KOPPELMAN DISSES DE PALMA'S "LEGENDARY" STATUS
During an interview with Coming Soon's Edward Douglas, Brian Koppelman has dissed Brian De Palma with some surprisingly uncalled-for remarks about what he perceives as De Palma's status as a "legendary" director. Koppelman and his writing partner, David Levien, who are currently making the rounds as co-directors of the new film Solitary Man, wrote the Untouchables prequel Capone Rising for producer Art Linson, who originally had Antoine Fuqua attached to direct before De Palma decided to jump on board. After all, De Palma did direct the first film, which was one of his biggest hits and remains a critical favorite. Douglas made a point to ask Koppelman and Levien about Capone Rising, which has been in development for quite some time. Here is what went down:
Levien: "The Untouchables" is a situation where Art Linson is the producer and like right in the beginning, before we finished a second draft, he attached Brian De Palma to direct it, and as De Palma's fortunes have gone in Hollywood over his last couple of movies, that's the future of where "The Untouchables" has gone.
Koppelman: On the list of legendary directors, I don't think Brian De Palma has a legitimate place... so most guys who are considered masters I love and admire, and I think De Palma has had a long free ride that's deservedly coming to an end.
[Douglas]: Really? So you're saying that as long he's attached to it, it will never get made?
Koppelman: I don't think it will. Hopefully he'll drop off the movie though, and then they can find a great director for it.
Levien: Mamet says that Hollywood is the most obvious place in the world, so [De Palma's] movies have done so badly lately that the studios [don't] want to hire him right now. If he finds a way to make a movie that is well-received and a big hit, then it's an obvious place, they'll probably think it's a great idea. It's just not something we can affect right now.
Koppelman: Linson is a true impresario and an awesome movie producer and if anyone can figure out how to revive that, he'll do it.
Levien: Or maybe at some point, De Palma will let it go or Linson will decide that he wants to take it to somebody else. Art's a really loyal guy to the guys he's worked with, so it's likely they're fine the way it is and they'll just make it one day. They play like a long game.
[Douglas]: At this point, it's doubtful you could get anyone from the original movie back.
Levien: That was never the intention, because it's the prequel, so it would have been weird.
"A GREAT SCRIPT"
I understand that De Palma's two most recent films have mostly been considered disappointments (even though his latest, Redacted, won him the silver lion at Venice), but for crying out loud, these films are promoted as being "from the director of The Untouchables." Why on earth would those involved want anyone but De Palma, if he is willing, to direct a prequel to his own hit movie? In any case, after De Palma came aboard the prequel, he hired David Rabe to do a rewrite, and everyone involved, from star Gerard Butler to De Palma himself, seems to feel it is "a great script." Hopefully it will get made.
Aint It Cool's Mr. Beaks also interviewed Koppelman and Levien recently. Mentioning that he is a huge De Palma fan, Mr. Beaks also asked the pair about Capone Rising. This time, Mr. Koppelman was considerably more cordial:Levien: Art Linson's the producer, and he had the concept that it should be a prequel. Even though there's sort of a huge fudging of time. If you think about the length of Capone's reign, it's very short. There's no way that there could've been a young Malone at the same time that there was a young Capone; there was too much of an age gap. So we just fudged that reality, and it was going to be a young cop crossing swords with a young mobster on the rise. Yeah, so we wrote a script, and think it's a good Chicago gangland story. And De Palma, as far as we know, is the director of it still. He was attached a while back.
Koppelman: There are so many things... because Art is a strong producer, it's so far out of our hands that it's hard to tell. You can't find two guys who are bigger fans of the early David Mamet, so I think the idea of getting to play around in his backyard in that way was very appealing.
Beaks: Writing a prequel to a David Mamet script must've been daunting.
Koppelman: It was daunting, but it was also sort of exciting. We both know the original movie by heart, before we got the assignment to go do that.