MUSEUM SEQUENCE SAID TO BE NOD TO DE PALMA
Several critics have noted that a museum sequence in Jaume Collet-Serra's Unknown (which opened Friday and led the box office this past weekend) pays tribute to the masterful museum sequence in Brian De Palma's Dressed To Kill. indieWIRE's Drew Taylor mentions "a moment cribbed from Brian De Palma‘s exemplary Dressed to Kill that takes place in an art museum" as one of a handful of "perfectly timed and orchestrated" suspense set pieces. NPR's Jeannette Catsoulis was less impressed, stating that "a swirling museum scene featuring blown-up photographs of unidentified faces — which in the hands of Brian De Palma could have been delicious — is almost laughable in its complete lack of subtlety." Chris Hewitt at the Pioneer Press feels that Collet-Serra is "heading confidently" into a Hitchcock/De Palma level, and mentions that De Palma's Dressed To Kill is "saluted in a museum scene." Taylor riffs on Unknown some more at High-Def Digest, referring to the film as "yellowed paperback fun." Taylor writes:
The thing about ‘Unknown’ is that the implausibility never really slows it down. As the mystery becomes deeper and more complex, you go along with it. [Liam] Neeson hires a Soviet-era spook played by Bruno Ganz to do some private investigating, while Diane Kruger becomes his de facto partner-in-crime. Shadowy killers stalk our hero. In a great scene lifted from Brian De Palma’s ‘Dressed to Kill’, he tries to reconnect with Jones while dodging goons in an art gallery. The mayhem steadily intensifies, straining credibility until the breaking point, which culminates with a giant third act plot twist that threatens to dismantle the whole thing… But doesn’t. Maybe it’s the appearance of Frank Langella as a dapper villain, or the fact that Neeson is just a compulsively watchable character. He’s very much channeling his everyman avenger from ‘Taken’, but ‘Unknown’ is an altogether more stylish, sophisticated beast.