AS DE PALMA THRILLER SCREENS TONIGHT AT TORONTO'S BELL LIGHTBOX
TIFF is having an ongoing late night series called "Bangkok Dangerous: The Cinema of Nicolas Cage." Up tonight is Brian De Palma's Snake Eyes, which has prompted A.V. Club Toronto to post a series of essays about the actor, called "Caged Wisdom." This week, John Semley posted an essay that delves into Snake Eyes' opening shot, the odd criticism of De Palma as a "stylist," and the film's intricate split screen sequence. Regarding the opening sequence, Semley writes, "It’s a persuasive, hypnotizing bit of film craft, ranking right up there with the director’s best. It’s not closed-off enough to function as a self-contained short film or anything. But as a piece of geometry, as an object lesson in what it is that Brian De Palma does as a filmmaker, it’s instructive—truly bravura. Oddly, it’s this sense of bravura, this virtuoso quality, that has earned De Palma so many detractors."