NEW INTERVIEWS WITH WILLIAMS, HARPER, FINLEY, GRAHAM, JUICY FRUITS
ALSO: FANGORIA TEASES 'REMARKABLE GENRE-RELATED PROJECT WILLIAMS IS PART OF'
Tomorrow night, on Halloween, CJOB Radio in Winnipeg will broadcast a 90-minute Phantom Of The Paradise special from 10:30pm to midnight (central time). The special promises all-new exclusive interviews with Paul Williams, William Finley, Jessica Harper, Gerrit Graham, and "Juicy Fruits" Peter Elbling, Archie Hahn, and Jeffrey Comanor. The participants will discuss the film, as well as Phantompalooza I and II. What's that you say? You don't live in Winnipeg? Oh, that's okay-- you can listen live online at CJOB.com.
Meanwhile, Fangoria has been running its own interviews with Phantom collaborators of late. Last month's issue (#307) featured an interview with Harper, in which she revealed that when Brian De Palma took her out to dinner the night of her screen test in Los Angeles, they were joined by Martin Scorsese. She also mentioned that Steven Spielberg visited the Phantom "a few times." When asked by Fangoria's Chris Alexander how Phantom was pitched to her, Harper replied, "It was never pitched as a horror film; I understood it to be a spoof rock musical. Originally it was called Phantom Of The Fillmore, which spoke to me because I used to hang out at the Fillmore East all the time. But I never thought of it as a horror movie."
Despite that, Phantom Of The Paradise did make Fangoria's 300th issue earlier this year, in which the magazine presented its "Ultimate Horror Movie Guide." In that issue, Michael Koopmans wrote of Phantom, "De Palma plunges you headfirst into the musically excessive world of the 1970s with a film that's part horror, part satire, and complete rock opera."
The current issue of Fangoria (#308) includes an interview by Alexander with Paul Williams, who brought a certain scene from the film itself to mind as he discussed the audition he held in New York for the role of Phoenix:
"I had everyone at the New York audition, including Jessica, sing Leon Russell's Superstar. Jessica was singing it quietly to herself as she waited her turn. I stood behind her and listened-- beautiful. When she sang for Brian and I, she sang out like a Broadway actress reaching the back of the house. I told her to sing softly. It was magical. She killed it.
Williams also mentions to Alexander that he never consciously went for a Phil Spector-type energy in his performance as Swan, saying, "I tried to create what Brian gave me, and his vision was spot-on." At the end of the article, Alexander says to keep checking Fangoria.com "for news of a remarkable genre-related project Williams is part of."