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(Thanks to Donald!)
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a la Mod:
As far as horror influences, Slash tells the Globe and Mail's Geoff Pevere that he, first-time director Anthony Leonardi III, and co-producer Rob Eric all universally loved Rosemary's Baby, and went for the "slow-burn" effect of Roman Polanski's film. Slash also mentions in two of the above interviews that as a kid, he was creeped out by George Romero's Night Of The Living Dead. In addition, he tells King, "When I was a kid, one of the big ones for me was The Omen, the original. I always thought it was a marriage of great directing, a great story and great actors. It was really well done, and it was made in the fashion of the old feature movie."
Stone pointedly critiqued Walter White’s method of handling the gang that kidnapped Jesse. “Nobody could park his car right then and there and could have a machine gun that could go off perfectly and kill all of the bad guys! It would be a joke,” he insisted. “It’s only in the movies that you find this kind of fantasy violence. And that’s infected the American culture; you young people believe all of this shit! Batman and Superman, you’ve lost your minds, and you don ‘t even know it! At least respect violence. I’m not saying don’t show violence, but show it with authenticity.
The Untold History of the United States offers a fascinating look at American history, re-examining pivotal moments in the shaping of our culture and our democracy, by placing events like the development of the atomic bomb in a larger, more well-rounded context. When asked whether mainstream entertainment could provide similar sorts of lessons about American culture, Stone said that the infrastructure of studio blockbusters often obscures those potential insights.
“I wouldn’t criticize everything. I’m just saying it’s the level of violence,” Stone explained. “If people think that bringing a machine gun to your last meeting is a solution to a television series that’s very popular, I think they’re insane. Something’s wrong. It’s not the world we know. But I think there might be in Iron Man… there could be some good stories about war profiteering, some good moral tales. I agree. Comics were that for that reason, remember? But when you’ve reached this height of technology level of a Michael [Bay], of a Transformers, I don’t understand the meaning of it and the reason for it, except that it appeals to some visual sense, some kinetic sense of dynamism and a need for action. But action is not always a solution, character is.”
'CARRIE: THE MUSICAL' IN NEW JERSEY
And we have two more productions of Carrie: The Musical to mention, and both are in New Jersey. NENAProductions Theater Project will stage the revised version of the musical for two weekends, from October 25th through November 3rd, at the Jersey Shore Arts Center.
Meanwhile, Mercer County Community College’s Kelsey Theatre will host Pierrot Production's eight performances of the revised version, including two midnight shows, from October 18-27. Two actors, Lindsey Krier and Jenna Scannelli, will alternate in the lead role. "The demands in this highly emotional role are extreme, not just the amount of singing, but the fact that the majority of the singing is high belt,” explains the show's director, Kat Ross-Kline, to MCCC News. “We want to give each girl a chance to perform at her best. They work well together and the cast has been so respectful and supportive of both of them. It has been a neat process to watch as they discover their own version of the character. This is my first attempt as a director to cast in this way.”
(Thanks to James!)