Hello and welcome to the unofficial Brian De Palma website.
Here is the latest news:
a la Mod:
Mr. De Palma had already finished the film when he showed a cut to Mr. Morricone, asking him specifically to come up with something for the “triumph of the police” at the end. The two got on well, but the director originally wasn’t keen on the music Mr. Morricone created for one of the film’s best-known scenes, a two-minute sequence in which a baby carriage, complete with a sweet-faced child, rolls down the steps of Union Station in Chicago in the middle of a heated gun battle.
“He didn’t want that music,” Mr. Morricone recalled. “Later he gave an interview and said that he thought that the music for that scene was perfect, so he must have rethought the whole idea.”
"Early in Brian De Palma’s Mission: Impossible reboot from 1996, a flight attendant offers a selection of videotapes to Jon Voight’s mysterious spy team leader, who, sitting in first class, drolly replies that he prefers the theater.
“'Would you consider the cinema of the Ukraine?' the attendant asks. The agent accepts the 'Ukrainian' tape, whose secret message concludes with the news that the tape will self-destruct in five seconds.
"It probably wasn’t De Palma’s intent to say that Ukrainian cinema is dangerous, although the nation’s current crisis should remind us of the perils of knowing about the art and culture of a country on the brink of war mainly through a brief reference in an 18-year-old Hollywood blockbuster.
"Fortunately, a handful of Ukrainian films — two of them certified classics of world cinema — are widely available for streaming on demand."
(Nelson then goes on to describe four notable Ukranian films available for streaming: Aleksandr Dovzhenko's Earth, Sergei Parajanov’s Shadows of Forgotten Ancestors, Pavla Fleischer's The Pied Piper of Hutzovina, and Sergei Loznitsa's My Joy.)
Sasha Grey: I think Blow Out was more of an inspiration. But with the cam girl thing, it’s interesting because there were a few girls who did this in the ‘90s when no one was doing it, made millions, and retired. But now, with the advent of Internet porn, people can see professional-quality material online, and now we’re regressing and going back to not caring about the quality. But the fascination goes back to having a connection with the person you’re watching and having this “intimate” experience. It’s a need to satisfy the soul. The Internet has brought us together globally, but also separated us. And people now don’t have that intimacy in their real lives, so they go online.
Incidentally, in the video at Bloody Disgusting, McDonagh mentions William Castle's Homicidal, contrasting that film's lack of critical attention to the type of attention De Palma's Sisters received upon its release. De Palma listed Homicidal as one of his "Guilty Pleasures" in an article for Film Comment back in the 1980s.