There are many, many opinions out there of any actor's work, and many actors who place way too much emphasis on such printed 'reviews,' or 'notices...' My own opinion is that these do not represent some judges' score in some national acting competition that will determine success for the remainder of a career, but are merely opinions. That's all they are. I have been fortunate to receive good ones lately. Then again, if you believe the good ones, you've got to believe the bad ones as well........... I'm actually quite proud of my first reviewed show in L.A.: The dreadful "Desire on a Hot Tin Streetcar," presented at the Complex Theatre in Hollywood. The reviewer's thoughts were anything but complex (unlike my curiously written drag role), writing how "amateurish" the performances were, and how the actors in this one were "fortunate enough not to be identified by name in the program." ...................... My reviews have gotten better.
My Favorite Reviews
A review of 'Twelfth Night' at the Globe, West Hollywood, 2000
The Dramalogue/Backstage Review continued
A review of my 'Hamlet,' 1995, by the Columbia paper
UCLA paper's review of 'Mergers & Acquisitions' at the Hudson Theatre/Hollywood
Very abridged version of LA WEEKLY review of my famous 'Twelfth Night fight'
Eilat, Israel: Hebrew P.R.!
Alice Lee's 'Hamlet' review (pt. 2)
L.A. Weekly on 'Angel Band' (my first 'drag' role)
Oh really??? Jon is one of Israeli-American community's 'fresh new faces???' Third photo from left
More press from Israel
The 'All's Well That Ends Well' review from 'L.A. Weekly' . WARNING: Reviewer does NOT LIKE Knightsbridge Theatre!!!
NEW!!!!!! Not-so-recent Press
NEW. The famous 'I have no family, nobody' interview in Israel's 'Ma'ariv' daily written the day after my father's passing.
NEW PART TWO. The above 'Ma'ariv' article concluded
