Hello and welcome to the unofficial Brian De Palma website.
Here is the latest news:

De Palma a la Mod

E-mail
Geoffsongs@aol.com

De Palma Discussion
Forum

-------------

Pacino wows
in Venice

Pacino delivers a
masterclass as
a lion in winter

The Humbling
and Manglehorn
reviews

-------------

Exclusive Passion
Interviews:

Brian De Palma
Karoline Herfurth
Leila Rozario

------------

AV Club Review
of Dumas book

Recent Headlines
a la Mod:

-Picture emerging
for Happy Valley

-De Palma's new
project with
Said Ben Said

-De Palma to team
with Pacino & Pressman
for Paterno film
Happy Valley

« January 2013 »
S M T W T F S
1 2 3 4 5
6 7 8 9 10 11 12
13 14 15 16 17 18 19
20 21 22 23 24 25 26
27 28 29 30 31

Interviews...

De Palma interviewed
in Paris 2002

De Palma discusses
The Black Dahlia 2006


Enthusiasms...

The Virtuoso
of the 7th Art

The De Palma Touch

The Swan Archives

Carrie...A Fan's Site

Phantompalooza

Paul Schrader

Alfred Hitchcock
The Master Of Suspense

Alfred Hitchcock Films

Snake Eyes
a la Mod

Mission To Mars
a la Mod

Sergio Leone
and the Infield
Fly Rule

Movie Mags

Directorama

The Filmmaker Who
Came In From The Cold

Jim Emerson on
Greetings & Hi, Mom!

Scarface: Make Way
For The Bad Guy

The Big Dive
(Blow Out)

Carrie: The Movie

Deborah Shelton
Official Web Site

The Phantom Project

Welcome to the
Offices of Death Records

The Carlito's Way
Fan Page

The House Next Door

Kubrick on the
Guillotine

FilmLand Empire

Astigmia Cinema

LOLA

Cultural Weekly

A Lonely Place

The Film Doctor

italkyoubored

Icebox Movies

Medfly Quarantine

Not Just Movies

Hope Lies at
24 Frames Per Second

Motion Pictures Comics

Diary of a
Country Cinephile

So Why This Movie?

Obsessive Movie Nerd

Nothing Is Written

Ferdy on Films

Cashiers De Cinema

This Recording

Mike's Movie Guide

Every '70s Movie

Dangerous Minds

EatSleepLiveFilm

No Time For
Love, Dr. Jones!

The former
De Palma a la Mod
site

Entries by Topic
A note about topics: Some blog posts have more than one topic, in which case only one main topic can be chosen to represent that post. This means that some topics may have been discussed in posts labeled otherwise. For instance, a post that discusses both The Boston Stranglers and The Demolished Man may only be labeled one or the other. Please keep this in mind as you navigate this list.
All topics ал
Ambrose Chapel
BAMcinématek
Bart De Palma
Becoming Visionary
Bill Pankow
Black Dahlia
Blow Out
Blue Afternoon
Body Double
Bonfire Of The Vanities
Books
Boston Stranglers
Bruce Springsteen
Cannes
Capone Rising
Carlito's Way
Carrie
Casualties Of War
Columbo - Shooting Script
Cop-Out
Cruising
Daft Punk
Dancing In The Dark
David Koepp
De Niro
De Palma Blog-A-Thon
De Palma Discussion
Demolished Man
Dionysus In '69
Dressed To Kill
Eric Schwab
Femme Fatale
Film Series
Fire
Frankie Goes To Hollywood
Fury, The
Get To Know Your Rabbit
Greetings
Happy Valley
Heat
Hi, Mom!
Hitchcock
Home Movies
Inspired by De Palma
Iraq, etc.
Key Man, The
Lithgow
Magic Hour
Mission To Mars
Mission: Impossible
Montreal World Film Fest
Mr. Hughes
Murder a la Mod
Nancy Allen
Nazi Gold
Obsession
Oliver Stone
Paranormal Activity 2
Parker
Parties & Premieres
Passion
Paul Hirsch
Paul Schrader
Phantom Of The Paradise
Pino Donaggio
Prince Of The City
Print The Legend
Raggedy Ann
Raising Cain
Red Shoes, The
Redacted
Responsive Eye
Rie Rasmussen
Robert De Niro
Sakamoto
Scarface
Sean Penn
Sisters
Snake Eyes
Sound Mixer
Star Wars
Stepford Wives
Tabloid
Tarantino
Toronto Film Fest
Toyer
Treasure Sierra Madre
Tru Blu
TV Appearances
Untouchables
Vilmos Zsigmond
Wedding Party
William Finley
Wise Guys
Woton's Wake
Blog Tools
Edit your Blog
Build a Blog
RSS Feed
View Profile
You are not logged in. Log in
Tuesday, January 8, 2013
MORE FRENCH PASSION FOR 'PASSION'
CRITIC SURPRISED THAT DE PALMA MADE SUCH A PERSONAL FILM OUT OF CORNEAU REMAKE
TF1 News Film Critic Romain Le Vern posted a review today of Brian De Palma's Passion, calling it De Palma's "best film since... a long time." Le Vern echoes the review posted yesterday by Jean-Baptiste Morain, each with the suggestion that De Palma has made a personal film that stands among his finest works. Below is a Google-assisted translation of Le Vern's review:
------------------------------

"Two women engage in a perverse game of manipulation within a multinational corporation. Isabelle (Noomi Rapace) is fascinated by her superior (Rachel McAdams), Christine. The latter takes advantage of her influence over Isabella to drive into a game of seduction and manipulation, domination and servitude.

"On paper, this new feature by Brian De Palma presents itself as an American remake of the French Love Crime, the last film by the late Alain Corneau and far from the best. A project that a priori portends a controlled movie replay, sterile or impersonal. Surprise: it's not. From Dressed To Kill to Obsession, from Body Double to Snake Eyes, Brian De Palma has always been fascinated with the questions raised by the cinema and could never help but tell (almost) all his stories in the form of mise-en-scène.

"Although we thought he had broken his own obsessions with objects bordering on pastiche (Femme Fatale) and uninspired (his very unsuccessful adaptation of the cult novel by James Ellroy, The Black Dahlia, a very soft sci-fi Mission To Mars) and been ostracized from the system after taking the risk of anti-war Redacted (YouTube version of Casulaties Of War), Brian De Palma has regained form and his Passion marks a return with great fanfare to the overwrought cinema of the 70s Mannerist, reflecting the ambition of a system of manipulation by illusion.

"Hitchcock's ghost still haunts

"This manipulative maze-like film could be terminal like Mulholland Drive, David Lynch, fed self-citations (a lot of Sisters, a little Raising Cain), themes (voyeurism, fetishism, manipulation, schizophrenia, alienation), Biblical symbols and stylistic figures allow the auteur to settle scores. With himself. With his appetite for evil. Hitchcock with his superego.

"In search of beauty in vulgarity - the vulgarity of time exacerbated by the emergence of new media and new ways of espionage (sex tape, YouTube) such as social networks - De Palma films the grimey dreams of innocent girls, probes the impossibility of desire in a world of phallic metal towers in which women make war to seduce men and uses the original frame of Corneau to talk about what has always been connected: the truth rigged, optical illusions, false pretenses, artifice to describe subjectivity (the distortion of time, split-screen, the deformation of reality).

"Above all, we have to see the pleasure of Brian De Palma, simple pleasures and communicative, filming for the beauty of movement, especially in the operatic last half-hour amplified by the music of Pino Donaggio, reviving the best suspensions of disbelief from his past films such as, at random, the suspenseful sequence of the prom in Carrie. The final shot is both climax and nod to De Palma’s aficionados, causing a jolt.

"De Palma directed both actresses (Noomi Rapace and Rachel McAdams, impeccable) like lionesses, savoring the slow devouring of praying mantises. For a long time we do not know who the brunette or blonde, Hitchcock heroine or De Palma-esque bitch, proves the most toxic. But one thing is sure: dream into nightmare, nobody has been innocent."


Posted by Geoff at 10:35 PM CST
Post Comment | Permalink | Share This Post

View Latest Entries