recording

Mike's Movie Guide

Every '70s Movie

Dangerous Minds

EatSleepLiveFilm

No Time For
Love, Dr. Jones!

The former
De Palma a la Mod
site

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Tuesday, August 19, 2014
DAVE GROHL PLAYS CARRIE IN ALS CHALLENGE
VIDEO INCORPORATES IMAGES & SOUNDS FROM DE PALMA FILM
CHALLENGES STEPHEN KING & TRAVOLTA, WHO HAVE 24 HOURS TO RESPOND
FELLOW FOO FIGHTERS APPEAR IN SUPPORTING ROLES



Billboard
"Foo Fighters Parody 'Carrie' in Brilliant Ice Bucket Challenge Video"

SPIN
"Foo Fighters Spoof 'Carrie' for Best ALS Ice Bucket Challenge Yet"

Rolling Stone
"Foo Fighters Turn Ice Bucket Challenge Into Epic 'Carrie' Tribute"

"Grohl and Co. do an excellent job sending up Carrie's climactic prom disaster, incorporating actual shots from the movie, while Grohl, in full Prom Queen regalia, offers over-the-top tears (first of joy, and then unquenchable rage after he's doused). While the clip cuts before Grohl can unleash his hellish retaliation, Taylor Hawkins, playing Carrie's date Tommy, dutifully takes one for the team and gets conked on the head with the empty bucket. Fellow Foos Pat Smear and Nate Mendel play the rapscallions who trigger the bucket drop on Grohl's head."

Loudwire
"Foo Fighters Star in Most Awesome ALS Ice Bucket Challenge Video Yet"

Music Times
"Foo Fighters' ALS Challenge Video Is The Best One Yet"

Click Music
"Foo Fighters win the ALS Ice Bucket Challenge with a brilliant Carrie parody"

TIME
"The Foo Fighters Spoof Carrie for Their Ice Bucket Challenge Video"

"Okay, okay, we know you’re probably sick of watching celebrities like Britney Spears (and, worse, randos in your Facebook timeline) do the ice bucket challenge, but it won’t hurt to watch just one more, right? The Foo Fighters put a lot of effort into their contribution to the viral phenomenon by recreating the iconic prom scene from the 1976 horror film Carrie.

"In the movie, Carrie gets drenched with pig’s blood — luckily, the Foo Fighters used ice water instead.

"Grohl nominates a few others to complete the challenge: Stephen King (who wrote the book upon which the film is based), John Travolta (who was in the movie) and Jack Black (for unknown reasons.) But it’s going to be pretty hard for anyone to top this."

Ultimate Classic Rock
"Foo Fighters’ Ice Bucket Challenge May Be the Best Yet"

Huffington Post
"Foo Fighters' 'Carrie' Sendup Just Won The Ice Bucket Challenge"

OC Weekly
"Foo Fighters Ice Bucket Challenge Just Changed the Game"

VanyaLand
"PROM KING: DAVE GROHL AND FOO FIGHTERS RECREATE ‘CARRIE’ FOR THE ALS ICE BUCKET CHALLENGE"

Stereogum
"Watch Foo Fighters Spoof Carrie In Their Elaborate ALS Ice Bucket Challenge Video"


Posted by Geoff at 4:57 PM CDT
Updated: Tuesday, August 19, 2014 5:16 PM CDT
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Friday, May 2, 2014
PIC: NANCY & BRIAN ON PROM SET OF 'CARRIE'
POSTED YESTERDAY ON NANCY ALLEN'S FACEBOOK PAGE

Posted by Geoff at 9:36 PM CDT
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Friday, March 28, 2014
NANCY ALLEN & WILLIAM KATT ON SET PHOTO
ON SET OF 'CARRIE', FROM NANCY'S FACEBOOK PAGE

Posted by Geoff at 1:29 AM CDT
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Wednesday, March 5, 2014
L. COHEN WILL TALK 'CARRIE' IN OHIO FRIDAY
DURING FINAL WEEKEND OF 'CARRIE' AT BECK CENTER
According to Broadway World Cleveland, Lawrence D. Cohen is so impressed by the "rave reviews and vivid photographs" for Beck Center and Baldwin Wallace Music Theatre Program's production of Carrie the musical, that he will be in attendance Friday night, March 7, and will share his experience with both the movie and the stage show during a discussion following the performance. This will be the final weekend for the production, which plays at 8pm Friday, 8pm Saturday, and 3pm Sunday. The article states that "Lawrence D. Cohen and composer Michael Gore reached out to Director Victoria Bussert with a congratulatory note and accolades for her creativity in capturing some of the technical challenges the show presents."

Posted by Geoff at 9:16 PM CST
Updated: Wednesday, March 5, 2014 9:19 PM CST
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Saturday, March 1, 2014
THREE 'CARRIE' LADIES IN PORTLAND TODAY
AFTERNOON AT MOVIE MADNESS VIDEO, EVENING 'CARRIE' SCREENING AT HOLLYWOOD THEATER


We previously shared the poster for tonight's screening of Brian De Palma's Carrie at Portland's Hollywood Theater, but it turns out there's more: the three actresses (Piper Laurie, Nancy Allen, and PJ Soles) who will be on hand for the Q&A at the screening will also be on hand for autographs this afternoon, from 12:30-3pm, at Movie Madness Video. It sounds like you may be able to get a photo taken, as well, for a fee.

Posted by Geoff at 2:35 AM CST
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Thursday, February 13, 2014
'CARRIE' IN PORTLAND MARCH 1ST
Q&A, AUTOGRAPHS WITH NANCY ALLEN, PIPER LAURIE, P.J. SOLES

Posted by Geoff at 1:14 AM CST
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Wednesday, February 5, 2014
'CARRIE' PART OF SPACEK SERIES IN MINNEAPOLIS
SERIES RUNS MONDAYS & TUESDAYS IN FEB. AT TRYLON MICROCINEMA
"Sissy Spacek: Seemingly Lost" is the name of a February film series at The Trylon in Minneapolis. The series of four films began this week with Terrence Malick's Badlands, and includes Brian De Palma's Carrie February 24th and 25th. "Best known for her disarming innocence," states the series' description, "Sissy Spacek boasts an amazing range. Conveying naivete and sadness, her performances reveal a woman who knows exactly where she’s going. The Trylon showcases four of her most complex and challenging roles." The other two films are Robert Altman's 3 Women and Costa-Gavras' Missing.

Writing about the film series, Pioneer Press' Chris Hewitt reminds that "Pauline Kael famously described Spacek as 'a squashed, froggy girl who could go in any direction.' I disagree with Kael's choice of animal -- Spacek's half-formed quality in her early films is more tadpole- than frog-like, and anyway, I'd say her vulnerability has more in common with a baby bird. But Kael is right that one of the thrilling things about these early Spacek performances is that you have no idea what this strange creature is going to do next."

Hewitt states that "Carrie features Spacek's peerlessly sad/scary performance as the title character, a bullied high school student who lashes back after she's pranked at prom. Spacek, 25 when she shot it, has no problem convincing us she's a teenager. Director Brian De Palma's movie is a stylish, bizarrely successful experiment in tone. Piper Laurie, as Carrie's violently fundamentalist mom, behaves as if she's in a comedy, which somehow makes her even more frightening. It launched many a movie career, including Nancy Allen's, Amy Irving's and John Travolta's. But the reason it all hangs together is that you can't take your eyes off Spacek's timid-but-all-powerful Carrie, a victim who declines to be victimized."


Posted by Geoff at 9:19 PM CST
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Thursday, December 12, 2013
'AHS' CONTINUES TO PAY HOMAGE TO 'CARRIE'
RYAN MURPHY: "WE ALL LOVE BRIAN DE PALMA IN THE WRITERS' ROOM"
In last week's (December 4) episode of FX's American Horror Story, a fanatically religious mother, not unlike the mother in Carrie, insists to her son that he has been made "unclean" by the witches next door, and after disturbingly attempting to cleanse him from the inside out, she locks him in a closet, bound and gagged. The episode was written by series co-creator Ryan Murphy, who tells Vulture's Denise Martin that the recurring "closet thing" (there was a mother/daughter closet scene in the first season, as well) comes from Brian De Palma's Carrie.

In the Vulture article, which contains several SPOILERS for the current season of American Horror Story, Martin querys Murphy, "When Nan finds Luke trapped in the closet by his mother, it reminded me of when Constance threw her own daughter [also played by Jamie Brewer] into the closet. Are those callbacks intentional given that each season has a different story?"

Murphy replies, "We do it more than you know. It’s fun for us. I call them the goodies, 'Where are the goodies buried?' People go on Amazon, Netflix, Hulu, they catch up with seasons they’ve been watching and then they re-watch it with passion and fresh eyes. So we’re very cognizant of that. There’s usually one goodie per episode. The closet thing was very much based on Carrie, and we’ve done riffs on that and other things in that movie many, many times because we all love Brian De Palma in the writers' room."

As we've noted before, one of those writers in the AHS writers' room is Jennifer Salt, she of many early De Palma pictures. In the season premiere episode of season two, two of Pino Donaggio's music cues from De Palma's Carrie were used very specifically. Murphy has talked about being obsessed with De Palma while making season two last year, mentioning Dressed To Kill as a major influence, as well.


Posted by Geoff at 12:34 AM CST
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Thursday, December 5, 2013
WAITING TO SHOOT THE SHOWER SCENE
NANCY ALLEN SHARES RARE PIC FROM SET OF 'CARRIE'


The above picture from the set of Brian De Palma's Carrie was posted today by Nancy Allen on her Facebook page, with the message, "Throwback Thursday... On the set of Carrie waiting to shoot the shower scene." She then added, "No one has ever seen this picture before. It was taken with my personal camera. I liked taking behind the scene pictures."

Posted by Geoff at 9:20 PM CST
Updated: Thursday, December 5, 2013 9:26 PM CST
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Monday, November 18, 2013
NEIL MITCHELL ON HIS NEW 'CARRIE' BOOK
MOST SHOCKING SCENE TO HIM IS WHEN MARGARET THROWS TEA INTO CARRIE'S FACE
Neil Mitchell has written a new book about Brian De Palma's Carrie, as part of the "Devil's Advocates" series from Auteur Publishing. The book was released in the U.K. last month, and should be available in the U.S. early next year. BN1's Chris Sadler posted an interview with Mitchell last week. Here are some excerpts:
------------------------------

Sadler: For you, what makes Carrie such a powerful film?

Mitchell: I think it’s the fact that nobody is left unscarred by what unfolds; they are either killed or, in Sue Snell’s case, left psychologically disturbed. That’s pretty unforgiving – young and old, intimately involved or a bystander, antagonistic or well meaning, they all pay a heavy price for the cruelty dished out to Carrie White.

Sadler: In the introduction to your book you touch upon your overriding sense of sadness for the character’s isolation. It’s a key element of the film, which I totally understand. Carrie, played brilliantly by Sissy Spacek, is a character that we have a lot of sympathy for, isn’t she?

Mitchell: We do, it’s a canny trick De Palma and Spacek pulled off. In the novel, King makes her a lot less sympathetic. In the movie, however, most of us will either relate to or empathise with Carrie. We all have either been Carrie at some point or known a Carrie – male or female – the runt of the class, always the punchline, forever the outsider. If we’re honest, most of us will also have probably joined in with ridiculing those figures as well. Of course, the most complex part of our relating to or sympathising with Carrie is that she goes on to massacre everyone, leaving us repulsed by her as well...

Sadler: How would you describe the director, Brian De Palma’s style, particularly for Carrie? Of course, he’s known for a split-screen technique, which was used rather effectively in this film.

Mitchell: It’s funny, I think the split-screen sequence in Carrie is effective too, De Palma, on the other hand, has since called it a ‘great mistake’, believing it takes the viewer out of what is happening. He’s a grandiose film-maker, very operatic. Slow motion, split-dioptre shots, canted angles, 360 degree camera movements – he draws attention to the film-making, but always in a way that complements the story in question. He really is a master of creating suspense and tension – visually and aurally – which he does so well in the prom sequence in Carrie. In fact, just about everything you would mark down as being anachronistic about De Palma’s directing style can be seen in that sequence...

Sadler: Describe the process of writing the book. Was it enjoyable and how much of a challenge was it, if at all?

Mitchell: It was hugely enjoyable, and a challenging too. I’ve edited a few film-books but this was my first solo authored project. Research is key, I spent a long time preparing – re-reading the novel, watching the film again, devouring everything I could find that had been written about both and De Palma’s career (there’s a lot), and then amalgamating that into what I personally thought about the film, about what it means to me. John Atkinson, the head honcho of Auteur Publishing, wanted the Devil’s Advocates series to be a mix of the personal and the academic – the format works well in my opinion. Some days I wrote for hours, sometimes I’d stare at the page blankly, I guess that happens to most writers. I’m itching to write another and have a few projects on the horizon.

Sadler: What would you say is the film’s most shocking scene?

Mitchell: It’s a film full of shocking scenes – the ‘plug-it-up’ sequence at the beginning, the prom night massacre and the hand-out-of-the-grave scene at the end – but the one that always gets me is, in comparison, relatively tame, but I find it horrid. It’s when Margaret throws her tea into Carrie’s face, it’s so contemptuous, disrespectful and abrupt. It’s obviously symbolic too: Margaret is literally pouring scorn on her daughter’s desire to go to the prom and be ‘normal’ like the other kids. It’s the banal, pitiful reality of it, who’d want to live a life like that?

----------------------------

For more of the interview, go to BN1.

Posted by Geoff at 7:09 PM CST
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