CLF: "A MASTERPIECE OF CONGRUENCY BETWEEN FORM & CONTENT"
Two years after Brian De Palma's Redacted had its world premiere in Venice, the collective known as Celluloid Liberation Front has posted a clear-eyed, poetic review-- the sharpest piece of writing I've read yet about Redacted. Click the link to read the whole thing, but here is a brief excerpt:
De Palma’s narrative strategy is depictive of his vision of reality: a cluster of events known not only by an omniscient narrator but, by whoever has access to the audiovisual archives available on the internet. If the Hitchcockian suspense is based on the fact that the cinematographic character knows more than the spectator, in Redacted the position of the IED (Improvised Explosive Device) is visible on an insurgents’ website: the intelligence’s function does not belong to the secret agents anymore but, is a possibility given to anybody surfing the global waves of telematics. Ignorance is the incapability of connecting information, of looking for the ‘right’ links, and not the imposed maleficence of an almighty narrator deciding the life and death of its characters.