Hello and welcome to the unofficial Brian De Palma website.
Here is the latest news:
a la Mod:
"An admirer of Bretchian distanciation who likes to keep the viewers aware of their emotional involvement in the film, De Palma values the medium of film first and foremost. 'You suck them in and annihilate them. Then you say, “It's just a movie, right? It's not real,”' he noted in an interview.
"He reached a wider audience with Carrie, the film adaptation of Stephen King´s horror novel, which garnered the actors Oscar nominations for their performances. In it, Brian De Palma made extensive use of split-screen and slow motion shots to tell the story visually rather than through dialogue. His film, The Fury, made an impression on Godard, who included De Palma in his project Histoire(s) du Cinéma."
"We’re then treated to a tight close-up of McAdams’s face against a bedpost. She is, judging by her half-hearted squeals, receiving mediocre oral sex. Suddenly, a man’s head emerges in the frame wearing a hybrid Phantom of the Opera Kabuki mask.
"This all looks like the start of a beautiful lesbian affair—that is, until Isabelle crafts a knockout ad campaign for the phone, a campaign for which Christine immediately takes credit. Christine, it seems, needs to knock this out of the park so she can receive a promotion and transfer back to the company’s Manhattan offices. Isabelle doesn’t take the move lying down, and immediately uploads her commercial to YouTube. After it goes viral, it’s Isabelle who receives all the kudos from the company brass, and the proverbial claws come out.
'PASSION' COULD EASILY BE RETITLED 'MAD WOMEN'
"Passion could easily be retitled Mad Women, with its sleazy ad biz setting and estrogen overload. When the pouty Dani (Karoline Herfuth), Isabelle’s redhead sexy assistant—who also has a crush on her—calls out Christine on her shady behavior, Christine replies, 'You want to eat my c--t, don’t you?' before violently kissing her, ripping her own blouse, and threatening her with a charge of sexual harassment. It’s a pretty jarring scene—especially the usage of the c-word—coming from the typically virtuous McAdams, whose cute visage, replete with a small face, a beauty mark, and kind, blue eyes is disarmingly sinister when she flips the switch.
"Later, after Dirk refuses to service Christine, she calls up every man in her phone until someone will come over and pleasure her. The action then cuts to Christine on the phone in a bathtub, as two hands place a shiny diamond necklace around her neck. Then the man’s face comes into frame, and he’s wearing a black leather pig-shaped gimp mask.
"While Passion makes several leaps in logic and is, like so much of De Palma’s recent oeuvre, overstylized, with flashy visuals and a Hitchcockian score, this kinky B-movie is redeemed by Rapace and, in particular, McAdams, who will hopefully take a trip to the dark side more often."
In a separate segment of the video, McAdams continues, "I hope it's a thrilling ride for them, and I hope De Palma fans will enjoy it. I hope there will be new De Palma fans because of it. I think he's doing a really unique thing. I think he's got his own stamp he's putting on his films, and I think it's very cool, I think it's brave, and brazen. So yeah, I hope new people will join the De Palma club."
"He said he was fortunate to be in a new group of directors, but 'it’s a small group and it’s not going to get any bigger.' For Passion, DePalma had passed the script to his fellow directors and originally included a convoluted dream-within-a-dream structure that they eventually convinced him to discard. 'They read it and they liked the script very much but I’d done this dream sequence and done a take off on Inception, a movie I quite liked. And the whole idea was the phone was in the safe in the third level dream and my fellow directors looked at me and said, "Get rid of that.”'
"'It took three of us, too.' Baumbach added.
"'It was unanimous, when you have unanimous consent [that’s what you do]. So it’s very helpful,' DePalma said.
“'There is an isolated experience to being a director,' Baumbach said. 'It’s very communal because there’s a crew, but it’s only you. You’re the one on the hook. And seeing it in the tradition of Brian and the people he came up with and hearing stories of how they worked on each other's movies. And Steven [Spielberg] came in on the set of Scarface and directed a few shootouts in the final big battle. Both it’s cool to hear those things and it opened us up. It made it less precious in a way, all of us, we can talk about it and help each other.' When Wes was having trouble coming up with how to visualize shooting wind for the climax of his latest Moonrise Kingdom he turned to De Palma who offered up a solution: make sure you have things in the air. Simple, but it works.
“'Essentially we feel the same about movies and moviemaking but we come at it in entirely different ways,' said Baumbach."