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De Palma a la Mod

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Recent Headlines
a la Mod:

Domino is
a "disarmingly
straight-forward"
work that "pushes
us to reexamine our
relationship to images
and their consumption,
not only ethically
but metaphysically"
-Collin Brinkman

De Palma on Domino
"It was not recut.
I was not involved
in the ADR, the
musical recording
sessions, the final
mix or the color
timing of the
final print."

Listen to
Donaggio's full score
for Domino online

De Palma/Lehman
rapport at work
in Snakes

De Palma/Lehman
next novel is Terry

De Palma developing
Catch And Kill,
"a horror movie
based on real things
that have happened
in the news"

Supercut video
of De Palma's films
edited by Carl Rodrigue

Washington Post
review of Keesey book

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Exclusive Passion
Interviews:

Brian De Palma
Karoline Herfurth
Leila Rozario

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AV Club Review
of Dumas book

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« January 2013 »
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27 28 29 30 31

Interviews...

De Palma interviewed
in Paris 2002

De Palma discusses
The Black Dahlia 2006


Enthusiasms...

De Palma Community

The Virtuoso
of the 7th Art

The De Palma Touch

The Swan Archives

Carrie...A Fan's Site

Phantompalooza

No Harm In Charm

Paul Schrader

Alfred Hitchcock
The Master Of Suspense

Alfred Hitchcock Films

Snake Eyes
a la Mod

Mission To Mars
a la Mod

Sergio Leone
and the Infield
Fly Rule

Movie Mags

Directorama

The Filmmaker Who
Came In From The Cold

Jim Emerson on
Greetings & Hi, Mom!

Scarface: Make Way
For The Bad Guy

The Big Dive
(Blow Out)

Carrie: The Movie

Deborah Shelton
Official Web Site

The Phantom Project

Welcome to the
Offices of Death Records

The Carlito's Way
Fan Page

The House Next Door

Kubrick on the
Guillotine

FilmLand Empire

Astigmia Cinema

LOLA

Cultural Weekly

A Lonely Place

The Film Doctor

italkyoubored

Icebox Movies

Medfly Quarantine

Not Just Movies

Hope Lies at
24 Frames Per Second

Motion Pictures Comics

Diary of a
Country Cinephile

So Why This Movie?

Obsessive Movie Nerd

Nothing Is Written

Ferdy on Films

Cashiers De Cinema

This Recording

Mike's Movie Guide

Every '70s Movie

Dangerous Minds

EatSleepLiveFilm

No Time For
Love, Dr. Jones!

The former
De Palma a la Mod
site

Entries by Topic
A note about topics: Some blog posts have more than one topic, in which case only one main topic can be chosen to represent that post. This means that some topics may have been discussed in posts labeled otherwise. For instance, a post that discusses both The Boston Stranglers and The Demolished Man may only be labeled one or the other. Please keep this in mind as you navigate this list.
All topics  «
Ambrose Chapel
Are Snakes Necessary?
BAMcinématek
Bart De Palma
Beaune Thriller Fest
Becoming Visionary
Betty Buckley
Bill Pankow
Black Dahlia
Blow Out
Blue Afternoon
Body Double
Bonfire Of The Vanities
Books
Boston Stranglers
Bruce Springsteen
Cannes
Capone Rising
Carlito's Way
Carrie
Casualties Of War
Catch And Kill
Cinema Studies
Clarksville 1861
Columbia University
Columbo - Shooting Script
Congo
Conversation, The
Cop-Out
Cruising
Daft Punk
Dancing In The Dark
David Koepp
De Niro
De Palma & Donaggio
De Palma (doc)
De Palma Blog-A-Thon
De Palma Discussion
Demolished Man
Dick Vorisek
Dionysus In '69
Domino
Dressed To Kill
Edward R. Pressman
Eric Schwab
Fatal Attraction
Femme Fatale
Film Series
Fire
Frankie Goes To Hollywood
Fury, The
Genius of Love
George Litto
Get To Know Your Rabbit
Ghost & The Darkness
Greetings
Happy Valley
Havana Film Fest
Heat
Hi, Mom!
Hitchcock
Home Movies
Inspired by De Palma
Iraq, etc.
Jack Fisk
Jared Martin
Jerry Greenberg
Keith Gordon
Key Man, The
Laurent Bouzereau
Lights Out
Lithgow
Magic Hour
Magnificent Seven
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Mission: Impossible
Mod
Montreal World Film Fest
Morricone
Mr. Hughes
Murder a la Mod
Nancy Allen
Nazi Gold
Newton 1861
Noah Baumbach
NYFF
Obsession
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Palmetto
Paranormal Activity 2
Parker
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Passion
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Phantom Of The Paradise
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Predator
Prince Of The City
Print The Legend
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Raising Cain
Red Shoes, The
Redacted
Responsive Eye
Retribution
Rie Rasmussen
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Rotwang muß weg!
Sakamoto
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Sensuous Woman, The
Sisters
Snake Eyes
Sound Mixer
Spielberg
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Friday, January 25, 2013
TARANTINO HAD 'DJANGO' CREATIVES WATCH 'CARRIE'
PLUS: TARANTINO & WRIGHT INCLUDED 'CARRIE' ON THEIR SIGHT&SOUND LISTS


As the IFC Center in New York screens Brian De Palma's Carrie tonight and Saturday at midnight (as part of its series, "The Scary '70s"), it seems an appropriate time to delve into some various Carrie notes. The January 2013 issue of American Cinematographer features a cover story interview with Django Unchained lenser Robert Richardson, who tells the magazine's Iain Stasukevich that Carrie was one of several films Tarantino showed his crew in preparation for his latest.

"It has long been Tarantino’s custom," writes Stasukevich, "to screen dozens of movies for his key creatives early in prep to help establish the language of the universe they will create. For Django Unchained, Richardson recalls, these screenings included Sergio Corbucci’s The Great Silence, Dario Argento’s Suspiria, Lucio Fulci’s Don’t Torture a Duckling, Mario Bava’s Black Sunday, Max OphülsThe Earrings of Madame de …, Brian De Palma’s Carrie, Sergio Leone’s For a Few Dollars More and Howard HawksRio Bravo. 'That’s by no means a complete list,' adds Richardson."

In 2009, Tarantino agreed "vigorously" with one interviewer who suggested that the fiery climax of Tarantino's Inglourious Basterds channeled De Palma's Carrie. It is worth noting that Django Unchained marks the second film in a row in which Tarantino stages a bloody climax amidst the setting of a palatial balcony, such as that in the conclusion of De Palma's Scarface. In his review of Django Unchained, Life Goes Strong's David Weiss suggests that the film keeps Scarface in mind toward the end. "Though one could take a nap in the expository first hour," Weiss states, "the second and third acts are reeling headlong to a brutal barrage of bullets mindful of Brian De Palma's much-satirized ending of Scarface." The critic John Kenneth Muir has noted at some length the way the climax of Inglourious Basterds quotes heavily from the works of De Palma, particularly Carrie and Scarface.

WRIGHT: "A FULL-BLOWN & FULL-BLOODED TEENAGE POP OPERA"
Meanwhile, last September, Sight&Sound ran its once-a-decade lists of the greatest films of all time, as chosen by critics (there was much chatter at the time about Vertigo supplanting Citizen Kane on the list as the greatest film of all time). As a side article, the magazine included the top 10 lists of several international directors, including Tarantino and Edgar Wright, who both included Carrie on their lists.

Tarantino characteristically listed 12 films instead of ten, with no other comments. He listed Sergio Leone's The Good, The Bad And The Ugly on top (at least, that's how it's listed in the print version), and everything else alphabetically: Apocalypse Now, The Bad News Bears, Carrie, Dazed And Confused, The Great Escape, His Girl Friday, Jaws, Pretty Maids All In A Row, Rolling Thunder, Sorcerer, and Taxi Driver.

Wright listed each of his in alphabetical order, and included brief explanations of each choice. Wright's films were: 2001: A Space Odyssey, An American Werewolf In London, Carrie, Dames, Don't Look Now, Duck Soup, Psycho, Raising Arizona, Taxi Driver, and The Wild Bunch. "In Carrie," Wright commented, "Brian De Palma takes Stephen King's horror of adolescence and turns it into a full-blown and full-blooded teenage pop opera. They didn't need to turn it into a musical-- it already was one."


Posted by Geoff at 9:12 PM CST
Updated: Saturday, January 26, 2013 9:37 AM CST
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Thursday, January 24, 2013
TWO NEW 'PASSION' STILLS
COURTESY OF THE ARP SELECTION WEBSITE


The two pictures above appeared on the ARP Selection website, along with other pics we've seen previously.


Posted by Geoff at 5:18 PM CST
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Wednesday, January 23, 2013


Posted by Geoff at 8:59 PM CST
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Posted by Geoff at 8:50 PM CST
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Posted by Geoff at 12:34 AM CST
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Tuesday, January 22, 2013


Posted by Geoff at 6:55 PM CST
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'PASSION' GETS BELGIUM PREMIERE AT FEB FILM CLUB
AND YET ANOTHER POSITIVE FRENCH REVIEW OF DE PALMA'S LATEST
The Genres Next Door monthly film club presents a premiere in Brussels, Belgium, of Brian De Palma's Passion on February 7. According to its website, Genres Next Door's monthly film club projects films that explore different sexualities and minority lifestyles through films that would otherwise see little or no distribution in Belgium. Tweets from Dutch journalists indicate that De Palma has been doing more interviews ahead of the premieres in Belgium and France (Feb. 13). Lindsey of Rachel McAdams Online tells us that Algemeen Dagblad is one of the biggest Dutch journalists. His tweet, according to Lindsey, says that he has finished writing up his interview with De Palma, and that he hopes that Passion will make it to Dutch theaters, which is not the case in all countries. "Unjustified!" he writes. And if you speak Dutch, you can listen to (and understand) an interview with Ghent Film Festival director Patrick Duynslaegher, discussing De Palma, at Radio 1. (Big thanks to Lindsey for steering us in the right direction on that, too!)

"DE PALMA AT THE TOP OF HIS ART"
Meanwhile, Avoir-Alire's Kevin Bertrand posted a review of Passion yesterday, stating that "after five years of absence, Brian De Palma returns to top form." Bertrand likes that De Palma added his own twist to the Alain Corneau source material, and feels that making the two protagonists closer in age makes the erotic power plays involved in the story more credible. "Just like his characters," writes Bertrand, "Brian De Palma takes pleasure in manipulating his world, multiplying twists, blurring the boundaries between dream and reality to lose the viewer in a con game to the diabolically black conclusion."

Posted by Geoff at 12:47 AM CST
Updated: Tuesday, January 22, 2013 6:48 PM CST
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Monday, January 21, 2013
'STOKER' AT SUNDANCE
WELLS: "BIGGEST 'LOOK AT HOW I CAN OUT-DEPALMA AT HIS MOST OPERATIC' MOVIE"


Chan-wook Park's thriller Stoker had its premiere at the Sundance Film Festival last night, and a couple of early reactions brought Brian De Palma into the discussion. The tweet above pairs Stoker with De Palma's latest, while Hollywood Elsewhere's Jeffrey Wells felt that Chan-wook tries to outdo De Palma. Wells posted, "I've just walked out of Park Chan-Wook's Stoker...nope. It's the biggest 'look at how I can out-DePalma at his most operatic!' show-off movie I've seen in a long, long time. Everything is visual candy to this guy, and sensible human behavior and story logic can go eff themselves because PCW doesn't give a damn...whooooo!"

A couple of positive reviews have been posted early by HitFix's Drew McWeeny and Fangoria's Ken Hanley. "Stoker prides itself on not being a conventional genre picture by any means," states Hanley, "but the hypnotic rhythm in which the film unfolds will undoubtedly keep any audience transfixed."

Posted by Geoff at 1:54 AM CST
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Saturday, January 19, 2013
BIG DE PALMA CAREER INTERVIEW, 'PASSION', 'CARRIE'
ALSO DONAGGIO, PJ SOLES, WILLIAM KATT, & MORE IN NEXT MONTH'S ISSUE OF FANGORIA
Fangoria has posted a preview of the cover and contents of next month's issue, with a big cover story on Brian De Palma. Here are a few highlights listed from the upcoming issue:

INTERVIEW: BRIAN DE PALMA From “Sisters” to “Carrie” to the new “Passion,” he’s been thrilling us in the most stylish ways. Plus: horrific highlights from decades of De Palma.

FEATURE: THE “PASSION” MASK How to make a face that suits two of the screen scene’s most accomplished actresses.

INTERVIEW: P.J. SOLES She turned a small part in “Carrie” into a memorable mean girl. Plus: Pino Donaggio and William Katt on making beautiful music with Carrie.

PREVIEW: “CARRIE” She’s headed for the prom again this year, and director Kimberly Peirce is chaperoning.

FIRST RITES “Carrie” on through the changes


Posted by Geoff at 1:22 AM CST
Updated: Saturday, January 19, 2013 1:32 AM CST
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Friday, January 18, 2013



In English:
"# Passion film, new # DePalma, sophisticated remake of Love Crime or how to make a good movie from a bad one"

Posted by Geoff at 6:18 PM CST
Updated: Friday, January 18, 2013 6:26 PM CST
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