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Frasier
Alternative Season Eight Episode Sixteen
Putting on the Ritz


By Kelly-Simba (kelly_simba@hotmail.com)

 

 

ACT ONE

(A)

TITLE CARD: 'AN EXACT REPLICA MINUS THE SLOT MACHINES'

FADE IN:

INT. FRASIER'S LIVING ROOM — DAY — DAY/1
(Martin, Daphne, Niles, Frasier, Eddie)

EDDIE STANDS ON THE DINNING TABLE WITH AN ICE CREAM TUB STUCK ON HIS HEAD AS MARTIN TRIES TO HOLD HIM STILL

MARTIN

Daph, will you hurry up, he can barely breathe in this thing.

 

ENTER DAPHNE WITH A PAIR OF SCISSORS FROM THE KITCHEN

DAPHNE

It'll teach him not to do it again if he suffocates.

MARTIN

Once again you're missing the point, if he suffocates he won't be able to do it again.

DAPHNE

My point exactly.

MARTIN

What? Just punch a couple of air holes in there won't you.

 

DAPHNE GOES TO PUNCH A HOLE NEAR THE TOP OF THE TUB

MARTIN (CONT'D)

Not there, be careful of his eyes.

 

DAPHNE TRIES TO PUNCH A HOLE TOWARDS THE END OF THE TUB

MARTIN (CONT'D)

Or there that's his nose.

 

SHE THEN TRIES TO MAKE A HOLE UNDERNEATH THE TUB

MARTIN (CONT'D)

Well fine go ahead if you want to puncture his throat, I'm sure that would make him breathe a hell of a lot easier.

DAPHNE

How about I puncture your back with them?

MARTIN

How would that help?

DAPHNE

It would sure make me breathe easier.

 

DAPHNE STABS THE TUB AT THE BOTTOM

DAPHNE (CONT'D)

There are you happy now? You grab the tub, I'll get hold of his legs and let's pull.

 

THEY BOTH PULL IN OPPOSITE DIRECTIONS BUT THE ICE CREAM TUB DOESN'T MOVE AN INCH, INSTEAD IT JUST MAKES EDDIE START TO WHINE

MARTIN

This isn't working. I still say we should cover his neck in butter.

DAPHNE

No chance.

MARTIN

I'll take the full wrath of Frasier if it goes everywhere.

DAPHNE

Then we've got a deal.

 

DAPHNE EXITS TO THE KITCHEN AND RE-ENTERS WITH A PACK OF BUTTER THAT THEY BOTH START TO SPREAD AROUND EDDIE'S NECK AND THE ICE CREAM TUB. ENTER NILES THROUGH THE FRONT DOOR

NILES

I was going to suggest that we go out for a celebratory dinner but now I've seen a buttered up, ice cream covered dog, who needs five star cuisine?

 

NILES HANGS UP HIS COAT AND THEN KISSES DAPHNE

DAPHNE

Will you give us a hand, we can't get it off.

NILES

Sure, just a second.

 

NILES EXITS TO THE KITCHEN

MARTIN

Where's Frasier?

NILES

(FROM KITCHEN) Oh he's down stairs complaining to the doorman. Another one of those boys selling candy bars managed to talk his way into the building again.

MARTIN

The little boy who was raising money for his kidney transplant?

NILES

(FROM KITCHEN) Well I'm sure Frasier gave him a dollar before having him thrown out of the building.

 

NILES ENTERS WEARING A PAIR OF MARIGOLDS AND AN APRON

MARTIN

For God's sake Niles it's just a dog covered in a bit of butter!

NILES

Yes and this is just a thousand dollar Armani suit.

 

NILES AND DAPHNE THEN GET HOLD OF EDDIE'S BODY AND MARTIN GRABS HOLD OF THE ICE-CREAM TUB AGAIN AS THEY ONCE AGAIN TRY TO PULL IT OFF AS FRASIER ENTERS

FRASIER

Oh don't fight over the little rat. Here let me cut him in to thirds and then you can all have a piece.

 

THE TUB EVENTUALLY COMES OFF AND EDDIE IS FREE BUT STILL COVERED IN BUTTER. HE JUMPS OFF THE TABLE AND ONTO THE COUCH WHERE HE STARTS TO ROLL AROUND TO GET HIMSELF CLEAN

FRASIER (CONT'D)

What have you been doing with the butter?

MARTIN

We put it on Eddie.

FRASIER

The Eddie who is now rolling on my couch?

MARTIN

That's the one.

FRASIER

Well get him off there. Quick Daphne run him through the dishwasher.

 

MARTIN GLARES AT FRASIER

FRASIER (CONT'D)

What? I said dishwasher, I could have said garbage disposal.

 

DAPHNE EXITS TO THE KITCHEN AND THEN RE-ENTERS WITH A CLOTH

MARTIN

Leave him alone he's just a dog.

FRASIER

Really? I always thought he was the rather hairy, ugly baby sister I always wanted. My God Dad, what's wrong with you? Couldn't you have covered him in honey?

 

DAPHNE HANDS MARTIN THE CLOTH AND HE STARTS TO WIPE THE BUTTER OFF EDDIE

DAPHNE

I love it when we play happy families. It's days like this when I remember why I took this job.

NILES

So you could seduce the boss's brother?

DAPHNE

Not at first, although if I'd have seen you in a pair of marigolds a few years ago things may have been different.

 

SHE KISSES HIM

FRASIER

Don't you two have a room you could use?

 

NILES TAKES OFF THE APRON AND THE RUBBER GLOVES AS FRASIER POURS THEM BOTH A SHERRY

DAPHNE

Anyway what's all this about a celebratory dinner?

NILES

We have good news. We bought it.

MARTIN

Bought what?

FRASIER

The hotel, we bought it.

DAPHNE

Oh my God.

NILES

What's the matter?

DAPHNE

Have you ever considered seeing a therapist?

NILES

Just a physical therapist.

MARTIN

You'll never learn will you?

FRASIER

And just what does that mean?

DAPHNE

You can't even organise a booze up in the wine club without an argument, name calling, hair pulling and a four alarm fire.

FRASIER

Are you saying we are incompetent and incapable of doing this?

DAPHNE

Alone you'd both be fine, it would be a great success, but together.

MARTIN

We might as well call the fire service and the morgue now, get them on standby.

FRASIER

Thankyou both so much for your support. Am I to take it that neither of you will be there for the opening? Since we are both so incapable of doing this.

DAPHNE

Of course we will.

MARTIN

Just so we can be there to say we told you so.

DAPHNE

Which one did you buy in the end?

NILES

Bellagio's.

MARTIN

Oh like the one in Vegas.

FRASIER

No Dad, not like the one in Vegas.

DAPHNE

Hasn't that place got a rat problem?

NILES

Had, had a rat problem. Past tense.

MARTIN

Well that makes it a whole lot better. What are the chances that they'd come back and breed?

 

MARTIN PICKS UP EDDIE AND EXITS TO HIS ROOM

FRASIER

Niles I've just had an idea.

NILES

Stuff Dad down the garbage shoot?

FRASIER

No, we could have our grand re-opening to coincide with the Seattle Psychiatric Convention.

NILES

What a fabulous idea, we could talk to the head of the board, Dr. Mackinnion, and try to host it in one of our ballrooms.

FRASIER

Excellent. To Bellagio's.

 

FRASIER AND NILES CLINK THEIR GLASSES AS DAPHNE SHAKES HER HEAD AND WE:

FADE OUT

 

(B)

TITLE CARD: 'IT WAS PROBABLY A SNIPER IN THE BUSHES'

FADE IN:

INT. BELLAGIO'S LOBBY — NIGHT — NIGHT/2
(Niles, Frasier, Alan, Daphne, Arthur, Roz, Pete, Dr. Frost, Mrs. Frost, Mr. Lindsay, Lilith, Martin, Dr. Mackinnion)

THE LOBBY HAS A SET OF DOUBLE DOORS TO THE LEFT ON THE BACK WALL. ON THE LEFT IS THE COAT CHECK AND THE STAIRS LEADING UP WITH A CUPBOARD SANDWICH IN BETWEEN. ON THE RIGHT IS A DOORWAY THAT LEADS TO THE REST OF THE HOTEL. IN THE FRONT CENTRE IS THE RECEPTION DESK AND TO THE LEFT OF THAT IS A DOORWAY THAT LEADS TO THE BASEMENT. FRASIER, NILES AND ALAN, THE CONCIERGE, STAND BEHIND THE DESK. ALL THREE ARE WEARING TUXEDOS.

SFX: CONTINUAL HISSING NOISE IN THE BACKGROUND

NILES

What is that noise?

FRASIER

I don't know, it must be someone using the bathroom above us. Is there anyone else left to come?

 

ALAN LOOKS AT HIS LIST

ALAN

We are awaiting about a dozen people who aren't registered here, but only one that is staying here over night.

NILES

And who is that?

ALAN

A Dr. Charles Mackinnion Sir.

FRASIER

Ooh Dr. Mackinnion, head of the board. I read his new book not so long ago on the effects of being a sexual obsessive in a small place.

NILES

What was his conclusion? That it was limiting? It's almost like a hissing noise. Do you know what that is?

ALAN

I don't hear anything Sir, now would you both mind moving around to the front of the desk, as I have some work to attend to.

 

FRASIER AND NILES MOVE TOWARDS THE FRONT ENTRANCE

FRASIER

But of course. (WHISPERING) Who does he think he is?

NILES

(WHISPERING) Anyone would think that he owned this place.

FRASIER

(WHISPERING) Well to be fair he did until he was declared legally bankrupt.

ALAN

That was after I tried to burn it to the ground.

NILES

(WHISPERING) How is it that he can hear that but not that hissing noise?

ALAN

Selective hearing.

FRASIER

Alan, what's all this white powder scattered about the floor?

ALAN

Rat poison Sir.

NILES

What? I thought the rat problem had been eradicated.

ALAN

It has Sir.

FRASIER

Then why is there still rat poison on the floor?

ALAN

That is due to a second rate cleaning service. As you'll notice there are still quite a few kinks to be ironed out before this place is running smoothly.

 

DAPHNE ENTERS WEARING A BALL GOWN

NILES

Daphne darling.

 

HE KISSES HER

DAPHNE

I think I'm going to be sick.

NILES

That's not exactly the response I was hoping for.

DAPHNE

There's a dead dog on the steps.

FRASIER

Excuse me?

DAPHNE

A dead dog on the steps.

NILES

Well what's it doing there?

DAPHNE

Not a lot it's dead.

FRASIER

How did it get there?

DAPHNE

I don't know, I've just seen the body not the reconstruction on America's Most Wanted.

FRASIER

Well we've got to move it, we can't host a psychiatric convention with a dead dog on display in the lobby. People will think it's some sort of grizzly Mafia calling card.

NILES

If that were true I suspect it would be Eddie on the steps not some stray.

FRASIER

One can only dream. Alan, can you move it? Alan. Alan!

 

ALAN IGNORES HIM

NILES

(TO DAPHNE) Selective hearing.

ALAN

And it's a lifesaver.

DAPHNE

Why can't you two move it?

FRASIER

Frasier Crane, don't believe we've met.

DAPHNE

You've got two options, you either move it or let everyone see it.

NILES

Do you think people will mistake it for a rug?

FRASIER

Only if we've got something to flatten it out. I don't think a rolling pin would do it some how and I left my keys to the steamroller in my other pants.

 

NILES AND FRASIER EXIT OUT ONTO THE STEPS

FRASIER (CONT'D)

(OFFSTAGE) On the count of three lift it.

NILES

(OFFSTAGE) Wait, I don't want this end.

FRASIER

(OFFSTAGE) Why?

NILES

(OFFSTAGE) Because it's the sharp end with the teeth.

DAPHNE

It's dead.

NILES

(OFFSTAGE) It might just be toying with me.

DAPHNE

I'll toy with you in a moment.

NILES

(OFFSTAGE) Is that a coy euphemism for something else?

DAPHNE

Yes, to get a move on.

 

DR. BERRY ENTERS FROM THE STAIRS AND TRIES TO EXIT OUT THE FRONT DOOR BEFORE DAPHNE STOPS HIM

DAPHNE (CONT'D)

I'm sorry you can't go out this way.

DR. BERRY

Why not young lady?

DAPHNE

Dead dog.

DR. BERRY

Oh, we saw a lot of those in Korea you know.

DAPHNE

Really? How disturbing.

DR. BERRY

Shot was he?

DAPHNE

No he just died.

DR. BERRY

Probably caught him off guard.

 

DR. BERRY EXITS THROUGH THE DOOR TO THE RIGHT OF THE LOBBY

FRASIER

(OFFSTAGE) Oh God, its tongue is lolling out of its mouth.

NILES

(OFFSTAGE) It's licking my kneecap!

FRASIER

(OFFSTAGE) I see car headlights. Quick Niles throw it into the bushes.

 

WE HEAR A THUD FOLLOWED BY A WOMAN SCREAMING AS NILES AND FRASIER RUN BACK INTO THE LOBBY. ENTER ROZ LOOKING RATHER UNTIDY

ROZ

Oh my God, someone just threw a dog at me.

FRASIER

That was us.

ROZ

It hit me on the head.

NILES

But we threw it into the bushes.

ROZ

So?

NILES

What were you doing in the bushes?

 

ENTER PETE (ROZ'S DINNER COMPANION) COVERED IN GRASS STAINS

PETE

It's all right Roz I parked the car.

FRASIER

You didn't have to Pete we have valet.

PETE

Oh really I didn't know that.

DAPHNE

But you've got the valet ticket in your hand.

NILES

I should have phrased that who you were doing, rather than what.

ROZ

That's very amusing. This meal had better be on the house tonight after you threw a dead dog at me and forced me to come to this thing. There is only so much a woman can take.

NILES

Yes, but you haven't found your limit yet have you Roz?

 

ROZ LUNGES TOWARDS NILES

ROZ

Come here.

FRASIER

The coat check is over here.

 

ROZ AND PETE CHECK THEIR COATS AND THEN EXIT THROUGH THE DOOR ON THE RIGHT

DAPHNE

I'm surprised you've dared to touch upon food service again after what happened with the 'Happy Brothers'.

FRASIER

It's not a problem, we just don't go in there. We don't want to repeat the incident.

ALAN

Which is why the kitchen has been nicknamed 'the sanctuary' by all the staff.

DAPHNE

What is that noise?

NILES

I think it must be the plumbing.

DAPHNE

It's coming from in here.

 

DAPHNE OPENS THE BASEMENT DOOR AND EXITS FOLLOWED BY NILES AND FRASIER

RESET TO:

 

INT. BELLAGIO'S BASEMENT — CONTINUOUS

THE BASEMENT IS COMPLETELY FLOODED AS THE WATER RISES BY THE MINUTE. A BURST PIPE STRETCHES OUT FROM THE LEFT HAND WALL AND INTO THE CENTRE OF THE ROOM, OUT OF REACH. NILES, FRASIER AND DAPHNE STAND AT THE TOP OF THE STEPS LOOKING DOWN ON THE SCENE IN HORROR

FRASIER

Oh my God.

DAPHNE

That's a novel idea, putting a swimming pool in the basement. What else are you going to do? Put the toilets behind people's headboards? Install the coffee machines in the shower?

FRASIER

Enough of your sarcasm. What do we do?

DAPHNE

Well the obvious choice would be to call a plumber, so I'll say let's try and turn the water into wine.

 

ENTER ALAN

NILES

Alan see if you can find the valve to turn it off.

 

AS ALAN EXITS DAPHNE GIVES NILES A DISAPPOINTED LOOK

NILES (CONT'D)

What? I don't even know what it looks like let alone where to find it.

 

ENTER ALAN

ALAN

Excuse me Sir, but some more of your guests have arrived.

NILES

Quick shut the door.

 

FRASIER SHUTS THE DOOR, LEAVING THEM ALL IN THE DARKNESS OF THE BASEMENT

NILES (CONT'D)

Let's go outside first, then shut it.

 

FRASIER OPENS THE DOOR AND THEY ALL EXIT

RESET TO:

 

INT. BELLAGIO'S LOBBY — CONTINUOUS

DR. FROST, MRS. FROST AND DR. LINDSAY WAIT IN THE LOBBY AS FRASIER, NILES, DAPHNE AND ALAN ENTER FROM THE BASEMENT. ALAN IMMEDIATELY EXITS DOWN THE CORRIDOR IN SEARCH OF THE VALVE.

FRASIER

Hello there I am Dr. Frasier Crane, this is my brother Dr. Niles Crane and his girlfriend Daphne Moon.

DR. FROST

Dr. Robert Frost, and this is my wife Jane. This is Dr. Michael Lindsay and where's she gone?

 

DR. FROST LOOKS OUT THE FRONT DOOR

NILES

How do you do?

DR. FROST

Ah here she is, Dr. Lilith Sternin.

 

ENTER LILITH

DAPHNE

Oh you have got to be kidding.

LILITH

Frasier!

FRASIER

Lilith!

LILITH

Niles.

NILES

Oh my God Lilith.

LILITH

Daphne.

DAPHNE

Lilith.

DR. FROST

Do you four know each other?

DAPHNE

Some of us a little better than we should.

FRASIER

Dr. Sternin is my ex-wife.

LILITH

Oh come now Frasier, we have a teenage son and we're divorced now, surely you can finally call me Lilith.

DR. FROST

Well this could certainly be an awkward situation, fortunately if it is I have my video recorder to document it all.

FRASIER

So Lilith how have you been?

LILITH

Ah sharing pleasantries, the text book way to dissolve an awkward moment. A clear indication of the study of a DJ's A to Z of the psychiatric practice.

FRASIER

Where's Freddie?

DR. FROST

Husband?

LILITH

Son. He's at home, I didn't want to take him out of school in the middle of a sermesta.

FRASIER

So what are you doing here?

LILITH

The Seattle Psychiatric Convention. Does your presence indicate that there is also some sort of disc jockey convention in the next room?

FRASIER

No, I'm also here for the psychiatric convention.

NILES

We happen to own the hotel.

LILITH

Oh Niles, you've finally given up legitimate practice and moved towards your true calling, a desk clerk.

NILES

At least…

 

DAPHNE GRABS NILES AND KISSES HIM TO PREVENT HIM FROM SAYING ANYTHING THAT HE'LL LATER REGRET

FRASIER

Oh yes did you know that Niles and Daphne are finally dating?

LILITH

Yes, Fredrick had made me aware that you two were fornicating.

DAPHNE

Listen here…

 

NILES RETURNS THE FAVOUR AND KISSES DAPHNE TO PREVENT HER FROM SAYING SOMETHING THAT SHE'LL LATER REGRET

A BEAT

FRASIER

Well this is nice.

 

ENTER MARTIN, WHO TAKES ONE LOOK AT LILITH AND SHOUTS

MARTIN

Ahhhhh.

 

FRASIER HAS TO PRACTICALLY DRAG MARTIN INSIDE

FRASIER

Dad, Dad come in. Look Lilith is here. Isn't it wonderful?

DAPHNE

(SOTTO TO NILES) We should have known something was up when we found that dead dog. God can't give you a clearer warning that all is not right with the world.

LILITH

Martin, when did you develop Tourette's syndrome?

MARTIN

Right after the wedding vows.

FRASIER

(TO THE DOCTORS WHO ARE THOROUGHLY ENJOYING THE AWKWARDNESS ON DISPLAY) This is my father Martin Crane. Now Dad say hello to Lilith.

MARTIN

Hello Lilith I don't think I've ever seen you so tanned.

LILITH

Martin, I don't think I've ever seen you look so scared. Not even when you were shot.

FRASIER

Now isn't this nice?

DR. FROST

Well as much as I really want to watch this, I think I'd like a drink.

NILES

The bar is just to the right in the ballroom.

LILITH

I think I'll join you. I'll see you later boys.

 

DR. FROST, MRS. FROST, DR. LINDSAY AND LILITH ALL EXIT DOWN THE CORRIDOR

MARTIN

Why did you make me come if you knew she was coming?

FRASIER

I didn't know. And I don't know why you are so concerned.

DAPHNE

He has every right to be, he is after all the only Crane boy left that she hasn't slept with. She's probably got her sights set on her latest conquest.

MARTIN

What does that mean? Why am I the only one?

FRASIER

Oh that's right we never told you.

NILES

And we're not going to now.

MARTIN

Tell me what?

DAPHNE

Oh Niles slept with Lilith.

MARTIN

You did what? Why?

DAPHNE

My guess would be because he was horny and lonely.

MARTIN

Oh my God Niles!

NILES

I was extremely liquored up. I was one Tequila shot away from shaving my head and gluing the hair to my rear end.

MARTIN

Even so, Niles!

FRASIER

Will you take that tone out of your voice, she was my wife after all.

MARTIN

And it still sends shivers down my spine. I need a beer.

 

MARTIN EXITS DOWN THE CORRIDOR AS ALAN ENTERS

NILES

Did you turn it off?

ALAN

Couldn't manage it.

FRASIER

Well where's the valve?

ALAN

In my hand.

 

ALAN HANDS FRASIER THE BROKEN VALVE

FRASIER

Then quick call a plumber.

 

AS ALAN PICKS UP THE PHONE, FRASIER, NILES AND DAPHNE EXIT TO THE BASEMENT

RESET TO:

 

INT. BELLAGIO'S BASEMENT — CONTINUOUS

THE WATER HAS RISEN QUITE SIGNIFICANTLY

FRASIER (CONT'D)

Oh no, it's rising. Can't we start to empty it with some pots and pans?

NILES

Are you sure you wouldn't rather use teaspoons?

FRASIER

Well what else do you suggest? Basements these days don't often come equipped with a plug hole in the bottom in case of emergencies.

DAPHNE

Isn't there someway we could block the pipe?

FRASIER

But how would we get over there? The next Gondola won't be by for another twenty minutes.

DAPHNE

You can swim can't you?

FRASIER

You expect me to swim across a basement filled with dirty water in my tuxedo before going into a ballroom filled with a hundred liquored up psychiatrists all expecting to come here for a weekend of serious, intellectual, mind provoking, stimulating lectures?

DAPHNE

Yes.

NILES

What are you waiting for?

FRASIER

Hell to freeze over maybe.

NILES

Well we've got to do something.

 

A RAT RUNS ALONG ONE OF THE STEPS YET TO BE COVERED IN WATER

NILES (CONT'D)

Oh my God that's a rat.

 

NILES HIDES BEHIND DAPHNE

DAPHNE

Oh my hero.

FRASIER

I thought Alan said we didn't have a rat problem.

NILES

He's also the man who tried to burn this place to the ground and then told the Police it was the result of spontaneous combustion. I don't think honesty is his forte.

DAPHNE

Oh bloody hell, it's one rat, not an infestation. Just pick it up and take it outside.

FRASIER

I hear all of these ideas coming from you but I never see you putting any of them into action.

 

ENTER ALAN

ALAN

Dr. Crane, Dr. Mackinnion has just arrived.

 

EXIT ALAN

FRASIER

Oh my God, Dr. Mackinnion. Niles, you deal with the rat and the leak and I'll deal with Dr. Mackinnion.

NILES

Why can't I deal with Dr. Mackinnion?

FRASIER

Because I said it first.

 

FRASIER EXITS

RESET TO:

 

INT. BELLAGIO'S LOBBY — CONTINUOUS

DR. MACKINNION (WHO IS A RATHER ELDERLY GENTLEMAN), STANDS IN THE LOBBY WITH SEVERAL BAGS AS ALAN POTTERS AROUND BEHIND THE DESK. ENTER FRASIER

FRASIER (CONT'D)

Dr. Mackinnion, it's a real pleasure once again.

DR. MACKINNION

Crane, how are you? My God, look at this place, it's even worse than last year. Wasn't there a bridge that they could hold it under?

FRASIER

I happen to own this hotel.

DR. MACKINNION

I'm familiar with your show so it comes as a complete lack of surprise.

RESET TO:

INT. BELLAGIO'S BASEMENT — CONTINUOUS

NILES LIES ACROSS ONE OF THE STEPS TRYING TO REACH THE PIPE. DAPHNE HOLDS HIS FEET AS HE STRETCHES OUT ACROSS THE WATER

NILES

Hold my feet and I'll clog it with my handkerchief.

DAPHNE

Are you sure a piece of tissue paper or a cotton wool bud wouldn't be more absorbent?

NILES

Point taken. I'll use this cloth. Just hold my feet. I've almost got it. Just a little further.

 

THE RAT REAPPEARS ON THE SAME STEP NILES IS LYING ACROSS

DAPHNE

Niles don't move the rats back.

NILES

What? Ahhhh.

 

NILES JUMPS AS THE RAT COMES CLOSER, WHICH MAKES HIM LOOSE HIS BALANCE AND SENDS HIM HEAD FIRST INTO THE WATER

RESET TO:

INT. BELLAGIO'S LOBBY — CONTINUOUS

DR. MACKINNION

What was that splash?

FRASIER

Just someone diving into the swimming pool.

ALAN

We don't have a swimming pool.

FRASIER

Yes thankyou Alan.

DR. MACKINNION

Can you take my things to my room? I'm sharing with Dr. Arthur Berry.

FRASIER

Of course, I'll get someone to take care of it.

DR. MACKINNION

Oh Crane, take this as well.

 

DR. MACKINNION HANDS FRASIER HIS COAT BUT BEFORE HE TAKES IT HE NOTICES A RAT OUT OF THE CORNER OF HIS EYE HEADING BEHIND THE DESK. HE STAMPS HIS FEET AND DIVES TOWARDS IT

DR. MACKINNION (CONT'D)

What in God's name are you doing?

FRASIER

Just a touch of cramp. Alan would you please check the Doctor's coat? Everyone else is conjugated in the ballroom at the bar, just to your right.

RESET TO:

INT. BELLAGIO'S BASEMENT — CONTINUOUS

FRASIER ENTERS AS DAPHNE TRIES TO HELP NILES OUT OF THE WATER

FRASIER (CONT'D)

What the hell was that splash? Oh Niles this is no time to go swimming.

NILES

I am aware of that. This water is so warm I can practically feel the bacteria multiplying around me. I'm going to come out of this experience with three types of malaria.

FRASIER

Because you find a lot of that in the Seattle sewer network. Well while you're in there, clog that pipe.

NILES

With what?

FRASIER

I don't know. Use your fist, use a rat, just do it, I have to go to the dinner.

NILES

What about me?

FRASIER

We can't both not go and since you're hardly dressed for the occasion, I think it means I get to go to the ball and you're left to clean the mansion. A sort of Cinderella experience.

DAPHNE

But that had mice not rats.

FRASIER

I think we can really do without your input at this juncture.

 

ENTER ROZ

ROZ

Frasier, I don't want to worry you, Niles what are you doing?

NILES

Having a picnic in the middle of Mardi Gras.

ROZ

Anyway I think I just saw a big mouse in the ballroom.

FRASIER

How big?

ROZ

The size of a very small dog, or a very large rat.

FRASIER

So in other words it could have been a rat?

ROZ

That's what the smart money's on.

DAPHNE

The temptation to say I told you is so overwhelming. But I'll save it for later.

 

AS FRASIER AND ROZ EXIT WE:

FADE OUT

END OF ACT ONE

 

 

ACT TWO

(C)

FADE IN:

INT. BELLAGIO'S BASEMENT — NIGHT — NIGHT/2
(Niles, Daphne)

NILES STANDS IN THE WATER, WHICH IS NOW ALMOST UP TO HIS SHOULDERS AS DAPHNE REACHES UP ON TO A SHELF NEXT TO THE STAIRS

NILES

Pass me that roll of paper. Thankyou.

 

NILES STARTS TO STUFF THE PIPE WITH PAPER, WHICH TURNS THE FLOW INTO A TRICKLE COMING OUT OF IT

DAPHNE

You're going to have to stuff more than that in. Use this as well.

 

NILES STANDS BACK AND ADMIRES HIS WORK AS THE LEAK STOPS

NILES

And I think we've cracked it.

 

THE FLOW OF THE WATER THEN PUSHES ALL OF THE PAPER AND CLOTH OUT OF THE PIPE AND HITS NILES STRAIGHT IN THE FACE, AS THE LEAK CONTINUES

DAPHNE

Then again maybe not.

 

AS NILE STARTS ALL OVER AGAIN WE:

FADE OUT

 

(D)

FADE IN:

INT. BELLAGIO'S MAIN BALLROOM — NIGHT — NIGHT/2
(Frasier, Pete, Martin, Roz, Lilith, Mrs. Frost, Dr. Frost)

THE BALLROOM HAS A BAR TO THE LEFT WITH A DOOR LEADING BACK TO THE LOBBY. TO THE RIGHT IS A DOOR TO THE KITCHEN AND A SWING BAND, PLAYING QUIETLY THROUGHOUT DINNER. A LARGE DINNING TABLE STRETCHES ACROSS MOST OF THE ROOM. ALL THE DOCTORS MINGLE AROUND, AS FRASIER, ROZ, MARTIN AND PETE LOOK AROUND NERVOUSLY.

FRASIER

OK keep your eyes open, but don't let anyone else catch on especially Lilith. She'd just love to rub my nose in this.

PETE

Which one is Lilith?

MARTIN

You see that woman who looks as if she needs a blood transfusion?

PETE

Yes.

MARTIN

That's her.

FRASIER

OK spread out, but stick together.

ROZ

That shouldn't be too hard.

 

ROZ, PETE AND MARTIN SPREAD OUT ABOUT THE ROOM AS FRASIER MOVES TOWARDS LILITH

FRASIER

Lilith, may I say that outfit is extremely flattering on you.

LILITH

Frasier what's wrong?

FRASIER

Nothing.

LILITH

Frasier, you compliment me for no reason whatsoever, that either means you want a favour or you want to sleep with me.

 

ROZ STAMPS HER FOOT AND THEN JUMPS ON THE FLOOR BEHIND THE BAR

FRASIER

She's training to be on the softball team.

LILITH

Frasier please tell me what's wrong, maybe I can help.

FRASIER

What makes you think something is wrong?

 

THE KITCHEN DOOR SWINGS OPEN AND THE MAJORITY OF THE KITCHEN STAFF CAN BE SEEN RUNNING AROUND WITH BROOMS TRYING TO GET THE RATS AS OTHERS STAND ON TOP OF THE COUNTERS IN FEAR. FRASIER SEEING THIS, IMMEDIATELY RUNS TO THE DOOR AND LEANS UP IT TO PREVENT ANYONE FROM GOING INSIDE

LILITH

Have you called an exterminator?

FRASIER

Why would I do a thing like that?

LILITH

Because I've just seen a rat run into Dr. Frost's wife's purse.

FRASIER

What? Guard the door.

 

LILITH PEAKS INSIDE THE DOOR TO SEE WHAT SHE IS HIDING AND THEN SMILES TO HERSELF AS FRASIER WALKS OVER TO MARTIN

LILITH

I'm going to have some fun with this later.

FRASIER

Dad, come here. There's one in Mrs. Frost's purse. Show her your badge and ask to search it.

MARTIN

I don't have my badge.

FRASIER

Show them your video store membership, they won't know the difference.

MARTIN

The things I do for my sons. Excuse me Ma'am, Seattle PD. Can I take a quick look in your purse? It's just a precaution. We're searching people randomly.

MRS. FROST

Of course.

 

MARTIN TAKES THE BAG AND DISAPPEARS INTO THE KITCHEN WITH FRASIER. SEVERAL LOUD BANGS CAN BE HEARD

FRASIER

(OFFSTAGE) There it is, get it. There, there.

 

SEVERAL MORE LOUD BANGS ARE THEN HEARD BEFORE FRASIER AND MARTIN RE-ENTER LOOKING VERY FLUSTERED, SWEATING LIKE SOME SORT OF FARM ANIMALS AND HAND HER BACK HER BAG

MARTIN

Thankyou Ma'am.

ROZ

Frasier bad news.

FRASIER

Oh what now?

ROZ

That dead dog.

FRASIER

What about it?

ROZ

It belongs to that Dr. Mackinnion guy, I just over heard him talking.

FRASIER

How is that possible? The dog was here before he was.

ROZ

He's a friend of Dr. Berry. Dr. Berry brought him here on an earlier flight, because Dr. Mackinnion had been out of town for a few days and he didn't want to leave him on his own.

LILITH

He absolutely adores that dog. He even wrote a psychological analysis of it. He knew the psychological reasons for every tick, lick and twitch.

FRASIER

We've got to go and see if it's still alive.

ROZ

If it wasn't dead before, it was after you threw it several feet into a bush after bouncing it off a wall.

FRASIER

I've still got to check. Stay here and hold the fort, Pete come with me.

 

AS FRASIER AND PETE EXIT WE:

FADE OUT

 

(E)

FADE IN:

INT. BELLAGIO'S 2ND FLOOR CORRIDOR — NIGHT — NIGHT/2
(Niles, Daphne)

DAPHNE AND NILES, STILL SOAKING WET, WALK ALONG THE CORRIDOR WITH GUESTS ROOMS EITHER SIDE OF THE THEM

NILES

I hope to God that paper holds.

DAPHNE

It stopped the flow and that's the most important thing right now, until the plumber gets here.

NILES

Daphne what are we doing up here?

DAPHNE

You can't stay in those wet clothes and no cab driver is going to let you near them looking like that.

NILES

So?

DAPHNE

Give me your key.

NILES

Excuse me?

DAPHNE

Your card key opens all the doors doesn't it?

 

DAPHNE REACHES INTO HIS POCKET AND TAKES OUT THE KEY AND UNLOCKS ONE OF THE DOORS

NILES

Yes but… Daphne that's breaking and entering.

DAPHNE

No it's not, you have a key to the door.

NILES

I don't think the judge will see it that way.

DAPHNE

Oh if we get caught I'll tell them I forced you into it.

NILES

Daphne I forbid you to go in that room.

 

DAPHNE ENTERS THE ROOM FOLLOWED CLOSELY BY NILES

RESET TO:

INT. BELLAGIO'S ROOM 216 — CONTINUOUS

ON THE BACK WALL IS A BED, OPPOSITE WHICH IS A DRESSING TABLE. ON THE RIGHT SIDE OF THE ROOM IS A DOOR WHICH LEADS TO THE BATHROOM AND THE WARDROBE WHICH DAPHNE IS LOOKING THROUGH

NILES (CONT'D)

I'm forbidding you. I forbid you to go through that wardrobe. Daphne we could get arrested for this.

DAPHNE

Oh stop being such a big girl. Here put this on.

 

DAPHNE PRODUCES A PINK, LACEY, FRILLY DRESSING GOWN FROM THE WARDROBE

NILES

I most certainly will not.

DAPHNE

Give me one good reason why not?

NILES

What apart from it being pink and frilly?

DAPHNE

It's either this, a leopard skin spandex leotard or we break into another room.

NILES

Give it.

 

NILES EXITS TO THE BATHROOM WITH THE DRESSING GOWN

DAPHNE

We can go home and get you a proper change of clothes then and the only thing you'll have to worry about is the cab driver thinking that you're some sort of transvestite prostitute.

NILES

I'm not being seen out on the streets in this.

DAPHNE

Fussy bleeder.

NILES

What do I put my clothes in?

DAPHNE

Use a laundry bag. These are quite nice rooms actually.

 

DAPHNE PICKS UP A BOTTLE OF PERFUME AND UNSCREWS THE TOP TO SMELL IT. SHE THEN SNEEZES AND ACCIDENTALLY POURS THE ENTIRE CONTENTS OVER THE BED AND THE PILLOWS

NILES

Just be careful you don't touch anything. I don't want any sign left that we've been in here.

 

DAPHNE TURNS THE PILLOW AND THE BEDSPREAD OVER BEFORE OPENING AND CLOSING THE DOOR TO WAFT THE SMELL OUT

NILES (CONT'D)

It's going to be bad enough when they discover I've taken this.

 

DAPHNE RUNS TO THE MINI BAR AND EMPTIES A BOTTLE OF SCOTCH INTO THE PERFUME BOTTLE. WHEN IT'S DONE SHE HIDES THE MINI BAR BOTTLE BEHIND THE HEADBOARD AND STANDS INNOCENTLY AS IF NOTHING HAPPENED AS NILES ENTERS FROM THE BATHROOM DRESSED IN NOTHING BUT THE FRILLY DRESSING GOWN

NILES

So what do you think?

DAPHNE

Honestly? I've never wanted you more.

NILES

To my own admission I didn't think pink was particularly my colour but…

 

DAPHNE GRABS HIM AND KISSES HIM AS WE:

FADE OUT

 

(F)

FADE IN:

INT. BELLAGIO'S LOBBY — NIGHT — NIGHT/2
(Frasier, Pete, Dr. Mackinnion, Chef, Lilith, Roz, Martin, Waitress)

FRASIER AND PETE CARRY IN THE DEAD DOG THROUGH THE FRONT DOORS AND PLACE IT ON THE FLOOR

FRASIER

Be careful. Don't drop it.

PETE

It's definitely dead Frasier.

FRASIER

It might not be, quick give it mouth to mouth.

PETE

You give it mouth to mouth, if it's so important to you.

FRASIER

Wait what's this powder around its mouth.

PETE

Oh my God it's rabid. And you wanted me to make out with it?

FRASIER

It is not rabid, if it were it would be foaming at the mouth not powdering. Oh no, it's the rat poison. It ate the rat poison. I've poisoned the chairman of the psychiatric board's dog. That's the end of my career. Ok we have to buy a new one. Pete go down the dog pound and try to find one that looks similar.

PETE

It's eight-thirty, nowhere will be open.

FRASIER

Then steal one from a yard, take one off a kid, just go.

PETE

What do we do with this one?

FRASIER

In the coat check. Now off you go.

 

THEY MOVE THE DOG INTO THE COAT CHECK BEHIND THE LINE OF COATS. PETE EXITS OUT THE FRONT DOOR AS FRASIER WALKS BACK TO THE BALLROOM

RESET TO:

INT. BELLAGIO'S BALLROOM — CONTINUOUS

ROZ, MARTIN AND LILITH CONTINUE TO KEEP A SHARP EYE OPEN AS THE REST OF THE GUESTS WAIT IMPATIENTLY FOR THEIR DINNER. ENTER FRASIER

DR. MACKINNION

Is the meal coming out any time soon Crane? Or do we have to cook our own.

FRASIER

It will be out shortly, we're just experiencing some slight technical difficulties.

DR. MACKINNION

How do you have technical difficulties with food?

FRASIER

Ask the chef.

 

DR. MACKINNION MAKES HIS WAY TO THE KITCHEN DOOR BEFORE FRASIER JUMPS IN FRONT OF HIM AND STOPS HIM

FRASIER (CONT'D)

No, not really, he's far too busy now.

 

ENTER CHEF FROM KITCHEN

CHEF

Dr. Crane I'm sorry I can not work like this.

FRASIER

Yes you can, now off you go.

 

FRASIER PUSHES THE CHEF AND HE EXITS BACK INTO THE KITCHEN

LILITH

Frasier I don't know how much longer we can keep up this charade. I already have four caught in the refrigerator behind the bar. We have to move them, any longer and we'll have four rat Popsicle's in there.

ROZ

Oh quit complaining, don't you do this for a living?

LILITH

Yes, but you'll understand the difference between observing a rat run around a maze in search of food, and running around a ballroom chasing them.

MARTIN

Well how do you think I feel with my hip?

ROZ

You've got a ready made club in your hand what's your problem?

LILITH

Oh all right fine, since I have more experience in this field than anyone else, I suppose the lions share remains up to me. But you owe me for this Frasier, you owe me big.

FRASIER

I'm not sleeping with you.

LILITH

One word. Egomaniac.

 

ENTER WAITRESS FROM KITCHEN

WAITRESS

Dr. Crane, dinner is ready.

FRASIER

Thankyou. If everyone would please take your seats and dinner shall be served.

 

EVERYONE TAKES THEIR SEATS WITH FRASIER, ROZ, MARTIN AND LILITH DOWN THE RIGHT END OF THE TABLE NEXT TO THE FROSTS AND DR. MACKINNION AND DR. BERRY DOWN THE OTHER END

ROZ

What do we do now?

FRASIER

Just politely excuse yourself from the table.

LILITH

And say what exactly?

FRASIER

You have to use the bathroom.

ROZ

In other words pretend like we have unusually poor bladder control. Where's Pete?

FRASIER

He's gone to get a replacement dog.

ROZ

Why do I get the feeling I'm trapped in some strange 'I Love Lucy' land?

MARTIN

What about Niles and Daphne?

FRASIER

I don't know they must still be tackling the leak.

CUT TO:

 

(G)

CUT TO:

INT. BELLAGIO'S ROOM 216 — CONTINUOUS
(Niles, Daphne, Mrs. Taylor, Man)

DAPHNE HAS NILES PINNED UP THE WARDROBE KISSING HIM, HE SHOWS NO SIGN OF COMPLAINING, WELL ONLY ABOUT THE DRESSING GOWN HE IS FORCED TO WEAR

NILES

Do you smell perfume?

DAPHNE

No.

 

THEY KISS

NILES

Daphne as much as I want to stay here, we really need to go and clog that pipe again. It's only going to be a matter of time before the water starts to spurt out through the sponges and the rocks.

DAPHNE

I told you to stick the plunger to the end.

NILES

Oh you meant to the pipe.

DAPHNE

Yes, why what do you think I meant?

NILES

Oh nothing.

DAPHNE

I bet the plumbers already down there and Dr. Crane was dealing with everything else. So what's your problem?

NILES

I'm too fussy and way too scared to try new things.

DAPHNE

This is not new.

NILES

It is when I've committed a crime before hand.

 

THEY GO TO KISS BUT STOP AS THEY HEAR THE KEY BEING PUT IN THE DOOR

NILES (CONT'D)

Oh my God she's back.

DAPHNE

Quick get in the wardrobe.

NILES

Daphne, now is really not the time.

DAPHNE

To hide!

 

THEY BOTH GET IN THE WARDROBE AND SHUT THE DOOR

RESET TO:

INT. INSIDE ROOM 216'S WARDROBE - CONTINUOUS

NILES

What do we do?

DAPHNE

Shhhh she might leave in a minute.

RESET TO:

INT. BELLAGIO'S ROOM 216 — CONTINUOUS

MRS. TAYLOR ENTERS THE ROOM AND SITS DOWN ON THE BED. SHE THEN PUTS HER HAND ON HER HEAD AND SIGHS, OBVIOUSLY JUST BY LOOKING AT HER YOU CAN TELL THAT SHE ISN'T FEELING VERY WELL. SHE THEN EXITS TO THE BATHROOM AND THEN RE-ENTERS WITH A DAMP CLOTH. SHE OPENS THE BEDROOM DOOR AND HANGS THE 'DO NOT DISTURB' SIGN OUTSIDE, CLOSES IT, LIES DOWN ON THE BED WITH THE CLOTH ON HER HEAD BEFORE TURNING OUT THE LAMP NEXT TO HER LEAVING HER IN DARKNESS APART FROM THE GLOW OF THE BATHROOM LIGHT

RESET TO:

INT. INSIDE ROOM 216'S WARDROBE — CONTINUOUS

NILES

Was that the door?

DAPHNE

I think she's gone. Alone again.

 

SHE KISSES HIM

NILES

Now Daphne.

DAPHNE

Now Daphne what?

 

SHE KISSES HIM AGAIN

NILES

(GIVING IN) Oh right now Daphne.

 

THEY KISS AND SLOWLY BACK OUT OF THE WARDROBE

RESET TO:

INT. BELLAGIO'S ROOM 216 — CONTINUOUS

THEY BOTH STAND FOR A MOMENT BEFORE COLLAPSING ON TO THE BED AND UNFORTUNATELY ON TOP OF MRS. TAYLOR. MRS. TAYLOR SCREAMS AS NILES AND DAPHNE BOTH JUMP UP AND RUN TOWARDS THE DOOR

NILES (CONT'D)

So sorry.

DAPHNE

Just shut up and move. Don't stop keep moving.

NILES

But my clothes.

DAPHNE

Get them later.

 

NILES AND DAPHNE RUN OUT OF THE ROOM WITH MRS. TAYLOR GIVING CHASE

RESET TO:

INT. BELLAGIO'S 2ND FLOOR CORRIDOR — CONTINUOUS

NILES AND DAPHNE RUN DOWN THE CORRIDOR

MRS. TAYLOR

Come back here you filthy perverts.

 

AS THEY TURN THE CORNER THEY STOP RUNNING BUT BUMP INTO A MAN COMING OUT OF HIS ROOM WHO STARES IN SHOCK AT NILES

DAPHNE

Good evening.

 

NILES AND DAPHNE WALK DOWN THE CORRIDOR WITH THE MAN STARING AFTER THEM AS WE:

FADE OUT

 

(H)

TITLE CARD: 'IT'S A SHAME THEY WEREN'T SERVING RATATOUILLE'

FADE IN:

INT. BELLAGIO'S BALLROOM — NIGHT — NIGHT/2
(Frasier, Dr. Mackinnion, Lilith, Martin, Dr. Frost, Roz, Dr. Berry, Mrs. Frost, Alan, Pete, Mrs. Taylor, Niles, Daphne, Plumber)

EVERYTHING LOOKS REASONABLY CALM AS THE WHOLE GROUP ENJOYING THEIR ENTREES. FRASIER, ROZ, MARTIN AND LILITH REMAIN A LITTLE TENSE

FRASIER

Dr. Mackinnion, may I just take this opportunity to tell you how much I enjoyed your last book. I found it both informative and insightful.

DR. MACKINNION

Relate to it could you Crane?

FRASIER

Not exactly, no.

DR. MACKINNION

Oh I see, starved in that area are you Crane? That explains why you're such a tight ass.

FRASIER

Now, you see, I'm a tight ass. I've been trying for years and I still can't make this man like me. I just don't know where I'm going wrong.

LILITH

To be fair Frasier you only find it easy to associate with no brain bimbo's, to whom the biggest challenge of the day is trying to remember where they parked their car after yet another meaningless one night stand. Anyone with even the slightest academic ability and you automatically take the inferior position and submissive role.

MARTIN

A bit like your marriage.

LILITH

Exactly, in our marriage you never once tried to assert yourself as the dominant party.

FRASIER

Well you were doing such a good job I didn't want to squash your enthusiasm.

LILITH

I'm not going to apologise for our relationship Frasier, someone had to wear the trousers before we became something to akin of a lesbian couple.

FRASIER

Get real for a moment Lilith, we were one more Adam's apple from being two gay men. I said that a little too loudly.

DR. FROST

(TAKING NOTES) See I told you it was a good idea to sit at this end of the table.

MARTIN

Roz, behind you, I see a small 'problem'.

ROZ

Then off you go and get it.

FRASIER

You get it Roz.

ROZ

Why can't you do it?

FRASIER

Because I'm entertaining.

LILITH

Not anyone at this table.

MARTIN

Oh go on Roz please, just scare it away. I would but my hip's just aching and throbbing. And you're so much younger, vibrant and more in the prime of your life than I am.

ROZ

Flattery will get you everywhere.

LILITH

As more than a fleet of men will testify to.

ROZ

Why you…

FRASIER

Roz don't you have a problem to deal with?

ROZ

Yes but you won't let me touch her.

MARTIN

Roz, it's gone under the table.

ROZ

How do you suggest I get it?

LILITH

Just climb under the table.

ROZ

If you'll excuse me a moment I have to use the powder room.

 

ROZ DISAPPEARS UNDER THE TABLE. SECONDS LATER FRASIER JERKS AND FLINCHES

FRASIER

Let me give you a hint Roz, that's not it.

DR. MACKINNION

Of course one of the most obvious signs that someone is a sexual obsessive is their ability to turn anything sexual. For example an innocent touch, a simple passing glance, even a simple sentence can be turned on it's head and given sexual meaning if that's what you're searching for. The other point that I made…

ROZ

(UNDER TABLE) Oh, so sorry.

DR. MACKINNION

That's quite all right young lady. (PAUSE) I've forgotten what point I was making.

DR. BERRY

You were just touching on sexual obsessive behaviour.

DR. MACKINNION

Yes I think I was just touched by a… I mean yes I was. (PAUSE) Is it hot in here?

 

ROZ CLIMBS OUT FROM UNDER THE TABLE AND SITS DOWN

MARTIN

Any luck?

ROZ

I can't see it.

FRASIER

Why can't you see it?

ROZ

You try crawling around amongst people's feet looking for it. Oh and by the way I don't think Dr. Mackinnion bathes. If he does, he shares the water with his dog.

FRASIER

Speaking of which, I wonder what's keeping Pete.

ROZ

Oh relax, he'll be back. And I meant that in a non Terminatorish way.

FRASIER

What?

LILITH

I beg your pardon?

MARTIN

Classic film.

FRASIER

(TO LILITH) I'm guessing sports. Actually after a rather shaky start I think this weekend is going to turn out to be a complete success. Niles seems to have handled the other situation fine.

LILITH

Speaking of which where is Niles?

FRASIER

I think he's getting changed, he had a little accident. And we've handled this situation beautifully.

ROZ

What do you mean, we?

FRASIER

The four of us.

MARTIN

When did you do anything? Other than kiss ass.

FRASIER

If I had started to run around like a lunatic it would only have raised suspicions.

LILITH

Frasier are you by any chance playing footsy with me?

MARTIN

Oh dear God I hope not, I'm trying to eat here.

FRASIER

No I'm not.

LILITH

Just as I thought, our friend is back. Excuse me one moment.\

 

LILITH DISAPPEARS UNDER THE TABLE

LILITH (CONT'D)

(UNDER THE TABLE) Excuse me Martin.

MARTIN

You just back off. I know I'm the other Crane left, but I'm telling you now, you're not making me your next conquest.

LILITH

No one is more thrilled than I.

MARTIN

Just in case, remember I have a cane, I'm not afraid to use it if I feel violated in anyway.

LILITH

Frasier I've got it, now what do I do?

FRASIER

Here, wrap it in my jacket and take it outside with the rest.

 

FRASIER TAKES OFF HIS JACKET AND PASSES IT TO LILITH

MARTIN

May I ask why you're letting them go outside? They're just coming straight back in.

 

LILITH CLIMBS OUT FROM UNDER THE TABLE WITH A BUNDLE

DR. MACKINNION

See sexual obsessive behaviour right there, Dr. Sternin under the table.

LILITH

I was merely tying my shoe lace.

DR. BERRY

You're wearing slip ons.

LILITH

Imagine my embarrassment.

 

AS LILITH GOES TO EXIT WITH THE JACKET CONTAINING THE RAT BUNDLED UP IN HER ARMS, SHE TRIPS AND DROPS THE JACKET WHILE TRYING TO MAINTAIN HER BALANCE. THE RAT THEN MAKES A RUN FOR IT AND EXITS WITH THE JACKET STILL ON TOP OF HIM. NO ONE NOTICES THE JACKET RUN ALONG THE FLOOR OUT OF THE ROOM

FRASIER

That was quick, where's my jacket?

LILITH

It ran away.

DR. MACKINNION

There's a hair in this pate.

FRASIER

Don't shout too loud everyone will want one. I'll see to it.

DR. MACKINNION

Don't bother Crane, I'll speak to the chef.

 

DR. MACKINNION, GETS UP, PLATE IN HAND AND HEADS TOWARDS THE KITCHEN. FRASIER JUMPS UP AND BLOCKS THE DOOR

FRASIER

You can't go in there.

DR. MACKINNION

Why not?

FRASIER

Why not? That's a very interesting question that needs to be examined from all angles.

DR. MACKINNION

Move Crane, you may own this fleapit but you don't own me.

FRASIER

I'd rather you didn't because I really need your help. You see, your book made a lot of sense to me, as I think I may be…

DR. MACKINNION

Oh stop wasting my time.

ROZ

Send a man to do a woman's job.

 

ROZ WALKS UP TO DR. MACKINNION AND KISSES HIM TO DISTRACT HIM

DR. MACKINNION

You know I thought we had a certain chemistry.

 

ROZ LEADS HIM BACK TO HIS SEAT AS SEVERAL WAITERS COME OUT OF THE KITCHEN WITH LARGE COVERED SERVING PLATES CONTAINING THE MAIN COURSE. THEY ARE OPENED TO REVEAL DUCK EXCEPT THE CENTRAL ONE THAT HAS A DUCK WITH A RAT SITTING ON TOP OF IT. FRASIER IMMEDIATELY SLAMS THE LID DOWN AGAIN

MRS. FROST

A rat!

FRASIER

No there's no rats here.

 

FRASIER'S JACKET THEN RUNS BACK INTO THE ROOM

FRASIER (CONT'D)

Except maybe that one.

 

MRS. FROST THEN LIFTS UP THE LID AS THE RAT ESCAPES FROM UNDERNEATH IT AND RUNS ALONG THE TABLE CAUSING EVERYONE TO SHRIEK AND JUMP OUT OF THE WAY. DR. MACKINNION FINALLY SHAKES ROZ OFF AND MAKES HIS WAY TO THE KITCHEN TO GIVE THE CHEF A PIECE OF HIS MIND. AS HE OPENS THE DOOR, ANOTHER RAT RUNS OUT AND OVER HIS FEET

FRASIER (CONT'D)

Please everyone just calm down.

MARTIN

It's only a tiny infestation.

FRASIER

You're not helping.

 

MRS. FROST THEN JUMPS UP ONTO THE TABLE TO AVOID THE RAT THAT HAS ENTERED FROM THE KITCHEN AS DR. BERRY STARTS TO STAMP ON FRASIER'S JACKET TO KILL THE OTHER ONE

FRASIER (CONT'D)

Dr. Berry don't do that it's Armani.

DR. BERRY

I don't care if it's an Armani rat, it still has to die.

DR. MACKINNION

That's it I'm leaving.

 

ENTER ALAN

ALAN

Still having a slight problem with the plumbing Dr. Crane.

FRASIER

Dually noted.

 

ENTER PETE

PETE

Frasier I've got the dog.

 

FRASIER AND PETE EXIT INTO THE LOBBY

RESET TO:

INT. BELLAGIO'S LOBBY — CONTINUOUS

THERE IS A LARGE WOODEN BOX ON THE FLOOR THAT PETE LEADS FRASIER TO AS ALAN ENTERS AND WATCHES IN AMUSEMENT

FRASIER

What's it doing in that box?

PETE

It's a little aggressive.

FRASIER

How aggressive?

 

PETE LIFTS UP HIS ARM WHICH IS HEAVILY BANDAGED AND COVERED IN BLOOD. HIS SHIRTSLEEVE IS TORN TO SHREDS. THE BOX BEGINS TO SHAKE VIOLENTLY

FRASIER (CONT'D)

We can't replace it with that.

PETE

Why not?

FRASIER

Because in stead of licking the good doctors face to greet him, this thing might go straight for the jugular. Mind you taking everything into consideration that might not be a bad thing.

 

ROZ, MARTIN AND LILITH ENTER FOLLOWED BY THE MAJORITY OF THE BALLROOM ALL WANTING TO LEAVE

ROZ

We tried talking to them but they're still leaving.

FRASIER

And where are Niles and Daphne? Why does he leave me to handle everything? Please, please don't leave, I know we've had a few incidents tonight, but it can only get better.

DR. MACKINNION

And it can get better by leaving. Where is your coat check girl?

 

ENTER MRS. TAYLOR FROM THE STAIRWELL

MRS. TAYLOR

Who is in charge around here?

LILITH

That would be the rather flustered, sweating gentleman.

MRS. TAYLOR

I have a bone to pick with you about security. I was lying on my bed, in my room, minding my own business when out of the wardrobe appears a couple who would have played a quick game of hide the salami right on top of me had I not screamed.

DR. FROST

Good God what kind of place are you running here Crane?

LILITH

A brothel immediately springs to mind.

FRASIER

Yes, thankyou Lilith. I'm sure you're just mistaken, are you sure you weren't hallucinating?

MRS. TAYLOR

Are you insinuating that I am some sort of drug addict. I'll have you know I'm the minister's wife.

ROZ

Then what are you doing staying here alone?

MRS. TAYLOR

Who says I'm alone? What? A woman does have certain natural urges you know.

DR. MACKINNION

Please someone check my coat before anything else happens.

MRS. FROST

Where's all this water coming from?

FRASIER

Alan mop this up please.

MRS. TAYLOR

What are you going to do about this or shall I just call the Police right now?

FRASIER

There's really no need.

 

ALAN OPENS THE CUPBOARD NEXT TO THE COAT CHECK TO GET A MOP AND NILES AND DAPHNE FALL OUT IN A CLINCH AND HIT THE FLOOR, NILES STILL WEARING MRS. TAYLOR'S DRESSING GOWN. FRASIER AND MARTIN LOOK ON IN HORROR AS ROZ AND LILITH STRUGGLE TO CONTAIN THEIR LAUGHTER

MRS. TAYLOR

Look here they are. Is that my dressing gown?

NILES

I said I was sorry.

MRS. TAYLOR

Please tell me you're not naked under there.

NILES

I would but I'd be lying.

 

NILES AND DAPHNE GET UP OFF THE FLOOR

DR. MACKINNION

That's it I'm leaving. I'll get my own coat.

 

DR. MACKINNION WALKS INTO THE COAT CHECK

PETE

No, don't go in there.

 

DR. MACKINNION COMES OUT WITH HIS COAT

DR. MACKINNION

Crane there's a dead dog in your coat check.

FRASIER

I know and I'm sorry, he must have eaten the rat poison. I am so sorry Dr. Mackinnion. Although I can't replace the sentiment and the emotional attachment, I will replace the dog.

DR. MACKINNION

What are you blabbering on about?

FRASIER

Your dog.

DR. MACKINNION

That's not my dog.

PETE

It's not?

DAPHNE

(REFERRING TO HIS ARM) What happened to you?

ROZ

We could ask you the same.

DR. BERRY

Good lord no, that's not Charles' dog, I boarded that in the spa down the street.

DR. MACKINNION

It's not even the same breed. My dog is a long-haired Jack Russell terrier.

MARTIN

Oh really, that's what I've got.

DR. MACKINNION

They're great dogs aren't they?

FRASIER

Anyway. So who's dog is this?

DR. MACKINNION

Who cares? Let's get the luggage Arthur.

 

DR. MACKINNION AND DR. BERRY EXIT UPSTAIRS AS EVERYONE ELSE MAKES FOR THE FRONT DOOR

FRASIER

Really there's no reason for anyone else to leave.

LILITH

Other than the underline threat of the plague.

 

ENTER PLUMBER

PLUMBER

Anyone call for a plumber?

NILES

Yes, right in there.

 

THE PLUMBERS STARES AT WHAT NILES IS WEARING

PLUMBER

Have you guys been having a party? Hey what are you doing with my dog?

PETE

That's not your dog.

PLUMBER

Yes it is. Come here Max.

 

THE DOG BARKS AS THE PLUMBER LETS HIM OUT OF THE BOX AND JUMPS UP HIM. THE PLUMBER THEN TURNS TO PETE

PLUMBER (CONT'D)

You thieving bastard.

 

THE PLUMBER PUNCHES PETE AND IMMEDIATELY ROZ JUMPS ON HIS BACK AND STARTS TO HIT HIM AS THE PLUMBER STAGGERS OUTSIDE WITH ROZ STILL ON HIS BACK

PLUMBER (CONT'D)

Get off me you crazy woman.

 

ROZ AND THE PLUMBER EXIT WITH PETE CHASING AFTER THEM

LILITH

She's quite feisty in a street corner kind of way.

 

THE BASEMENT DOOR THEN GIVES WAY SENDING A BLAST OF WATER OUT OF THE DOOR AT ABOUT WAIST HEIGHT THROUGH THE LOBBY AS SEVERAL RATS RUN THROUGH THE LOBBY AND INTO THE BALLROOM. THE REMAINING GUESTS THEN LEAVE APART FROM DR. FROST

DR. FROST

Thanks Crane, you've given us enough material for next year's convention and then some.

 

DR. FROST EXITS

A BEAT AS EVERYONE TAKES IN THE DAMAGE

NILES

So, what did we miss?

 

AS THE PLUMBER CAN BE SEEN RUNNING PAST THE DOOR WITH ROZ STILL ON HIS BACK, FRASIER SIGHS AS WE:

FADE OUT

END OF ACT TWO

 

CLOSING CREDITS: MRS. TAYLOR'S DRESSING GOWN IS ON THE RECEPTION COUNTER. WHILE NO ONE IS LOOKING, ALAN PICKS IT UP AND TRIES IT ON.



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Last updated 7/15/01