SOME 'MISSION: IMPOSSIBLE' LINKS
MORE TO COME AS 'ROGUE NATION' HITS THEATERS TONIGHT
Thanks to Rado for sending along the poster at left, which is part of a series
of Saul Bass
-style posters put together by Paramount's Rogue Nation
promotional team that depict key stunts performed by Tom Cruise
throughout the film series. You can see the rest of the posters here
has been saying that the new film is a sort of "Greatest Hits" of the Mission: Impossible
film franchise, and reviews have been noting that, as well. In Entertainment Weekly, McQuarrie mentions that Casablanca
was also a key influence on Rogue Nation
. There are a million and a half links to reviews of the new film, reviews of De Palma's film, best-stunt articles, podcasts, etc. I'll just start listing the links here-- check back here for updates throughout the day.The Missions Improbable Podcast
A podcast where John Leavitt
and Sydney Bernstein
discuss the Mission: Impossible movies as if they matter. "Mission Impossible or 'Brian De Palma directed this?!' John and Syd discuss the surprisingly tight and retro thriller and what rebooting Mission Impossible for the 90s meant. Also discussed: Vanessa Redgrave
, when is a twist not a twist, and computers, are they magic?"
Matt Perri, The Workprint
"The movie is very stylish. Having Brian De Palma at the helm does that to a film. Seriously, whether you want it or not, you’re getting style. If you were a family member and you handed the camcorder to your cousin, Brian De Palma, the part where you exchange vows with your S.O. would be really intense. But his style works. The claustrophobic camera work and angular shots add a nice dimension to the paranoid mood of the film and Danny Elfman’s score is very much old school, brilliantly mimicking the tackiness of a 60’s spy show with heavy militaristic drums and horns — and the occasional bongo drum to smooth it all out because spies are hip, baby."
Russ Fischer, /Film, The Best ‘Mission: Impossible’ Action Scenes
"Brian De Palma‘s first Mission: Impossible film wasn’t packed with action setpieces — there are only three, really, but those three are all top-tier action filmmaking, and one of those three defined the series for years to come. In the two decades since, the series has been tackled by a variety of directors — John Woo, J.J. Abrams, Brad Bird, and now Christopher McQuarrie — each of whom with a slightly different balance of action and espionage."
Joe Walsh, Cine Vue
"The opening scene with a 53-year-old Cruise clinging to the side of a military plane as it takes off (whilst managing to say his lines) is a sight to behold. McQuarrie and his team have cherry-picked the most enjoyable elements of the previous four instalments and attempted to generate a hybrid Mission: Impossible film. We have a cat and mouse chase through London echoing De Palma's street scenes in Prague and a motorcycle chase through Morocco, near mirroring John Woo's Mission: Impossible II (2000)."
Scott "Movie" Mantz, Access Hollywood
"The fact that Rogue Nation triumphs as an action film with a tightly-plotted screenplay should not come as a surprise, since it was written and directed by Christopher McQuarrie, who won an Oscar for writing 1995's The Usual Suspects and has been on something of a roll with Cruise ever since he co-wrote 2008's under-seen suspense thriller Valkyrie. McQuarrie also co-wrote last year's flat-out brilliant sci-fi epic Edge of Tomorrow, and he wrote and directed 2012's underrated Jack Reacher. (He also did an uncredited script polish on the aforementioned Ghost Protocol.)
"But the key to the success of Rogue Nation is that it moves the Mission: Impossible series forward while also looking back on the staples that made it so great in the first place. The highly publicized stunt with Cruise hanging from the side of an airborne cargo jet is an envelope-pushing nod to his hair-raising climb outside the Burj Khalifa in Ghost Protocol. There's also a gripping underwater break-in scene that brings to mind the dangling heist scene that Brian De Palma directed in the first installment, and that's followed by an exhilarating motorcycle chase that harkens back to what many regard as the best scene from director John Woo's Mission: Impossible II."