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Thursday, October 30, 2014
WILLIAM KATT TALKS 'CARRIE' DEATH & MORE
"BRIAN WAS YELLING FOR THE CAMERA DEPARTMENT TO KEEP ROLLING"
A day after I posted about Vulture's interviews with Piper Laurie and Betty Buckley, Yahoo!'s Gwynne Watkins posted an "MVPs of Horror" interview with William Katt, in which he talks about making Carrie. "I remember mostly that it was just a ball having everybody there," Katt says of filming the prom scenes in the film, "because the shots would take so long to set up. And there we were, all young twenties guys and girls, and we just had a great time."

Talking to Watkins about the first few moments Carrie and Tommy spend getting close to one another, Katt laughs and says, "If they had had those cameras today that they have, the GoPros that you can hold a foot from your face and wear around, I think we would have been using those." Recalling the couple's first dance, Katt explains to Watkins, "Sissy and I danced one way, and the camera was going the other way, and we ended up going faster and faster. At the end of it, Sissy and I are laughing out loud, and the reason we’re laughing is because I’m literally spinning her so fast she’s up off of the floor, and we are so dizzy."

Here's the end of Watkins' article:

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The earlier, romantic section of the prom scene is punctuated by a jaw-dropping moment of foreshadowing: in one continuous shot, the camera moves across the gym to the foot of the stage. There, the audience sees a rope that winds across the floor, to the gym ceiling, where the camera looks down on the rigged bucket waiting to fall. The camera then moves back to Carrie and Tommy looking into each other’s eyes, unaware of what’s in store. “I remember it taking almost a day and a half to set that shot up,” says Katt, “because there was so many camera moves, and it was so difficult for the guy that was driving the crane, and the camera assistant who was pulling focus, and the DP, and the actors — it was extraordinarily difficult.”

In the film, [Chris'] bloody prank sends Carrie into a rage, and she begins telekinetically destroying everything and everyone in the gym. Famously, actress P.J. Soles was hurt during a scene where her character is attacked by a fire hose. “When the water was going off, I remember being there. And she got very injured; I think she blew out her eardrum in that sequence,” Katt recalls. He also remembers another little wrinkle in filming: When Carrie sets the gym on fire, De Palma’s set actually caught on fire. “I remember being on set when they lit off the fire, because we were doing stuff out of sequence, right? I was already supposed to be lying on the ground, dead. So they lit the stage on fire, and the actual soundstage itself caught fire. And the AD was screaming for everybody to get out, and Brian was yelling for the camera department to keep rolling,” Katt says, chuckling at the memory. “I thought that that was pretty funny. All the decorations, everything, caught fire, and I don’t believe that that was intentional.” (Thankfully, the blaze was quickly extinguished and no one was seriously in danger.)

At least Tommy’s bucket scene was quick and painless. “When that bucket fell, it was actually a guy on a big ladder behind me, and he threw that bucket down,” says Katt. “It was kind of a Kentucky Fried Chicken, papier-maché bucket that was painted to look real — and we did that shot once. I was ready to do it again, and Brian said, ‘No, we got it.’”

Katt is still a little sad that he didn’t survive the carnage — “even with my saying to Brian afterwards, ‘No, you can’t kill the character, he’s gotta come back!’” the actor jokes. “What about Carrie 2? What about the franchise, Brian?”

"It was just wild," he sighs. "It was everything you could imagine."

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Posted by Geoff at 1:49 AM CDT
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Tuesday, October 28, 2014
PIPER LAURIE & BETTY BUCKLEY TALK 'CARRIE' DEATHS
ALSO: 'CARRIE' AT HALLOWEEN ALL NIGHTER IN LONDON; PODCAST DISCUSSES 'CARRIE' & FEAR
It's Halloween season, which means it's time for Carrie discussions and screenings all over the place. At Vulture last week, nine actors spoke to Jennifer Vineyard about their big death scenes in famous horror movies. Two of those actors were Piper Laurie and Betty Buckley, who kicked off the article by talking about their deaths in Carrie:
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Betty Buckley:

We all gathered to watch each other’s death scenes, and we’d go out and party afterwards to celebrate that a character had been bumped off. But in the days before that, the whole prom construction took quite a while. This contraption they built for Ms. Collins’s death scene was a basketball backboard that was on a pendulum. There was a foot of balsam wood that would take the hit against the body. They planned it so that we shot four takes with the pendulum falling and then stopping it right before it hit me. That was very scary. So what you’re seeing on film is not acting at all. I’m absolutely terrified because they had not tested out the machine. So they didn’t know [if] they calculated the balsam properly in terms of the amount and, you know, [if they] could stop it on a dime right before it hit me. Thankfully, it worked. We were all absolutely terrified.

My stunt lady was dressed like me with a wig and everything. They put her in the shot and she took the hit. But it didn’t hurt her, and thankfully, Brian [De Palma] told me to watch the movements she made and to duplicate those. They removed her from the contraption, inserted me again, and I then imitated all her behavior when she took the hit, and they shot the close-up of my dying. I had [fake] blood in my mouth that I was supposed to vomit out. They just give you a swig, then you spit it out and they bring you water.

In the several takes of my death scene, Brian’s direction to me was: Squirm like a bug on a pin. So I squirmed like a bug on a pin, and then I was supposed to vomit out the blood. He wanted different sounds as I was dying. So, one scene, my scream ended up sounding like a musical note. It was really quite silly. We were all laughing about that.

[Re: Buckley's scream that ended up sounding like a musical note-- do you suppose that might have been where De Palma got the idea for the "Coed Frenzy" girl's scream in the shower, which sounds like a musical note and cuts to John Travolta laughing at it?]

Piper Laurie, speaking to Vulture's Jennifer Vineyard:

They built a steel vest that I wore under the gown, and on that vest were several small blocks of wood. Wires attached to the wood that went through small holes in my gown. The wires were, like, 15 feet long and stretched across to where the prop man was, or the special-effects man was. This was done in slow motion, you know, the can opener or the knife or whatever coming at me. There was no way they would injure me, moving at such a slow pace. It was hard not to laugh, watching this instrument bobbing along at me like that, slowly. It just looked ridiculous. But, of course, it had quite a different look than it did at the end. Just before we were to start shooting [the death scene], I met Brian outside, we were both on our way to the restrooms, and I said, “Brian, I have an idea. Instead of having just a death scene, just doing it straight, I’d like this to be a really joyous experience for Margaret White.” He said, "Great.” So that’s what I did.

I did not actually do the scene, the dialogue part, before the actual instrument attack. But the moment just before I kill Carrie, I didn’t rehearse that. I wanted the moment to be as raw as possible. I think it was an underlying element of how I thought of Margaret, her religion, her attitude about her daughter, and the fact that she considered her daughter menstruating horrible. And the fact that I sounded like I was having a very long orgasm ... I never spelled that out to Brian, I just did it. Part of that I actually played, but I suspect that in editing they extended that vocally longer than I actually did it. But I had such a good time shooting that scene.

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HALLOWEEN ALL NIGHTER IN LONDON
Four horror classics make up the Halloween All Nighter that begins at 11:45pm Friday night (Halloween night, October 31st) at London's Electric Cinema. The program begins with Carrie, followed by The Shining. After an early-morning breakfast break, the program concludes with Rosemary's Baby, followed by The Wicker Man.

"CARRIE'S REAL DREAD LIES WITH HOW NERVOUS THE CHARACTERS SEEM TO BE ABOUT THE WORLD AROUND THEM"
Meanwhile, yesterday, the Block Bluster podcast at Mind Of The Geek featured a discussion of "Carrie and Fear." The host of the podcast, Tobias Ellis, wrote the following as an introduction:

"Everybody is afraid in Carrie. Even with all the now-iconic shots of a blood-drenched Carrie White destroying her senior prom, Carrie’s real dread lies with how nervous the characters seem to be about the world around them (a true testament to puberty if there ever was one). Carrie – realized perfectly by Sissy Spacek – begins terrified by her own body, then briefly by her own mind until finally embracing her supernatural gifts. Her physical transformation from 'girl' to 'woman' worries the few males around her, and causes Betty Buckley’s Miss Collins to wonder aloud how such a thing should bother anybody, until that makes her nervous at just how different Carrie White might be. Amy Irving’s Sue Snell is afraid of the repercussions her treatment of Carrie might cause, and of becoming the shrill, cruel Chris Hargensen (Nancy Allen), and does her best – in fumbling, teenage fashion – to make amends. Carrie’s mother, played to Oscar nomination by Piper Laurie, is afraid of her daughter growing up and living in these godless times. And the adults are afraid of her, and whether she might be right.

"Despite all the fear, several characters – including Tommy Ross (William Katt), Sue, and Miss Collins – have the best of intentions for Carrie White, treating her with kindness and sensitivity. Yet, as the saying goes, the road to hell is paved with good intentions. Carrie – and all its lurid, color-washed agitation – begins with blood, and ends with blood.

"This week, just in time for Halloween, Block Bluster! revisits Brian De Palma’s horror classic to discuss what it means to be afraid, and what Carrie says not so much about scaring the audience, but building an atmosphere of dread reflective of everyday fears. How terrified of the odd kid in school should we be? How terrified of each other should we be? And to help us discuss Carrie and Fear, we welcome back – from the podcasts Film Fodder and Behind the Desk – our good friend Antonio Jones!"


Posted by Geoff at 12:29 AM CDT
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Friday, October 17, 2014
'CARRIE' IN WASHINGTON, DC, FRI/SAT MIDNIGHTS


Brian De Palma's Carrie is the midnight movie Friday and Saturday (October 17 & 18) at the Landmark E Street Cinema in Washington, DC.

Posted by Geoff at 2:10 AM CDT
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Saturday, September 13, 2014
R.I.P. STEFAN GIERASCH, 1926 - 2014
PORTRAYED PRINCIPAL MORTON IN 'CARRIE'
Stefan Gierasch, the character actor who played Principal Morton in Brian De Palma's Carrie, has died at the age of 88. His wife of 33 years, Hedy Sontag, told The Hollywood Reporter that Gierasch passed away at his Santa Monica home on September 6, of complications from a stroke. As Principal Morton, in one brief scene, Gierasch memorably created a distinctly inept authority figure who is so flustered by the sight of blood on the gym teacher's shorts, and the just-prior situation in the locker room, that he consistently calls Carrie "Cassie," drawing her rage. Gierasch's facial expressions in this scene say it all, but his line, "We're all sorry, Cassie," becomes a key echo in the kaleidoscope of voices in Carrie's head after the blood spills over her at the prom. Principal Morton is later electrocuted trying to take control of a microphone amid Carrie's vengeful carnage.

Prior to Carrie, Gierasch appeared with Jackie Gleason and Paul Newman in Robert Rossen's The Hustler, which also starred Carrie's Piper Laurie. Post-Carrie, Gierasch, who did tons of TV work throughout his long acting career, appeared on an episode of the TV series The Greatest American Hero, which starred Tommy Ross himself, William Katt.

Other films Gierasch appeared in include Peter Bogdanovich's What's Up Doc?, Richard Fleischer's The New Centurions, Sydney Pollack's Jeremiah Johnson, and Clint Eastwood's High Plains Drifter. He also appeared on an episode of The Alfred Hitchcock Hour in 1963, as well as an episode of Alfred Hitchock Presents in 1985.


Posted by Geoff at 3:04 PM CDT
Updated: Sunday, September 14, 2014 9:07 AM CDT
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Tuesday, August 26, 2014
'CARRIE' MUSICAL TO BE 'COMPLETELY IMMERSIVE'
ALSO: MOREAU/'CARRIE' TUMBLR GOES VIRAL;
DE PALMA'S FILM PART OF VIENNA HORROR RETROSPECTIVE




Above is Gustave Moreau's Study for Lady Macbeth (1851), side-by-side with an image representing Sissy Spacek in Brian De Palma's Carrie. The comparison appears to have initially been posted three days ago on the Tumblr blog trophywivesclub, and has been reblogged and retweeted dozens of times since then.

Speaking of Carrie, De Palma's film is included in the Austrian Film Museum's upcoming horror retrospective, "Land Of The Dead." The retrospective, which runs from August 29 to October 15, covers the years 1968 through 1987, as a followup to last year's retrospective, which covered the years 1918 through 1967.

"For the culture at large as well as for horror films," the museum program explains, "'1968' marks a clear transition: In the U.S., the Production Code had just been abandoned, eliminating many constraints and allowing George A. Romero to lay the groundwork for a new era of horror with his debut feature, Night of the Living Dead. The film's pseudo-documentary style (necessitated by the miniscule budget) suffused Romero's taboo-breaking conceits with a hitherto unknown 'authenticity', while the allegorical potential of the zombie invasion inaugurated a new, 'direct' political dimension in the genre – images of a nation gripped by self-destructive chaos in the era of the civil rights movement and the Vietnam War. During the 1970s, American horror cinema would deliver a series of pungent, subversive visions in the guise of cheap exploitation, in radical opposition to the appeasing images of society in the media mainstream. As the key auteur of this movement – his Dawn of the Dead is unsurpassed among populist critiques of capitalism – Romero is the best-represented filmmaker in the series (which takes its title from one of his later political pamphlets). However, 1968 is also the year in which the global success of Roman Polanski's Rosemary's Baby turns the once-disreputable horror genre into an attractive option for bigger mainstream productions; its respectability is further certified by contributions from major art filmmakers such as Ingmar Bergman’s Hour of the Wolf or Federico Fellini’s Toby Dammit."

Other films in the retrospective include Dario Argento's Suspiria and Deep Red, Larry Cohen's God Told Me To, Stanley Kubrick's The Shining, David Cronenberg's The Brood and The Fly, and many more. Also read: Twitch's Patrick Holzapfel - "Vienna In September: Be Prepared To Hear Somebody Scream In A Cinema Near You".

'CARRIE' AS ENVIRONMENTAL EXPERIENCE
Shades of Richard Schechner, La Mirada Theatre in Los Angeles will present Carrie The Musical as an audience-immersive theatrical event. According to the show's description, "Audiences will stand and move with the actors. Comfortable shoes and clothing are recommended. Wheelchair guests will be accommodated. The show contains the use of smoke and haze, strobe lights, special effects and loud music. CARRIE THE MUSICAL contains adult language, themes and nudity and is recommended for mature audiences." Performances will run from March 12 through April 5, 2015.

According to Playbill, producers Bruce Robert Harris and Jack W. Batman issued a statement in which they said, "The story of Carrie has endured in the popular consciousness for decades, but no one has ever experienced it from this point of view. The idea of placing the audience in the center of this world was just too tantalizing to resist. It's going to be thrilling."

The show's creators, Lawrence D. Cohen, Michael Gore, and Dean Pitchford, also issued a statement: "Director Brady Schwind is building on Carrie legacy with his own unique vision for our show. Making it an environmental experience for the audience is intriguing and daring – like the story itself. We look forward to this next chapter!"


Posted by Geoff at 11:23 PM CDT
Updated: Wednesday, August 27, 2014 11:03 PM CDT
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Tuesday, August 19, 2014
DAVE GROHL PLAYS CARRIE IN ALS CHALLENGE
VIDEO INCORPORATES IMAGES & SOUNDS FROM DE PALMA FILM
CHALLENGES STEPHEN KING & TRAVOLTA, WHO HAVE 24 HOURS TO RESPOND
FELLOW FOO FIGHTERS APPEAR IN SUPPORTING ROLES



Billboard
"Foo Fighters Parody 'Carrie' in Brilliant Ice Bucket Challenge Video"

SPIN
"Foo Fighters Spoof 'Carrie' for Best ALS Ice Bucket Challenge Yet"

Rolling Stone
"Foo Fighters Turn Ice Bucket Challenge Into Epic 'Carrie' Tribute"

"Grohl and Co. do an excellent job sending up Carrie's climactic prom disaster, incorporating actual shots from the movie, while Grohl, in full Prom Queen regalia, offers over-the-top tears (first of joy, and then unquenchable rage after he's doused). While the clip cuts before Grohl can unleash his hellish retaliation, Taylor Hawkins, playing Carrie's date Tommy, dutifully takes one for the team and gets conked on the head with the empty bucket. Fellow Foos Pat Smear and Nate Mendel play the rapscallions who trigger the bucket drop on Grohl's head."

Loudwire
"Foo Fighters Star in Most Awesome ALS Ice Bucket Challenge Video Yet"

Music Times
"Foo Fighters' ALS Challenge Video Is The Best One Yet"

Click Music
"Foo Fighters win the ALS Ice Bucket Challenge with a brilliant Carrie parody"

TIME
"The Foo Fighters Spoof Carrie for Their Ice Bucket Challenge Video"

"Okay, okay, we know you’re probably sick of watching celebrities like Britney Spears (and, worse, randos in your Facebook timeline) do the ice bucket challenge, but it won’t hurt to watch just one more, right? The Foo Fighters put a lot of effort into their contribution to the viral phenomenon by recreating the iconic prom scene from the 1976 horror film Carrie.

"In the movie, Carrie gets drenched with pig’s blood — luckily, the Foo Fighters used ice water instead.

"Grohl nominates a few others to complete the challenge: Stephen King (who wrote the book upon which the film is based), John Travolta (who was in the movie) and Jack Black (for unknown reasons.) But it’s going to be pretty hard for anyone to top this."

Ultimate Classic Rock
"Foo Fighters’ Ice Bucket Challenge May Be the Best Yet"

Huffington Post
"Foo Fighters' 'Carrie' Sendup Just Won The Ice Bucket Challenge"

OC Weekly
"Foo Fighters Ice Bucket Challenge Just Changed the Game"

VanyaLand
"PROM KING: DAVE GROHL AND FOO FIGHTERS RECREATE ‘CARRIE’ FOR THE ALS ICE BUCKET CHALLENGE"

Stereogum
"Watch Foo Fighters Spoof Carrie In Their Elaborate ALS Ice Bucket Challenge Video"


Posted by Geoff at 4:57 PM CDT
Updated: Tuesday, August 19, 2014 5:16 PM CDT
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Friday, May 2, 2014
PIC: NANCY & BRIAN ON PROM SET OF 'CARRIE'
POSTED YESTERDAY ON NANCY ALLEN'S FACEBOOK PAGE

Posted by Geoff at 9:36 PM CDT
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Friday, March 28, 2014
NANCY ALLEN & WILLIAM KATT ON SET PHOTO
ON SET OF 'CARRIE', FROM NANCY'S FACEBOOK PAGE

Posted by Geoff at 1:29 AM CDT
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Wednesday, March 5, 2014
L. COHEN WILL TALK 'CARRIE' IN OHIO FRIDAY
DURING FINAL WEEKEND OF 'CARRIE' AT BECK CENTER
According to Broadway World Cleveland, Lawrence D. Cohen is so impressed by the "rave reviews and vivid photographs" for Beck Center and Baldwin Wallace Music Theatre Program's production of Carrie the musical, that he will be in attendance Friday night, March 7, and will share his experience with both the movie and the stage show during a discussion following the performance. This will be the final weekend for the production, which plays at 8pm Friday, 8pm Saturday, and 3pm Sunday. The article states that "Lawrence D. Cohen and composer Michael Gore reached out to Director Victoria Bussert with a congratulatory note and accolades for her creativity in capturing some of the technical challenges the show presents."

Posted by Geoff at 9:16 PM CST
Updated: Wednesday, March 5, 2014 9:19 PM CST
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Saturday, March 1, 2014
THREE 'CARRIE' LADIES IN PORTLAND TODAY
AFTERNOON AT MOVIE MADNESS VIDEO, EVENING 'CARRIE' SCREENING AT HOLLYWOOD THEATER


We previously shared the poster for tonight's screening of Brian De Palma's Carrie at Portland's Hollywood Theater, but it turns out there's more: the three actresses (Piper Laurie, Nancy Allen, and PJ Soles) who will be on hand for the Q&A at the screening will also be on hand for autographs this afternoon, from 12:30-3pm, at Movie Madness Video. It sounds like you may be able to get a photo taken, as well, for a fee.

Posted by Geoff at 2:35 AM CST
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