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Paterno Family
Challenges
Accusation
of Cover-Up
Scorsese tests
new Zaillian
script for
The Irishman
with De Niro,
Pacino, Pesci
James Franco
plans to direct
& star in
adaptation of Ellroy's
American Tabloid
"Badfellas"--
Besson's Malavita
looks to team up
De Niro & Pfeiffer
Sean Penn to
direct De Niro
as raging comic
in The Comedian
Scarlett to make
directorial feature
debut with
Capote story
Keith Gordon
teaming up
with C. Nolan for
supernatural
thriller that
he will write
and direct
Recent Headlines
a la Mod:
-Picture emerging
for Happy Valley
-De Palma's new
project with
Said Ben Said
-De Palma to team
with Pacino & Pressman
for Paterno film
Happy Valley
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De Palma interviewed
in Paris 2002
De Palma discusses
The Black Dahlia 2006

Enthusiasms...
Alfred Hitchcock
The Master Of Suspense
Sergio Leone
and the Infield
Fly Rule
The Filmmaker Who
Came In From The Cold
Jim Emerson on
Greetings & Hi, Mom!
Scarface: Make Way
For The Bad Guy
Deborah Shelton
Official Web Site
Welcome to the
Offices of Death Records
Bill Pankow was interviewed for the latest episode of Movie Geeks United. Pankow talks about the process of editing when working on a film with De Palma, saying that De Palma lets the editors work on their own, then comes back when the assembly is done to sit and watch with them, review, discuss, and then let them work on their own again, etc. Pankow said he found this to be a very productive process. He said if scenes were storyboarded (as they usually were with De Palma), he liked to edit without looking at the storyboards, and then check afterward to see how close he got to them. After a while, he got very good at matching up with the storyboards without using them. This is a very interesting discussion conducted by Jamey DuVall, with Bobbie O'Steen, author of The Invisible Cut. Pankow and Jerry Greenberg, who is discussed in the interview, as well, will take part in a panel with O'Steen as part of an event called "Inside The Cutting Room," at the French Institute in New York City on June 8.
Le Monde blogger Isabelle Regnier posted this photo of Brian De Palma after a Cannes screening of Claire Denis' The Bastards yesterday. And it looks like today, De Palma attended a screening of Stephen Frears' Muhammad Ali’s Greatest Fight, to judge by the tweets of Edouard Austin.

Meanwhile, there is a new Passion video, in English, with some extended scenes, at Entania, although it doesn't seem to be available to watch in America. (Thanks to Patrick!)
The Swan Archives posted news today that Arrow Video will release a Blu-Ray edition of Brian De Palma's Phantom Of The Paradise, targeted for later this year, along with Blu-Ray editions of De Palma's Sisters and The Fury. The best part of the news? The Swan Archives' Principal Archivist is helping out with the Phantom Blu-Ray package. Looking forward to it. We'll also mention here that Twilight Time will release a Blu-Ray edition of De Palma's Body Double on August 13. The edition, which will likely include an isolated score (no specific special features have yet been announced), will be limited to 3000 copies.

The photo above was taken by Arnaud Brunet, and published at Metro France. It shows Brian De Palma and an unidentified female guest on the red carpet as they attend the premiere yesterday (Monday) of Valeria Bruni Tedeschi's A Castle In Italy, which was produced by Said Ben Said, producer of De Palma's Passion. Earlier this year, Ben Said had mentioned that he and De Palma have a new, as-yet-untitled project in development: "This is a film about cinema that is not devoid of humor or cruelty," Ben Said told CineObs' Nicolas Schaller. "It happens on a shoot between a director, an actor and an actress. De Palma wrote it by drawing on things that have happened to him. It is a kind of film testament." With both of them currently at the Cannes Film Festival, it would seem likely that they would be talking that project up to potential financers and buyers.Anyway, according to Blog Do Bonequinho's Rodrigo Fonseca, De Palma is at the fest to raise funds for Happy Valley, although he is working out his cinephilia by going to see films every chance he gets. A few days ago, Deadline's Pete Hammond reported that another of De Palma's old friends, Martin Scorsese, had also come to Cannes to raise funds for Silence, which he has been trying to get off the ground at one time or another for the past 23 years. According to Hammond, Scorsese said that by coming to Cannes to sell the film project, he was doing something he'd never done before in his entire career. This was undoubtedly said to get across the sense of passion Scorsese has for the project. But with Steven Spielberg heading the Cannes jury this year, it's sort of a partial "movie brats" reunion.
In addition to A Castle In Italy, De Palma has been spotted at screenings of the following movies since Friday:
May 18 - Sophie Torlotin spotted De Palma at a screening of Rebecca Zlotowski's Grand Central.
May 19 - Olivier Joyard took a picture of De Palma at a screening of Serge Bozon's Tip Top, which Hollywood Reporter critic Stephen Dalton describes as a mix of Godard and the Coen Brothers.
May 20 - Several people, including Alejandro G. Calvo and F-X Taboni, spotted De Palma at a screening of Johnnie To's Blind Detective. Taboni said De Palma left before the end.
Thanks to Lindsey for tweeting eOne to ask for clarification on the U.S. release date for Passion. They tweeted back that “Passion will be in August.” The distributor has already begun posting Passion teases on its TwitPic page, and have noted the August release date on its Facebook page, but with only generic dates so far (August 1 for VOD and August 31 for theatrical release, neither of which is likely to be the actual date for either).On a final note, several tweets this morning mention that De Palma attended a Cannes screening of Katell Quillevere’s Suzanne.
Le Soir’s Cannes correspondent Fabienne Bradfer was shocked to find himself sitting next to Brian De Palma at Thursday’s competition screening of François Ozon’s Jeune et jolie, and asked him a few questions before the film started. It was a rainy evening, and Bradfer writes that De Palma was there “incognito, umbrella in his right hand, Yankee cap on his knees.” Eventually, De Palma smiled toward Bradfer, “removed his headphones and muttered that at times like these, he is not eligible for Cannes.””I nod, trying not to soak with my umbrella. I'm sitting next to one of the greatest American filmmakers. We chat a little, timidly at first. After exchanging a few words on his arrival the day before from the United States, the weather, his refusal to watch movies on an airplane and the irritation of getting up every two seconds to let other spectators pass, he said: ‘What is your name? Mine is Brian,’ and shook my hand. I smiled at him, saying that I know his name is Brian and mine is Fabienne. From there follows a friendly conversation about the ironic pleasure of going to see films at festivals. His average: 5 per day. He tells me: ‘This is still the place where you can see the films of the greatest directors in the world.’ Brian De Palma loves to haunt film festivals. I slip in the name of Hitchcock, his eyes light up. He dedicates his boundless admiration. With mischief in his eyes, he says: ‘And Kim Novak is coming ...’. He can’t find the words. Brian De Palma will be able to relive the great cinematic emotion of his youth: watching Vertigo in a restored version thanks to Cannes Classics."
According to a tweet from Francois Yon, De Palma also attended a screening of Fabio Grassadonia and Antonio Piazza’s Salvo. That film is part of Cannes "Critics Week," and one other tweet says that if you want to see De Palma on the Croisette, that is where you will most often find him.
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