Hello and welcome to the unofficial Brian De Palma website.
Here is the latest news:

De Palma a la Mod

E-mail
Geoffsongs@aol.com

De Palma Discussion
Forum

-------------

Recent Headlines
a la Mod:

Domino is
a "disarmingly
straight-forward"
work that "pushes
us to reexamine our
relationship to images
and their consumption,
not only ethically
but metaphysically"
-Collin Brinkman

De Palma on Domino
"It was not recut.
I was not involved
in the ADR, the
musical recording
sessions, the final
mix or the color
timing of the
final print."

Listen to
Donaggio's full score
for Domino online

De Palma/Lehman
rapport at work
in Snakes

De Palma/Lehman
next novel is Terry

De Palma developing
Catch And Kill,
"a horror movie
based on real things
that have happened
in the news"

Supercut video
of De Palma's films
edited by Carl Rodrigue

Washington Post
review of Keesey book

-------------

Exclusive Passion
Interviews:

Brian De Palma
Karoline Herfurth
Leila Rozario

------------

AV Club Review
of Dumas book

------------

« April 2012 »
S M T W T F S
1 2 3 4 5 6 7
8 9 10 11 12 13 14
15 16 17 18 19 20 21
22 23 24 25 26 27 28
29 30

Interviews...

De Palma interviewed
in Paris 2002

De Palma discusses
The Black Dahlia 2006


Enthusiasms...

De Palma Community

The Virtuoso
of the 7th Art

The De Palma Touch

The Swan Archives

Carrie...A Fan's Site

Phantompalooza

No Harm In Charm

Paul Schrader

Alfred Hitchcock
The Master Of Suspense

Alfred Hitchcock Films

Snake Eyes
a la Mod

Mission To Mars
a la Mod

Sergio Leone
and the Infield
Fly Rule

Movie Mags

Directorama

The Filmmaker Who
Came In From The Cold

Jim Emerson on
Greetings & Hi, Mom!

Scarface: Make Way
For The Bad Guy

The Big Dive
(Blow Out)

Carrie: The Movie

Deborah Shelton
Official Web Site

The Phantom Project

Welcome to the
Offices of Death Records

The Carlito's Way
Fan Page

The House Next Door

Kubrick on the
Guillotine

FilmLand Empire

Astigmia Cinema

LOLA

Cultural Weekly

A Lonely Place

The Film Doctor

italkyoubored

Icebox Movies

Medfly Quarantine

Not Just Movies

Hope Lies at
24 Frames Per Second

Motion Pictures Comics

Diary of a
Country Cinephile

So Why This Movie?

Obsessive Movie Nerd

Nothing Is Written

Ferdy on Films

Cashiers De Cinema

This Recording

Mike's Movie Guide

Every '70s Movie

Dangerous Minds

EatSleepLiveFilm

No Time For
Love, Dr. Jones!

The former
De Palma a la Mod
site

Entries by Topic
A note about topics: Some blog posts have more than one topic, in which case only one main topic can be chosen to represent that post. This means that some topics may have been discussed in posts labeled otherwise. For instance, a post that discusses both The Boston Stranglers and The Demolished Man may only be labeled one or the other. Please keep this in mind as you navigate this list.
All topics  «
Ambrose Chapel
Are Snakes Necessary?
BAMcinématek
Bart De Palma
Beaune Thriller Fest
Becoming Visionary
Betty Buckley
Bill Pankow
Black Dahlia
Blow Out
Blue Afternoon
Body Double
Bonfire Of The Vanities
Books
Boston Stranglers
Bruce Springsteen
Cannes
Capone Rising
Carlito's Way
Carrie
Casualties Of War
Catch And Kill
Cinema Studies
Clarksville 1861
Columbia University
Columbo - Shooting Script
Congo
Conversation, The
Cop-Out
Cruising
Daft Punk
Dancing In The Dark
David Koepp
De Niro
De Palma & Donaggio
De Palma (doc)
De Palma Blog-A-Thon
De Palma Discussion
Demolished Man
Dick Vorisek
Dionysus In '69
Domino
Dressed To Kill
Edward R. Pressman
Eric Schwab
Fatal Attraction
Femme Fatale
Film Series
Fire
Frankie Goes To Hollywood
Fury, The
Genius of Love
George Litto
Get To Know Your Rabbit
Ghost & The Darkness
Greetings
Happy Valley
Havana Film Fest
Heat
Hi, Mom!
Hitchcock
Home Movies
Inspired by De Palma
Iraq, etc.
Jack Fisk
Jared Martin
Jerry Greenberg
Keith Gordon
Key Man, The
Laurent Bouzereau
Lights Out
Lithgow
Magic Hour
Magnificent Seven
Mission To Mars
Mission: Impossible
Mod
Montreal World Film Fest
Morricone
Mr. Hughes
Murder a la Mod
Nancy Allen
Nazi Gold
Newton 1861
Noah Baumbach
NYFF
Obsession
Oliver Stone
Palmetto
Paranormal Activity 2
Parker
Parties & Premieres
Passion
Paul Hirsch
Paul Schrader
Pauline Kael
Peet Gelderblom
Phantom Of The Paradise
Pimento
Pino Donaggio
Predator
Prince Of The City
Print The Legend
Raggedy Ann
Raising Cain
Red Shoes, The
Redacted
Responsive Eye
Retribution
Rie Rasmussen
Robert De Niro
Rotwang muß weg!
Sakamoto
Scarface
Scorsese
Sean Penn
Sensuous Woman, The
Sisters
Snake Eyes
Sound Mixer
Spielberg
Star Wars
Stepford Wives
Stephen H Burum
Sweet Vengeance
Tabloid
Tarantino
Taxi Driver
Terry
The Tale
To Bridge This Gap
Toronto Film Fest
Toyer
Travolta
Treasure Sierra Madre
Tru Blu
Truth And Other Lies
TV Appearances
Untitled Ashton Kutcher
Untitled Hollywood Horror
Untitled Industry-Abuse M
Untouchables
Venice Beach
Vilmos Zsigmond
Wedding Party
William Finley
Wise Guys
Woton's Wake
Blog Tools
Edit your Blog
Build a Blog
RSS Feed
View Profile
You are not logged in. Log in
Friday, April 13, 2012
ARMOND: 'DETENTION' 360-PAN IS HOMAGE TO 'BLOW OUT'
JOSEPH KAHN FILM ALSO FEATURES BULLY CHARACTER NAMED BILLY NOLAN
Music video and commercial director Joseph Kahn's second feature film, Detention, opens in select AMC theaters today, before moving on to other cities later on. Kahn financed the high school-set, genre-busting film himself, so that he could call all the shots without argument. Detention is aimed at today's teenagers, who Kahn believes are bored by the movies Hollywood generally gears toward them. The film, which features deliberate references to many many films, is Kahn's call for the death of genres. According to City Arts' Armond White, the film includes a 360-degree pan that is an homage to a similar pan in Brian De Palma's Blow Out:

There’s a continuous 360-degree pan through eleven years of pop song totems and teen fads that sneaks up on you as one of the most fantastically detailed set-pieces in modern movies. It’s also an homage to Brian De Palma’s vertiginous 360-pan in Blow Out. Both De Palma and Kahn use their technical aplomb and social acuity to similarly encircle a moral void. Kahn’s De Palma trickery may obscure his own considerable point about cultural overload (also De Palma’s unconscious panic).

Not sure if this is the scene White is referring to, but Kahn describes his favorite sequence of Detention in an interview with Caliber's Katherine Sziraczky:

I like my teen throwback sequence in the movie, where we go through the eras in detention. Who makes throwbacks for teens? Most people assume that teens haven’t lived long enough to recognize a throwback, but that scene shows you how fast society changes for new young people. Things change so fast, hairstyles, music, that little sequence just throws it in your face, this is a whole new world.

Kahn has been promoting the film relentlessly, and also gave interviews to Complex, io9, Fanbolt, and Collider.

In what is surely a nod to Carrie (both the novel and the film), Kahn, who co-wrote the screenplay for Detention, has a character named Billy Nolan, which was also the name of the character played by John Travolta in De Palma's film adaptation of Stephen King's novel.


Posted by Geoff at 11:59 PM CDT
Updated: Saturday, April 14, 2012 12:49 PM CDT
Post Comment | View Comments (2) | Permalink | Share This Post
Wednesday, April 11, 2012
BRITISH ACTOR CAST AS 'PASSION' DETECTIVE
IAN T. DICKINSON HAS BEEN BASED IN BERLIN SINCE 1995
The IMDB's page for Brian De Palma's Passion has added Ian T. Dickinson to the cast credits. Dickinson, a British actor who is a well-established figure in the German film/TV/theatre community (he speaks English and German), is portraying the detective in De Palma's film. According to Dickinson's web site, in the early 1980s, he co-founded and managed the independent record label Anxious Records with Dave Stewart. Dickinson has appeared in Wim Wenders' Person To Person, Hal Hartley's Fay Grim, and James McTeigue's V For Vendetta. Last year, an independent film Dickinson appeared in, Alex Ross' Tom Atkins Blues, played in German cinemas for 53 consecutive weeks. That film was shot in 11 days for about $2,500. Dickinson has the lead role in Ross' new film, the Berlin-set Weak Heart Drop.

Posted by Geoff at 11:34 PM CDT
Updated: Thursday, April 12, 2012 6:32 PM CDT
Post Comment | View Comments (3) | Permalink | Share This Post
Monday, April 9, 2012
GUY MADDIN WANTS TO THANK DE PALMA FOR 'PHANTOM'
SAYS THE FILM'S POPULARITY WAS JUST TOO BIG A SUBJECT FOR 'MY WINNIPEG'
Guy Maddin was interviewed by A.V. Club's Sam Adams, who asked the My Winnipeg filmmaker about the popularity of Brian De Palma's Phantom Of The Paradise in his hometown:

AVC: As you mentioned, you grew up in Winnipeg, one of the only places in the world, except for Paris, where Brian De Palma’s The Phantom Of The Paradise was a hit.

GM: Paul Williams is a god in Winnipeg. An ex-girlfriend of mine stalked him to his hotel room. That was a strange relationship. But anyway.

AVC: Were you a Phantom fan?

GM: Saw it once. Listened to the soundtrack album a million times playing pool as an 18-year-old. Thought it was one of the iconic great films for so many years, because as a Winnipeger, it was so huge in the local zeitgeist, the civic-geist. I couldn’t believe when I later found that among De Palma buffs, it’s ranked like the 40th-best of his films. Because I was thinking, “Well okay, there’s Phantom Of Paradise, then there’s Dressed To Kill.” I thought it was like discussing Capra and going, “... It’s A Wonderful Life, which isn’t even a movie.” I’ve ridden in an elevator three times with Brian De Palma over the years. You’re in the same hotel and you’re just—“It’s Brian De Palma, I just gotta fucking…” The first time I saw him he was 6-foot-7, literally. The last time I saw him, he’s like whatever his real height is, or maybe much shorter, like 4-foot-2 or something. I don’t know, but every time I feel like throwing myself at his feet and thanking him for Phantom Of Paradise.

I didn’t even get into Phantom Of Paradise in My Winnipeg. It was too big of a subject. It’s a strange place. All I can say is, it’s one of the last isolated big cities, 700,000 people. The same size as Austin, the capital of Texas. It’s got no hinterland. There’s no one living within an eight-hour drive of the place, maybe a couple of really dinky towns. It’s just the biggest isolated city in North America; it’s right in the center, and it’s Siberia cold, so that isolation produces some quirky results. It’s a Petri dish no one sneezes on. We’re just breathing our own sneezes all the time.


Posted by Geoff at 6:02 PM CDT
Updated: Monday, April 9, 2012 6:07 PM CDT
Post Comment | Permalink | Share This Post
Saturday, April 7, 2012
FRANK WITTER JOINS 'PASSION' CAST
AS THEATRE USHER, ACCORDING TO IMDB
A new name has been added to the IMDB's cast credits for Brian De Palma's Passion. According to the site, German actor Frank Witter plays the theatre usher in the film. This would undoubtedly be at the movie theatre frequented by Noomi Rapace's character. It will be interesting to see what she chooses to watch there.

Posted by Geoff at 6:31 PM CDT
Post Comment | Permalink | Share This Post
'THE FURY' TO SCREEN AT ACTIONFEST 2012
STUNTMAN MICKEY GILBERT TO DO Q&A AT NORTH CAROLINA EVENT APRIL 13
Although it is not mentioned yet on the event's official web site, Brian De Palma's The Fury will be presented by Mickey Gilbert at the 2012 ActionFest, which runs April 12-15 in Asheville, North Carolina. Gilbert, who is picking up a Lifetime Achievement Award at this year's fest, was the stunt coordinator on The Fury. He also worked as a stuntman on Sam Peckinpah's The Wild Bunch, which will also be screened at the festival. According to Mountain Xpress, Gilbert will provide an introduction and Q&A at the screening of The Fury, which will be held at 7:30pm Friday, April 13th, at The Carolina theater in Asheville.

Posted by Geoff at 4:15 PM CDT
Post Comment | Permalink | Share This Post
Wednesday, April 4, 2012
RENOWNED VOICE ACTOR ON HIS 'BODY DOUBLE' ROLE
ROB PAULSEN HAD CLASSIC PUNCHLINE AS PORNO CAMERAMAN


Rob Paulsen is famed for his voice acting in the cartoons Teenage Mutant Ninja Turtles, Pinky And The Brain, and Animaniacs, but early in his career, he had a small yet memorable role in Brian De Palma's Body Double. In that film, Paulsen played a pornographic movie camerman who, after filming a scene of Jake Scully making out with Holly Body, delivers the scene's classic punchline: "Where's the cum-shot?" the cameraman asks the director, who seems hypnotized by the scene in front of him. "The cum-shot. I thought we were doing Body Talk here, not Last Tango!" Paulsen spoke to Dan Roberts last week, and near the end of the interview (which can be listened to in the YouTube video above), Roberts, a De Palma fan, asks Paulsen about his experience on the film. Paulsen relays a funny story about how his kids found out about him being in the movie years later.

Posted by Geoff at 11:32 PM CDT
Updated: Wednesday, April 4, 2012 11:33 PM CDT
Post Comment | Permalink | Share This Post
Tuesday, April 3, 2012
AISENBERG TO GUEST ON MOVIE GEEKS WEDNESDAY
'CARRIE' STUDY TO BE FOCUS OF PROGRAM
Joe Aisenberg, author of the full volume study of Brian De Palma's Carrie from Centipede Press, will be the guest on Wednesday night's Movie Geeks United podcast (April 4th). A modified version of the introduction to Aisenberg's book can be read at the Bright Lights Film Journal

Posted by Geoff at 8:39 PM CDT
Updated: Wednesday, April 4, 2012 8:51 PM CDT
Post Comment | View Comments (2) | Permalink | Share This Post
Sunday, April 1, 2012
'DIONYSUS' FILM APPROPRIATED INTO ART INSTALLATION
OVERLAPPING PROJECTIONS FORM PIECE BY ROSE KALLAL AT GALLERY IN SCOTLAND
The Hidden Noise gallery, located in Glasgow, Scotland, is currently hosting an exhibition by New York artist Rose Kallal. Kallal is presenting Implicate, Explicate, a 16mm film installation "created especially for The Hidden Noise with a soundtrack produced in collaboration with Mark Pilkington," according to the gallery's web site. "The overlapping projections appropriate footage from sources as diverse as Brian De Palma’s Dionysus to contemporary 3D simulations of fractals, as well as her own original footage." The exhibition, which includes works by Anni Albers, Josef Albers, and Victoria Morton, runs through April 14th.

Posted by Geoff at 10:27 PM CDT
Post Comment | Permalink | Share This Post
Saturday, March 31, 2012
KAROLINE FB POST ON RACHEL & NOOMI
AND "STRUGGLES WITH NIGHT SHOOTS AND ENGLISH TEXTS"
Karoline Herfurth posted another Passion-related update to her Facebook page yesterday (Friday, March 30th). Here's what she posted:

Hello All. The shooting schedule has swallowed me up once again ... :-) Struggles with night shoots and English texts ... :-) Rachel McAdams is a real sunshine. So incredibly friendly and professional, and always ready to perform on the spot. One can definitely learn a thing or two from her. And Noomi Rapace is quite an experience. I’m very much looking forward to our great scenes. And the one time it went a day longer was yesterday of all days. So I missed the Jupiter Awards, which I really wanted to attend ...! Had such a lovely dress by Malaika Raiss ...! Just the usual madness... :-)

Posted by Geoff at 6:14 PM CDT
Updated: Sunday, April 1, 2012 12:21 PM CDT
Post Comment | Permalink | Share This Post
Friday, March 30, 2012
CINEFILES LOOKS AT SELECTED DE PALMA THRILLERS
'SISTERS', 'DRESSED TO KILL', 'BLOW OUT', & 'RAISING CAIN' DISCUSSED


They get a couple of details wrong here and there, but this is a great old-fashioned discussion from a group of guys who generally seem to know what they're talking about. Not to nitpick, but I feel the need to set a couple of things straight. Eric Cohen takes Bernard Herrmann's quote during the making of Sisters out of context: it was when De Palma wanted to start his picture with the blind girl walking into the men's locker room that Herrmann insisted that, because nothing scary or thrilling happened in the movie until later on, Sisters should open with a title sequence featuring his ominous music. When De Palma tried to argue that Hitchcock did it, Herrmann reminded the young director that he was not Hitchcock, and nobody in the audience was going to wait for him to start his story.

This next thing is clarified near the end of the video, but... Later in the CineFiles discussion on Raising Cain, Cohen states that the film was taken out of De Palma's control, but in actuality, it was De Palma himself who decided to recut the film, with the help of editor Paul Hirsch. The discussion above also touches on Peet Gelderblom's Raising Cain Re-Cut.

Posted by Geoff at 8:16 PM CDT
Updated: Friday, March 30, 2012 8:49 PM CDT
Post Comment | Permalink | Share This Post

Newer | Latest | Older