Hello and welcome to the unofficial Brian De Palma website.
Here is the latest news:

De Palma a la Mod

E-mail
Geoffsongs@aol.com

De Palma Discussion
Forum

-------------

Pacino wows
in Venice

Pacino delivers a
masterclass as
a lion in winter

The Humbling
and Manglehorn
reviews

-------------

Exclusive Passion
Interviews:

Brian De Palma
Karoline Herfurth
Leila Rozario

------------

AV Club Review
of Dumas book

Recent Headlines
a la Mod:

-Picture emerging
for Happy Valley

-De Palma's new
project with
Said Ben Said

-De Palma to team
with Pacino & Pressman
for Paterno film
Happy Valley

« September 2014 »
S M T W T F S
1 2 3 4 5 6
7 8 9 10 11 12 13
14 15 16 17 18 19 20
21 22 23 24 25 26 27
28 29 30

Interviews...

De Palma interviewed
in Paris 2002

De Palma discusses
The Black Dahlia 2006


Enthusiasms...

The Virtuoso
of the 7th Art

The De Palma Touch

The Swan Archives

Carrie...A Fan's Site

Phantompalooza

Paul Schrader

Alfred Hitchcock
The Master Of Suspense

Alfred Hitchcock Films

Snake Eyes
a la Mod

Mission To Mars
a la Mod

Sergio Leone
and the Infield
Fly Rule

Movie Mags

Directorama

The Filmmaker Who
Came In From The Cold

Jim Emerson on
Greetings & Hi, Mom!

Scarface: Make Way
For The Bad Guy

The Big Dive
(Blow Out)

Carrie: The Movie

Deborah Shelton
Official Web Site

The Phantom Project

Welcome to the
Offices of Death Records

The Carlito's Way
Fan Page

The House Next Door

Kubrick on the
Guillotine

FilmLand Empire

Astigmia Cinema

LOLA

Cultural Weekly

A Lonely Place

The Film Doctor

italkyoubored

Icebox Movies

Medfly Quarantine

Not Just Movies

Hope Lies at
24 Frames Per Second

Motion Pictures Comics

Diary of a
Country Cinephile

So Why This Movie?

Obsessive Movie Nerd

Nothing Is Written

Ferdy on Films

Cashiers De Cinema

This Recording

Mike's Movie Guide

Every '70s Movie

Dangerous Minds

EatSleepLiveFilm

No Time For
Love, Dr. Jones!

The former
De Palma a la Mod
site

Entries by Topic
A note about topics: Some blog posts have more than one topic, in which case only one main topic can be chosen to represent that post. This means that some topics may have been discussed in posts labeled otherwise. For instance, a post that discusses both The Boston Stranglers and The Demolished Man may only be labeled one or the other. Please keep this in mind as you navigate this list.
All topics
Ambrose Chapel
BAMcinématek
Bart De Palma
Becoming Visionary
Bill Pankow
Black Dahlia
Blow Out
Blue Afternoon
Body Double
Bonfire Of The Vanities
Books
Boston Stranglers
Bruce Springsteen
Cannes
Capone Rising
Carlito's Way  «
Carrie
Casualties Of War
Columbo - Shooting Script
Cop-Out
Cruising
Daft Punk
Dancing In The Dark
David Koepp
De Niro
De Palma Blog-A-Thon
De Palma Discussion
Demolished Man
Dionysus In '69
Dressed To Kill
Eric Schwab
Femme Fatale
Film Series
Fire
Frankie Goes To Hollywood
Fury, The
Get To Know Your Rabbit
Greetings
Happy Valley
Heat
Hi, Mom!
Hitchcock
Home Movies
Inspired by De Palma
Iraq, etc.
Key Man, The
Lithgow
Magic Hour
Mission To Mars
Mission: Impossible
Montreal World Film Fest
Mr. Hughes
Murder a la Mod
Nancy Allen
Nazi Gold
Obsession
Oliver Stone
Paranormal Activity 2
Parker
Parties & Premieres
Passion
Paul Hirsch
Paul Schrader
Phantom Of The Paradise
Pino Donaggio
Prince Of The City
Print The Legend
Raggedy Ann
Raising Cain
Red Shoes, The
Redacted
Responsive Eye
Rie Rasmussen
Robert De Niro
Sakamoto
Scarface
Sean Penn
Sisters
Snake Eyes
Sound Mixer
Star Wars
Stepford Wives
Tabloid
Tarantino
Toronto Film Fest
Toyer
Treasure Sierra Madre
Tru Blu
TV Appearances
Untouchables
Vilmos Zsigmond
Wedding Party
William Finley
Wise Guys
Woton's Wake
Blog Tools
Edit your Blog
Build a Blog
RSS Feed
View Profile
You are not logged in. Log in
Tuesday, July 1, 2014
R.I.P. PAUL MAZURSKY, 1930-2014
CAST AS JUDGE IN 'CARLITO'S WAY'; WAS DE PALMA'S ORIGINAL CHOICE FOR 'DTK' DETECTIVE


Paul Mazursky, film director, screenwriter, and actor, has died of pulmonary cardiac arrest. He was 84. Mazursky was a longtime, good friend of Brian De Palma's. In the early 1980s, Mazursky lived in one apartment of a duplex in Greenwich Village, while De Palma and his wife, Nancy Allen, lived in the other apartment. When De Palma was casting Dressed To Kill, he had wanted Mazursky to portray Detective Marino. However, Mazursky was busy preparing his next film, and Dennis Franz took the part instead.

Mazursky, of course, did end up acting for De Palma about a decade later, portraying Judge Feinstein in Carlito's Way. In Richard Sylbert and Sylvia Townsend's book Designing Movies: Portrait of a Hollywood Artist, Gregory Bolton, who was the art director on Carlito's Way, recalls shooting the courtroom scene. "It was interesting," he tells Townsend, "because there was Brian De Palma, Paul Mazursky, and there was Al Pacino, all those people in that room, all powerful forces, all directing the scene. And Dick (Sylbert) sat back and we all sat back and watched each person direct the scene, wondering who was going to win." Bolton tells Townsend that after "going all different ways," De Palma's was the way it ended up.

Writing in 2003, Movie City News' Leonard Klady relayed a story from the fall of 1990 in which "Brian De Palma arrived for breakfast and greeted [Farmers] Market regular Paul Mazursky with a query about Disney's decision to postpone the release of Mazursky's upcoming movie. A rather vague story had appeared in the trades the prior week announcing that Scenes from a Mall would open in early 1991 rather than in the fall of 1990.

"It was clear that Mazursky had been exhausted by the process of finishing the comedy with Woody Allen and Bette Midler, screening and test screening it, tweaking it and arguing the finer points with senior production executives at the studio. He let out a sigh and told De Palma and the table that the film had scored well with audiences. It was testing in the high 70s but the folks at the studio wanted it to score in the 80s.

"When he finished, De Palma let out a hardy cackle (he has a very distinctive laugh) and when he recovered said, 'you're lucky.' He went on to explain that his new picture, according to the marketing people at Warner Bros., had scored the lowest of any major release in the studio's history. He said it tested at about 55% and didn't see how any amount of tinkering would ever significantly boost audience response. Though likely tinged with hyperbole, that picture was the subsequently infamous Bonfire of the Vanities."

Among Mazursky's other films is An Unmarried Woman, which starred Jill Clayburgh, for which she earned an Oscar nomination for best actress, while Mazursky earned best screenplay and best picture nominations. Other films include Bob & Carol & Ted & Alice, Next Stop, Greenwich Village, Harry And Tonto, Down and Out in Beverly Hills, and Enemies, a Love Story.

Mazursky's first acting role was in 1953, as a psychopath in Stanley Kubrick's first feature film, Fear And Desire. Twelve years later, Mazursky and Larry Tucker wrote the original pilot for the TV series The Monkees. Mazursky and Tucker have cameos in the episode.


Posted by Geoff at 7:31 PM CDT
Updated: Tuesday, July 1, 2014 7:35 PM CDT
Post Comment | View Comments (1) | Permalink | Share This Post
Sunday, March 23, 2014
R.I.P. JAMES REBHORN
'CARLITO'S WAY' ACTOR PASSED AWAY FRIDAY FROM MELANOMA


James Rebhorn, who so memorably played DA Norwalk in Brian De Palma's Carlito's Way, passed away peacefully Friday afternoon from Melanoma. Rebhorn was a well-loved character actor who appeared in many many films and TV shows, and appeared with Al Pacino in Martin Brest's Scent Of A Woman, a year before the two worked together again on Carlito's Way. His agent, Dianne Busch, tells Deadline, "He was a wonderful, wonderful man. I represented him since 1990, and I represented him for my entire career. He was an absolute joy to work with. He was very funny and was warm. He was drawn to projects with a social conscience. One of his favorite movies that he did was Lorenzo’s Oil because it made a difference. He had a very strong faith and loved his family. His family was extremely important to him and I saw him make career sacrifices for them."


Posted by Geoff at 7:25 PM CDT
Updated: Sunday, March 23, 2014 7:27 PM CDT
Post Comment | Permalink | Share This Post
Tuesday, November 26, 2013
MOVIEHOLE CELEBRATES 'CARLITO'S' 20TH
DE PALMA'S "TECHNIQUE IS IMMERSIVE & OPERATIC", WHICH SUITS THESE CHARACTERS
Moviehole's Colin Moore bids a happy 20th anniversary to Brian De Palma's Carlito's Way, finding "too much to like" to put up a fight when dubbing it among the best films of the 1990s. "Pacino is electric in the title role," writes Moore, "strutting the streets of New York in a knee-length leather coat, playing it cool, politely turning down illicit job offers; one of his most sympathetic roles to date." Here's an excerpt from Moore's article:
------------------------

But even Gail can’t protect Carlito from what’s coming ~ the shysters, former crew members and youthful entrepreneurs of sin that populate mid-70s Spanish Harlem. The most colorful of these entrepreneurs is Benny Blanco from the Bronx (John Leguizamo), a volatile rising street hustler who mixes it up with Carlito in some of the film’s most memorable scenes.

“I don’t know, maybe there’s a mis-fuckin’ understanding here, I don’t know man. Maybe you don’t remember me. My name is Benny Blanco…”

“Maybe I don’t give a shit. Maybe I don’t remember the last time I blew my nose either.”

I chuckle at those moments but the language feels real, has slang and street color that’s both dangerous and funny. No surprise at their mixed effectiveness given that writer [Edwin] Torres walked those streets, he lived them, and channelled through screenwriter David Koepp (“Panic Room”) the dialogue seems honest. Nothing as iconic as, “Say hello to my little friend!” but “Here come da pain!” has a special place in many hearts, I’m sure. The cast is solid. From the majors to supporting players Viggo Mortensen and Luiz Guzmán as Pachanga, there’s not a loose brick in the wall. Leguizamo plays Benny like a knife with a slimy handle; if he can’t schmooze you with one end, he’ll stick you with the other. [Sean] Penn, not surprisingly, is a wonder as Kleinfeld, nothing less than mutated into the frizzy haired, deliciously corrupted lawyer that earned him Golden Globe and Chicago Film Critics Association acting nominations. Of course, in the hands of Brian De Palma, presentation is personality.

Like Spielberg and his often-assumed mentor, Hitchcock, the New Jersey born director De Palma (“Sisters,” “Mission Impossible”) is known for his visual style. Canted angles, 360-degree pans, extended takes ~ they’re ever present in “Carlito’s Way,” along with an Odessa Steps sequence that rivals his “Potemkin” shootout in “The Untouchables,” this time on the escalators of Grand Central Station. It’s here, in the club, and in the excellent (kick ass) pool-hall scene that you know exactly who is calling the shots. De Palma has a singular stamp. Given his earlier Pacino vehicle, “Scarface,” the director no doubt has experience delivering this world, of mansions and period style, of lives fueled by booze, drugs, narcissism and dreams. His technique is immersive and operatic, completely suited for these bold characters.


Posted by Geoff at 12:08 AM CST
Post Comment | Permalink | Share This Post
Sunday, August 25, 2013


Posted by Geoff at 12:26 PM CDT
Post Comment | View Comments (2) | Permalink | Share This Post
Wednesday, November 7, 2012
CARLITO ACTION FIGURE FROM BLITZWAY
COMING IN DECEMBER; TONY MONTANA FIGURE WAS RELEASED LAST YEAR


The face above may look like Al Pacino from Brian De Palma's Carlito's Way, but it is actually an action figure of extraordinary detail. The Carlito action figure will be released in December from Blitzway, a South Korean company that specializes in action figures of mostly Asian cultural icons. Last year, Blitzway found some success with its first "global figure," Tony Montana from De Palma's Scarface. Both 12-inch figures come with extra sets of hands, among other accessories. Tony Montana goes for $180, while Carlito goes for $195. Pics of each are below.


Posted by Geoff at 11:54 PM CST
Updated: Monday, November 12, 2012 4:37 PM CST
Post Comment | View Comments (1) | Permalink | Share This Post
Monday, June 20, 2011
'VIVA RIVA!' DIRECTOR LOVES 'CARLITO'S WAY'
DJO MUNGA NAMES IT AS THE FILM HE WISHES HE HAD MADE

Viva Riva! is an African film about a gangster who makes a big score in the hijacked gasoline trade. The film, currently making its way through select cities in the U.S., was written and directed by Djo Munga. Munga was interviewed by Out Of Africa, who asked him to name his three favorite films, which are: (1) Sergio Leone's Once Upon A Time In America, (2) Kenji Mizoguchi's Ugetsu Monogatari, and (3) Brian De Palma's Carlito's Way. When asked what one film he wished he had made, Munga replied with Carlito's Way. In the interview with Out Of Africa, Munga says that he used to tell stories through wordless drawings, but now has evolved his storytelling into the cinema, with its dialogues, music, and atmosphere.

Posted by Geoff at 11:12 PM CDT
Post Comment | View Comments (4) | Permalink | Share This Post
Wednesday, February 3, 2010
GREATEST EXTENDED TAKES
AS CHOSEN BY MIKE LE AT GEEKWEEK
Geekweek's Mike Le has posted his list of the "20 Greatest Extended Takes In Movie History." The list, which tops off with the famous nightclub entrance in Martin Scorsese's GoodFellas, includes two scenes from Brian De Palma films. The opening scene that follows Bruce Willis in Bonfire Of The Vanities is number 16, while the shot that follows Carlito on the run through Grand Central Station in Carlito's Way is number 7. (Thanks to John!)

Posted by Geoff at 3:43 AM CST
Post Comment | View Comments (2) | Permalink | Share This Post
Wednesday, September 23, 2009
SHEDDING LIGHT ON CARLITO
DE PALMA WANTED SCENE ILLUMINATED BY GUN FLASH


Yesterday, John Huntington at Control Geek relayed a story about how Brian De Palma had wanted a scene entirely illuminated by a gun shot for Carlito's Way. Here is what Huntington wrote about it regarding response time between audio cues and the lighting:

Years ago, when I was working at Production Arts Lighting, we got a call from Brian De Palma's people. De Palma (who I had encountered before on The Untouchables when working for Bran Ferren) was shooting Carlito's Way, and he wanted a scene entirely "illuminated" by the flash of a (blank) gun. They did some tests, and, if I remember correctly, the gun flash wasn't bright enough, and too short to be adequately exposed on the camera. They wanted to take a big 5K fresnel, and have it respond to the sound of the gunshots. We didn't have a lot of time, so we borrowed a pitch-MIDI converter, ran it through Bars and Pipes on an Amiga, and then I wrote some filters there that would generate MIDI messages for a lighting console, that would fire a dimmer which would then light up the 5K. It was very reliable, but with all that early 90's technology, very slow. We did some gun shots, and by the time everything was captured and processed, and the 5K heated up, it was like a second late. It looked pretty cool but was too slow in general to achieve the desired effect.


Posted by Geoff at 12:36 PM CDT
Post Comment | Permalink | Share This Post
Thursday, September 17, 2009
BLOG-A-THON COMES TO A CLOSE
BLOW OUT VOTED DE PALMA'S BEST YET AGAIN
The extremely fun De Palma Blog-A-Thon hosted by Tony Dayoub at Cinema Viewfinder closed yesterday with an excellent final entry from Dayoub that juxtaposed Scarface with Carlito's Way. Dayoub begins his essay with a description of his own experiences growing up as a Cuban American in an Hispanic neighborhood in Miami in the late 1970s. He then moves on to describe how Carlito's Way is a "symmetrical counterpoint" to Scarface:

De Palma is always prone to symmetry in his work, often bookending his films with similar visual or thematic concerns: the menstrual blood at the beginning of Carrie (1976) with the pig's blood in its climax; the sexually violent shower dream that opens Dressed to Kill (1980) and the one that ends it; the way an empty gun helps Carlito escape during a shootout at the start of Carlito's Way, and seals his lawyer Kleinfeld's (Sean Penn) fate as the movie wraps up. But with the release of Carlito's Way, De Palma provided not so much an apology, as some have said—for his negative depiction of a Latin gangster in Scarface—as much as he provided a doppelganger, a symmetrical counterpoint to the earlier film that gives it some unexpected depth.

I have been working on something for the Blog-A-Thon that nevertheless was not finished in time-- my piece grew after I discovered some things about the films I was writing about that I hadn't picked up on before. As a result, I had to do a little more research (i.e. watch more films), which is great, but I was not able to complete my essay before the Blog-A-Thon ended. But I do thank Tony for giving me the incentive to write this piece in the first place, and I hope to have it completed and posted by early next week.

POLL RESULTS: RANKING DE PALMA'S FILMS
The last big survey of De Palma fans' favorite De Palma films was done in 2002 by Carl Rodrigue at Le Paradis de Brian De Palma (Romain at Virtuoso of the 7th Art also has one going right now through October 4th). As the Blog-A-Thon ended, so did the Cinema Viewfinder poll, which ended up with 168 votes tallied from users voting for their three favorite De Palma films, in no particular order. Amazingly, the top four titles are the same as the 2002 poll, with the exception that Dressed To Kill was number 2 back then (at Cinema Viewfinder it switches with Carrie and takes the number 3 spot). While Femme Fatale was number 5 all on its own back when it was brand new, it remains number 5 today, although now Body Double has jumped up to tie for the position (the latter was number 9 in 2002). The top ten are further filled out by The Untouchables, Scarface, Phantom Of The Paradise, and Sisters. Here is the entire list:

1. Blow Out
2. Carrie
3. Dressed To Kill
4. Carlito’s Way
5. Femme Fatale/Body Double (Tie)
7. The Untouchables
8. Scarface
9. Phantom Of The Paradise
10. Sisters
11. The Fury/Mission: Impossible (Tie)
13. Casualties Of War
14. Raising Cain
15. The Black Dahlia
16. Obsession
17. Hi, Mom!/Snake Eyes (Tie)
19. Redacted
20. Mission To Mars
21. Dionysus In ‘69
22. Murder a la Mod/Greetings/Get To Know Your Rabbit/Home Movies/The Bonfire Of The Vanities (each received one vote)
27. The Wedding Party/Wise Guys (each received zero votes)

We will see how these votes stack up against Romain's poll in October.


Posted by Geoff at 5:52 PM CDT
Updated: Thursday, September 17, 2009 5:58 PM CDT
Post Comment | View Comments (1) | Permalink | Share This Post
Saturday, July 11, 2009
FABOLOUS FINDS CARLITO'S WAY
UPCOMING LOSO'S WAY INSPIRED BY DE PALMA FILM
In the shadow of Brian De Palma's Scarface, the director's other collaboration with Al Pacino, Carlito's Way, has its own cult growing. That cult will get a boost this summer when Fabolous releases his new album, Loso's Way, July 28, which features a heavy lineup of guest stars, including Jay-Z, Lil Wayne, and Ne-Yo. Fabolous told Billboard in March of 2008 that he wanted to make a concept album that would be similar to what Jay-Z did with his tie-in to Ridley Scott's American Gangster. Without naming the film at the time (keeping it a secret), Fabolous explained his idea to Billboard:

I always wanted to touch on this particular movie musically because I felt some of the things in the movie related to me and to lots of other people. A lot of scenarios and situations in the movie are relatable. Plus, I always wanted to use a theme for my album, like how Jay[-Z] used American Gangster because he saw a character that was relatable to him. I want to take scenarios and turn them into records, and vice versa.

STANDOUT TRACK IS "PACHANGA"
With the final product finally being released more than a year later, Fabolous now tells Billboard about how his own personal stories link with Carlito's Way:

To help tell his story, Fabolous looked for inspiration in Carlito's Way, the 1993 movie in which an ex-con pledges to shun drugs and violence despite the pressure around him.

"The concept of the album came from me watching Carlito's Way and seeing how he was a guy who came from jail and wanted to do something bigger and better," he says. "I didn't come from jail, but I came from the hood, and in many ways I felt just like Carlito, because even though I'm still connected to the streets, I wanted to do bigger and better things too. There were a lot of parallels between his story and mine."

Fabolous says the lead single, "Throw It in the Bag," produced by Tricky Stewart and featuring his labelmate the-Dream, doesn't fit in with the theme, but he explains that "it was so contagious and catchy that we just had to go for it." The motivational "It's My Time," featuring Def Jam newcomer Jeremih and produced by the Runners, which was released in conjunction with "Bag" and appears in a TV ad for the NBA draft, is an example of how Fabolous' and Carlito's stories coincide.

"This song is about how I generally feel about my life and my career, and it's relatable to people because it's the type of song that motivates you to do whatever it is you have to do, just like Carlito," Fabolous says. "Throw It in the Bag" and "It's My Time" recently entered Billboard's Hot R&B/Hip-Hop Songs and Pop 100 charts at Nos. 94 and 99, respectively.

Created with help from producers like Jermaine Dupri and DJ Toomp, other tracks on the album include "Stay," featuring Marsha Ambrosius from Floetry, about a son asking his father not to go. "It's a personal record for me because in between the last album and this album I had a son, and so on this track I talk about my relationship with my son and with my father," says Fabolous.

"Last Time," finds collaborator Trey Songz singing, "'this is the last time but I gotta see my baby,' but it is a metaphor for him having to see the streets one last time, just like Carlito on his last run," says Fabolous.

But the record that plays off the movie the most is the stand-out track "Pachanga," named after Carlito's right-hand man, who betrays him at the end of the film. "A thug changes and love changes, friends become strangers, pachanga," Fabolous rhymes, sampling Nas' "The Message."


Posted by Geoff at 3:52 PM CDT
Updated: Saturday, July 11, 2009 4:00 PM CDT
Post Comment | Permalink | Share This Post

Newer | Latest | Older