Not top of the line but it works for me. I've discovered that simple is better and that the way to get a good sound is to be a sensitive player and work on your craft. All the other stuff is icing on the cake.
Check out my amps.
Can you dig it? From left to right:
Fender Blues DeVille
Fender Deluxe Reverb Reissue (Upgraded to vintage specs)
Peavey 5150 (Modded for lush sweetness)
Fender 2X12 Vintage 30's Cab
Marshall practise amp
Fender Blues Breaker (Upgraded to vintage specs)
Steve Morse autographed 8X10.
Not pictured: Peavey Classic 40 4X10.
The Fleet
From left to right:
1977 Ibanez 335 lawsuit model w/ a Duncan '59 pickup in the neck and a Duncan Seth Lover in the bridge.
Fender 70's Reissue Strat w/ a Performance custom lefty neck (Big headstock), DiMarzio Virtual Vintage Blues, Heavy Blues, and Solo single coil pickups from neck to bridge.
Ernie Ball/Music Man Steve Morse Guitar w/ a Duncan '59 in the neck, Van Zandt Blues single coil, Fender Texas Special single coil, Duncan Custom Custom in the bridge.
Fender 60's Reissue Strat (Japanese) w/ DiMarzio Virtual Vintage Blues, Heavy Blues, and Solo single coil pickups from neck to bridge.
1977 Gibson 175. All stock.
On the floor: Fender 60's Reissue Strat (Mexican) w/ DiMarzio Virtual Vintage Blues, Heavy Blues, and Solo single coil pickups from neck to bridge.
Toys on the floor
My pedal board is my pride and joy. I can get all kinds of sounds or even just the amp by itself. I use this stuff sparingly but there are times when you want to go wacko. I can get anything from Hendrix to Vernon Reid, to even Jimmy Reed. Dig this signal chain.
The guitar plugs into a Teese RMC1 Wah>>>Captain Coconut II>>>Visual Sound Jeckle & Hyde>>>Boss Blues Driver>>>Visual Sound H20 Chorus/Delay>>>Boss Equalizer>>>Buzzy Feiten Tuner>>>Amp.
All on top of a Furman SPB-8 pedal board. That's it! Thanks for dropping in!