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            I added this essay to my website for the simple reason that I like it! Every so often I write something that represents who I am, and what I would like to be. This essay is one of those pieces.
          It was written in March 2003.

Copyright 2003 by Benjamin Boulden

 

 

         

          In the dictionary poetry is defined as, "a composition in verse." (Mish 898) With this broad definition we are given no real direction or meaning of the complexity and relationship poetry has to humanity. There is no mention of the powerful images and emotions that poetry captures, and that we can come back to time and again. There is no mention of the beauty, the rage, the hate, or the love that poetry portrays, and there is certainly no mention of the link between poetry and humanity.
          It is a logical question to ask then: What purpose does poetry serve for humanity?
          Poetry has been a part of the human experience "since human beings discovered pleasure in language." (Meyer 674) It is noted by scholars that the earliest rituals performed by man, even before there was a written language, were poetic in form – such as chants, simple songs and even rhythmic dance. These ancient cultures "expressed [with poetry] what people regarded as significant and memorable in their lives." (Meyer 674) They told the tales of great courage, savage storms, formidable enemies and terrible sorrow, or in other words they used poetry to chronicle the history of their people, and themselves.
          It is commonly believed that poetry is of little regard to our modern society, and it is true that very few people actively seek out poetry from books, or magazines, but we are awash in the rhythms and sounds of poetry with modern music, advertising jingles and greeting cards. It is debatable whether these forms can be considered good poetry, but they are, none-the-less poetry, and they are used for many of the same functions the ancients used poetry – they express our fears, our desires and our hope.
          There is no easy answer, or answers, to the basic question of what poetry is for, but instead there is a web that links our plight as humans to the way we use and express ourselves with language. Poetry is the vehicle we use to build a model of human emotion through "vivid images, rhythmic patterns and pleasing sounds. . ." (Meyer 674) We attach ourselves to the feeling, the flow, and allow our senses to be overwhelmed with the power and strength of humanity through language. A language that is structured, rhythmic, and drenched with emotion, beauty, and joy, as well as the ugliness of being human.
          We can see ourselves in the sorrowful lyrics of Bruce Springsteen’s song Streets of Philadelphia, "I was bruised and battered and I couldn’t tell / What I felt / I was unrecognizable to myself" (Meyer 695) and understand that we have a relationship and a connection to all of humanity. It is not necessary to have experienced the images of the poem to recognize the isolation and fear that is portrayed and felt by everyone. We often feel isolated from others, but poetry allows us to share, with language, our common bond. It allows us to feel the anger, the hurt, the love, the passions, and the dreams of others, and in so doing we gain an understanding of our culture, our world, and most importantly ourselves.
          If we look closely, we can find meaning in all poetry. Who cannot relate to the idea of failure and renewal as portrayed by Rudyard Kipling in his poem, If, "If you can bear to hear the truth you’ve spoken / Twisted by knaves to make traps for fools / Or watch the things you gave your life to, broken, / And stoop down and build’em up with worn-out tools:" (Meyer 698) How many times have we failed, and been forced to look upon the wreckage of what was, or what could have been, and simply started again.
          It does not matter if we have never experienced the anguish, or triumph trumpeted by a poem, because there is something larger about language that allows us to connect with the underlying current of human emotion. It is not required that one have a meaningful and complete understanding of depression to understand the angst, terror and anger that Sylvia Plath portrays in her poem, Daddy. "There’s a stake in your fat black heart / And the villagers never liked you. / They are dancing and stamping on you. / They always knew it was you / Daddy, daddy, you bastard, I’m through." (Meyer 1179)
          The diction, the rhythm and perhaps more importantly the images that this poem generate have a surreal emotional power that allows us to gain an understanding, even if it is pale in comparison to what the author felt or intended, of a feeling that we have all felt to lessening degrees, and in so doing make ourselves better, and stronger with the knowledge that we are not alone. We are all separate, yet we are connected one to another as living, breathing human beings.
          Our fears, our joys, our victories and our defeats have all happened before, to others, and they will happen again and again. The overriding theme of poetry must be: This is what it is to be human.
          It seems that much of poetry is devoted to the suffering of humankind, and there is a popular notion that life is suffering, but there is so much more. There is the beauty of an autumn day, as Keats so aptly captured in To Autumn, "While barred clouds bloom the soft-dying day, / And touch the stubble-plains with rosy hue;" (Harmon 13) or his elegant, dreamy verse about the beauty of the Nightingale’s song from Ode to a Nightingale, "Now more than ever seems rich to die, / To cease upon the midnight with no pain, / While thou art pouring forth thy soul abroad / In such an ecstacy!" (Harmon 53) The words seem to capture the very essence of beauty and joy, and they remind us that there is more than the daily drudgery of toil and hardship. The words speak to us at some primary level and even if our understanding is not clear, their beauty echoes and catches hold of us like a mother with her child.
          Poetry is the language of lovers. Its power is real, yet it is borrowed from our own emotions. We use it to describe the delight and joys of sexual love, and the short time we have to enjoy and live, as in Robert Herrick’s To the Virgins, to Make Much of Time, "Gather ye rose-buds while ye may, / Old Time is still a-flying; / And this same flower that smiles today, / Tomorrow will be dying." (Meyer 726)
          It also has the ability to go beyond the simplicity of sexual love, and furrow deeper into the emotions of the more platonic love of a lasting relationship. The words capture the tenderness, the caring and the gratitude of the human spirit. Pablo Neruda wrote The Queen to his long-time wife, Matilde Urrutia. "I have named you queen. / There are taller ones than you, taller. / There are purer ones than you, purer. / There are lovelier than you, lovelier. / But you are the queen." (Neruda 5)
          The force of love and acceptance echo in the words, and they capture the beauty of the human spirit. The ideals are wonderful, and the reason they resonate is the desire we all have to secure a level of acceptance and love within our own lives.
          The use of poetry in our lives and our society is crucial. It helps bind us together in a fashion of understanding, and peaks our self-awareness. It reminds us of our past, our future, of our love, and our hate. It compiles a record of who we are, and what we wish to be.
          Poetry is humanity, and humanity is poetry.

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Works Cited

Harmon, William. The Top 100 Poems. New York: Columbia University Press 1990.

Meyer, Michael. The Bedford Introduction to Literature. 6th ed. Boston: Bedford / St. Martin’s Press 2002.

Mish, Frederick C. Collegiate Dictionary. 10th Ed. Merriam-Webster 1998.

Neruda, Pablo. The Captain’s Verses. Trans. Donald S. Walsch. New York: New Directions Books 1972.