Now Playing: Arrah and the Ferns--"Science Books"
"I have trouble keeping lunch down when I read these jeremiads about how sad and mysterious it is that our institutions of government are failing. It's not a mystery. One side wants them to fail [italics mine]. And there's very little the other side can do about it, beside point it out, which the president has started doing--and now he's the one being divisive! They've turned the world inside out."
Michael Tomasky to Steve Benen, 20 October 2011.
That statement had to be gotten out of the way, as it really can't be made enough. For the past couple of years, I've noticed people on Facebook and elsewhere complain about the lack of political bipartisanship on the national (and state, for that matter) level, often with grotesque handwringing and complaints regarding "politicians on both sides of the aisle." This is bullshit; I'll be the first to moan about the shortcomings of liberals and Democrats, but generally because they're becoming less liberal and less Democratic. The reason? That's what is actually happening with many of them. The Overton Window has shifted dangerously to the right in this country and there are still people who think "both sides need to come together," ignorant despite the evidence that one side has no interest in doing so, and that the other side will never be able to do enough of it to satisfy them, no matter how hard they try (and they've done plenty in the last few years). It's one of those tiresome questions or complaints that are constantly made despite a fairly simple answer, rather like "why do you still watch that show if you actually complain about it or have problems with it?"* It's a bit of a rant, of course, but I've had it up to here with this pathological goal-shifting. Nobody likes to be seen as "ideological," but everybody is in one form or another, regardless of degree. Boston politics and sports writer Charlie Pierce is terribly inspiring in this regard (despite his frequent if entertaining slides into polemicism and his laugh on Wait, Wait, Don't Tell Me):
"It will be the policy of this blog not to treat ignorance with respect simply because that ignorance profits important and powerful people. It will be the policy to operate on the principle that, while there may be two sides to every question, rarely are they both right. If this blog sees a man walking down the street with a duck on his head, it will report that it saw a man walking down the street with a duck on his head. It will not need two sources for that. It will not seek out someone to tell it that what it really saw was a duck walking down the street with a guy on its ass."
I hardly ever write directly on politics because I get too furious and because there are much better writers for it out there than myself. You may, of course, riposte with my lack of expertise on writing, films, music, etc., but I still feel, in my Paleolithic way, that politics (in its "pure" form, if there is such a thing) is fundamentally important in a way that the others aren't (no matter how often they all converge). Thank you. Now that I've gotten all that out of the way, we can move on to more subjective ramblings and musings on those aforementioned "less important" things so dear to my own heart.
Given the near-seven years of this blog's existence, a gap of a month or two is hardly something over which I or anyone else should really get "het up." Nevertheless, it always feels a little awkward when I jump back in the pool once more, and never more so than now. Usually I'll have listened to new music, watched new movies, or read new books, and will happily natter away about them. This autumn, though, there's been very little of that. I started writing again in late September after a break of a few months, and I've been a lot more productive than I expected, having knocked down a story, gotten halfway through another, and already embarked on yet another, longer project. In between, I've been editing a few other things and investigating potential venues for whatever work I eventually send out. The latter line I've been pushing for years, but I'm finally at the point where I've got enough work to submit without feeling embarrassed. The venues are a problem, though. In this day and age, they rise and fall like a cybernetic literary Whack-A-Mole, some completely shutting down and others simply not accepting fiction contributions due to volume of submissions (and others springing up out of nowhere).
It's really enough to make one consider the whole self-publishing route. Considering the rate and manner of change in media consumption these days, that option grows more attractive by the week. Established writers (including two I greatly respect, one of whom I've already quoted in this very entry) have trotted out the old Samuel Johnson chestnut, "No man but a blockhead ever wrote, except for money."** I used to let that line bum me out, but then slowly realized that the Great Cham lived towards the beginning of a literary culture that's now undergoing what I reckon is a sea-change (he also wilfully failed to understand George Berkeley, even if his mockery of American colonists' slaveowning hypocrisy is one of my all-time favorite verbal putdowns). My two published stories appeared (several years ago) via Lulu; why oughtn't others? At this time in my life, I'm starting to see more hidden opportunity in this uncertain literary universe than cause for despair. A good thing? I intend to try the more traditional routes to exposure first, but the alternative no longer appears the unthinkable disgrace it once did.
Inspiration's important, too. My new-ish (six months old) work schedule has partially separated me from my creative colleagues, but we still find time to talk fairly regularly about each other's work. There's also a great deal to be found in fellow bloggers (it gets alphabetic towards the end, though that wasn't the intention)...
Rare Oats: My wonderful friend and former co-worker Tara moved to Chattanooga last year, and has been posting from there ever since, both about life as a transplanted Michigander in the South (the amusing reverse of my situation, being an assimilating Michigander from the South) and about her rapidly progressing pregnancy. Great stuff on life, politics, and culture.
The Argumentative Old Git: My BHF chum Himadri, ensconced in England's Home Counties, started this arts beacon some time back. The most erudite blog I've ever read and a constant inspiration to me, in literary terms, not to forsake the old in pursuit of the new. It wasn't an implicit admonition that took long to accept, but certainly in this rapidly-changing day and age, the survival of any kind of cultural "canon" can only be a good thing, so long as we don't deny other works of quality.
Red Stick Forward: My brother and his wife returned to our hometown of Baton Rouge, Louisiana several years ago, armed with a snarky wit and incisive political instincts. What else to do with those but start a blog, I ask you? It languished for a while, but is now back with a happy vengeance. Even those not from this country will probably be familiar with Louisiana's bizarre governmental reputation, and the "Red Stick" is particularly instructive, sitting at the meeting place of so many different areas--North and South Louisiana, Protestant and Catholic, Florida Parishes and Trans-Mississippi***, the (much) Greater New Orleans Area and the rest of the States, etc. Also proof that the South hardly lacks its share of sensible progressives, even if they have their work cut out for them, to put it mildly.
Squirrels In Love: Other friends make me look like John Frickin' Henry when it comes to blogging. Take Amy, for example, one of the nicest, sweetest people I know. She really needs to get back into gear, alternating gorgeous musings and fables which, though long-awaited, are always worth it. Hopefully she'll update more frequently in future.
Stanger Lore: Jim, another BHF chum, hails from the London area (or Brighton, can't remember which) and has recently updated--thankfully--sharing the burden and delight of being an aspiring writer in the strange, inchoate culture of which I've previously written. It's always good to know there's at least one more out there, especially one with as big a heart and compelling literary impulses as he.
Sour Salty Bitter Sweet: My friend Margot rides forth mercilessly dissecting cherished myths and notions about food, eating, and culinary culture (occasionally my own) and thank everything for it. A cultural scholar at the University of Michigan, she's been working on these issues for her dissertation (hopefully to appear as a book), which are elegantly and usually convincingly played out in the blog (which I really need to read more often).
Banjo Pickin' Girl: My friend and former co-worker Leeann has been teaching English in Costa Rica for the past year and has been blogging about it with unvarnished charm and considerable humor (I had the honor of seeing her at Open Mic Night at the Ann Arbor Comedy Showcase and she was easily one of the best performers--not meant as faint praise, I hasten to add). One hopes she'll return to us soon, no matter how interesting the culture or wildlife.
Buxusartis: There's a certain deli somewhere in America which receives food (and food-related) products, many of which are kept in boxes with interesting or noteworthy designs on them. One fine fellow I happen to know has started a blog devoted to these (accidental?) masterpieces, including avocado mascot Nacho Macho, the notorious "Walrus of Michoacan." It's an idea that will hopefully last some time, especially if the sweet potato fine "De Chene Boys" show up once more.
Other literary inspirations have been coming out of the woodwork--or Netflix, anyway. Ever since Deadwood, I've been involved in the American national sport of processing TV through box sets and blocks of episodes--generally through Netflix, and now through Hulu. I've finished Deadwood, The Wire, Party Down, and Veronica Mars (for my money the best American network show of the 2000s), have caught up with Parks and Recreation (for the most part), and am cracking down on Community and Breaking Bad. For some reason, it took until a few hours ago to realize what literary inspirations these shows could be, especially Party Down, which strikes closer to my own personal experience over the past ten years so than any show I've ever seen. I'm still wedded to prose, but the idea of writing teleplays may well lie down the road, especially in this era of DIY film and YouTube. The answer, I suppose, is to keep it diverse, reading both "literary" and "genre" fiction (not really believing in the existence of either) and watching quality TV in an effort to stay in the cultural current. All in all, I reckon I'll be pretty busy this winter, which is probably a good thing as it's likely to be a hard one. Maybe we should move to Tuvalu? In any case, stay safe and warm, and hopefully there'll be more regular foolishness and merryandrewdom from this end.
*A situation which may be familiar to old-school Doctor Who fans in particular. See "Davies, Russell T." and especially "Moffat, Steven."
**The Google search to make sure I got the quote right (there's irony there somewhere if I think hard enough) yielded this refreshing article from a couple of years ago which brilliantly encapsulates the present writing environment (that I've been able to discern) in the relevant paragraph towards the end.
***I'm pretty sure that's really just a military term from the Civil War, but reckon it applies fairly well in this situation.