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Gilmore Jr.
Gerhart Amplification - Kit Build


This page documents the build of a Gilmore Jr. amplifier into a donor cabinet.
The Gilmore Jr. is an all tube ½ watt guitar amplifier; using one 12AX7 dual triode tube for two preamp stages, and one 6n1p dual triode tube that is configured as a self-split push pull power amp. For ease of assembly, it was designed with a minimum of parts. However, the finished product has that great "overdriven power tube" tone!
The amp is available as basic kit, complete kit, or fully assembled form from: http://www.gerhartamps.com/  (Please note: I wrote the assembly manual for this kit with the guidance of a technical writing instructor, and the amp's designer- Gary Gerhart.)

Figure 1           Donor chassis before stripping

Click photo to enlarge
This is the chassis from the donor amp before I stripped it (see figure 1). It was a very simple solid state amp, and still worked, but sounded horrible!

There was nothing of use on the chassis, so it had to be stripped  to the bare metal.
Figure 2          Chassis Stripped and in process

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Here, the chassis is undergoing modification to hold the tube sockets (see figure 2). I chose to tap the chassis instead of using nuts on the socket screws. At this stage the layout had already been chosen by setting the transformers, tube sockets, and turret board on the bare chassis to assure that there would be room to wire everything . Also it is good practice to pre plan the wire routing before committing to component locations. All of the  holes for the controls required enlarging to accept the new parts.
Figure 3     Gilmore Jr. parts (basic kit)

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This is a picture of the parts I received to build with (see figure 3).  

 Note: If you order a basic kit from Gerhart Amplification now, there are more parts included than shown here. Also, there are more 1/2 watt resistors pictured than  are actually required to build the kit.
Figure 4                                  Chassis Layout

Click photo to enlarge
Home-brew building, like prototype building, is sometimes two steps forward and one step back. At the point illustrated here, (see figure 4)
the tube sockets, transformers, and turret board are located. However, after marking for the IEC jack (power cord), transformer wire grommets, and speaker jack; the mounted parts were removed to do the final cutting and drilling on the chassis.
Figure 5                           Turret board layout

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The turret board. Ready to be wired, and have the components installed (see figure 5).

Note: This is a hand drilled prototype board, as you can see, the holes are not perfectly aligned. The numbers were added with a Sharpie indelible marker to facilitate the assembly instructions.    
Figure 6                       Checking the layout

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To pre plan the wire routing, and make certain the turret board was located properly, it was mounted to the chassis one last time before committing to the final wiring and soldering process (see figure 6).
Figure 7              Turret board assembled

Click photo to enlarge
With all the instructions and graphics supplied,  assembly of the components onto the turret board is  not difficult (see figure 7) .
It makes the job easier if the wires are soldered onto the bottom level of the turrets before soldering components on the top level. 
Figure 8                       Ready for final wiring

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At this stage all parts are installed, and it is time to do final wiring and soldering. Get everything ready before beginning to solder. It makes the final wiring/soldering go much quicker. To go beyond what is shown, (see figure 8) the wires can be cut and ends stripped to make soldering a continuous process. 
Figure 9                                                              All wired up

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Here, (see figure 9) everything is wired and ready to test.

Note: The prototype turret board in this amp was originally designed for a  chassis with the tubes on top. Since this chassis has the tubes hanging underneath, some of the wires from the tube sockets to the turret board cross each other. This is not ideal wire routing, but it caused no problems. ***Upon prior request, Gerhart Amplification will supply home-brew builders with a mirror image turret board that solves this problem!***
Figure 10       Tubes, transformers and jacks installed

Click photo to enlarge
The special design, heavy duty Mercury Magnetics transformers can be seen well here (see figure 10). Since this chassis allowed a good distance between  transformers, and it made for convenient wire routing, the transformers were not splayed (mounted perpendicular, or at odd angles to one another).  However, notice that they are intentionally not in perfect alignment. In this case, that was adequate to prevent any magnetic coupling noise between the power and output transformers.
Figure 11                              Finished amp!

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The chassis is back in the donor cabinet! (see figure 11)
Figure 12        Finished amp (rear)

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After trying several speakers, this 10" Eminence / MojoTone was chosen for its balanced and smooth tone. However, a vintage 12"
Jensen P12R sounded especially good! There just wasn't room to fit it into the cabinet.

How it sounds

Considering the 1/2 watt output, and simplicity of its design, the Gilmore Jr. is nothing short of astounding!
It is very articulate and responsive, with plenty of gain for most any music genre. The tone is bright,
yet not particularly harsh. Note definition stays healthy all the way into its highest gain/volume range. Which,
by the way, is surprisingly loud for 1/2 watt. However, the clean sound output of the amp is limited to about
the volume of a typical acoustic guitar being strummed. This is quite adequate for the amp's designed use as a practice and recording tool. The amp is very sensitive to what is plugged into it.  The type and output of the guitar's pickups, and tone or efficiency of the speaker used  makes a huge difference in the way the amp sounds.  This makes  it somewhat of a chameleon; because plugging in a different guitar makes a bigger difference than most larger amps. Likewise, changing speakers seems to make the amp take on the characteristic of the speaker more dramatically than a larger amp. For example: running it through a reconed early 50's Jensen P12R made the amp sound *very* tweed-like, but with more gain!

To put it mildly, I was not disappointed!

Here's a couple of short sound bytes of the Gilmore Jr. with my Strato-Thang plugged in and both of them CRANKED ALL THE WAY UP!

Click to hear it:
Mike
 RIP

Cranked

Please excuse my lack of experience with new digital recording gear. These sound bytes were recorded with
a 15+ year old Shure SM57 microphone at close proximity. No external effects, equalization or processing was used during recording.




By: John King
12/19/02
All rights reserved
kingsx@swbell.net