POSTED YESTERDAY ON NANCY ALLEN'S FACEBOOK PAGE
Hello and welcome to the unofficial Brian De Palma website.
Here is the latest news:
a la Mod:
De Palma Masterclass, ------------- ------------ ------------
Casualties Of War,
and book signing
June 2 in Paris
Hoskins' breakthrough role was as a gangster in John Mackenzie's Long Good Friday. (Incidentally, Mackenzie would go on, in 1986, to direct a TV movie out of a screenplay De Palma had been working on for years, Act Of Vengeance.) Hoskins' most famous role was as a private detective in Robert Zemeckis' 1988 smash Who Framed Roger Rabbit. Hoskins' role as an ex-con in Neil Jordan's Mona Lisa (1986) had earned him an Oscar nomination for best actor.
"Depp’s appearance in the doc, however appreciated, doesn’t bring much but the patronage of a famous, friendly dude. Nor is Paul quite up to the challenge of synopsizing and illuminating an artist’s long career. As if to prove this is a coffee-house movie and not a coffee-table book, the director uses split screens, animation and rapid montage. But the salient, liveliest parts of For No Good Reason — the title comes from Thompson’s reply when Steadman once asked him, 'Why are we doing this?' — are to be found in the artist’s display of his work and recollections of the eccentrics he met."
In a later paragraph, Corliss discusses the seeming contrasts between Thompson and Steadman, and includes a quote from Brian De Palma that is apparently in the movie:
"While in America [Steadman] got an assignment to cover the Kentucky Derby for Scanlans magazine; the writer would be Hunter Thompson. He quickly realized that he had 'scored a bull’s eye the first time, and met the one man I needed to meet in America.' The two seemed a chronic mismatch. 'To me he was weird,' Steadman says. 'To him, I was weird.' The artist rarely took drugs or alcohol; the writer never stopped. Director Brian De Palma says of Steadman, 'I’ve never met a warmer, generous… He is not his paintings!' Yet Rolling Stone’s Jann Wenner, who hired Steadman to illustrate Las Vegas after another artist dropped out, says that Steadman was the more daring one, Thompson the more cautious."