Lovers In Paris - reviews

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LOVERS IN PARIS a.k.a Pari eh yun in / Des Amoureux ŕ Paris

Screenwriter: Kim Eun Sook/Kang Eun Jung
Producer: Shim Woo Chul/Son Jung Hyun
Asst. Producer: Lee Dong Hoon/Oh Jin Suk

Reviews

This kdrama broke the ratings record set by "Dae Jang Geum" last year, reaching 57% ratings at its peak, re-capitulating both Park Shin Yang and Kim Jun Eun back into the limelight and marking their successful return to the goggle-box. SBS has once again demonstrated the winning formula of wooing outstanding actors who had crossed over to the movie world to star in their kdrama production.

The story of “Lovers in
Paris” is really nothing to shout about. It is a typical romantic comedy, with a “Cinderella-like” fairy tale. But what gave this kdrama so much commercial success, besides the fairy-tale like story, is the outstanding job that SBS has done in casting and the wonderful packaging of the entire serial.

You can see that SBS pumped substantial investment into producing this series. They picked Paris – The City of Lights, and one of the most romantic and beautiful cities in the world to start this kdrama. SBS had KJE attending a classy dinner dressed up in haute couture and doing a romantic waltz with PSY in a French chateau in the first episode! And they even had PSY zip around Paris and Nice in a Mercedes sports car, and a Rolls Royce! This is packaging at its best.

There are many parts about the story that I completely disagreed with and which I felt were disconnected and unrealistic. I would think for a man of KJ’s position, he would have had professional butlers to tend to his house, or at least a professional housekeeper versus engaging a part-time student like TY to tidy his place. Nonetheless, that was how the writers chose for the 2 leads to meet. And if TY were so poor, she would never had the chance to be YA’s
classmate, as YA would have attended expensive elite private schools. And why SH fell so hard for TY remains one of the biggest mysteries for me. As a matter of fact, I could accept YA's intentions much better then SH’s obsession. And finally the cliché plot about KJ being SH’s half-brother and the usual family objection to KJ and TY were big put-offs for me. Then again, if all were smooth-sailing in this relationship, this would not have been a kdrama.

Sometimes I’ll like to think that I am tasteful about my choice of kdrama. I know I am sappy, but I’d like to think that I am tastefully sappy. Yet with such an atrocious script, and cliché storyline, I am sad to say, I LOVE “LOVERS IN PARIS”! (C’mon, I need a big dose of chick flicks as well!).

Choosing the bespectacled Park Shin Yang, with his straight-faced
professional good looks, as the task oriented President of GD Motors Han Ki Joo, and the comical Kim Jun Eun as his dorky love interest Kang Tae Young - these two must be the match of the century! TY and KJ were smitten with other from their encounter in
Paris; TY with the wine, dine, dress and dance; and KJ with TY’s unpretentious ways she ate her cake and her non-stop meaningless chattering and frivolous ideas. Their roles contrasted and yet complemented each other so much, and with all the funny punts thrown in by the writers, even after it ended in mid-August, “Lover in Paris” had the
audience begging for more of this funny couple.

I almost forgot about Park Shin Yang, as I have not seen most of his recent works at the movies. The last I saw of him was in “Indian Summer” and that was a long time ago. As for Kim Jun Eun, I really thought she has a knack for comedy when I caught her in “Spring Breeze”. It was really great to catch a light-hearted funny kdrama after my spate of tearjerkers.

I thoroughly, totally, completely, loved seeing PSY and KJE in this drama. I felt Lee Dong Gun was so extremely cool as the bad-boy drummer SH. But the pairing of SH and TY was not as convincing as the KJ and TY pairing. I felt that KJE was more compatible with PSY as she looked a little too old for LDG. The producers were definitely skewed and lopsided in their choice of couples in this love triangle when they were casting and developing the story. It was obvious that the entire set-up was pro PSY-KJE, and that the
roles were tailor-made for these two.

HKJ’s task-master approach to the entire dating and courting process must be the most hilarious theme of the kdrama. The writers threw in all the imaginable courting tactics that a girl could ever dream of from a man like PSY. The producers even threw in a fairy-tale engagement party cum honeymoon to please and melt the audience with the saccharine sweet yet brief pseudo-marital bliss that the two leads enjoyed in the serial.

The greatest thing about this couple was the strength and support each showed to stay together. Even for TY’s character’s, she never really lost her spunk despite of the adversities she had to face, unlike many of the usual weak female lead characters in kdramas who just weep in silence. She remained cheerful and resilient even when she was constantly put down or belittled by KJ’s family, YA or harassed by SH. One of my favorite scene was this one about TY when, feeling upset after her first dinner with Ki Hye, she vented her
anger on this dummy and ended up with bruised knuckles! And the serenades they did for each other are the “MUST-SEE” scenes in this serial.

PSY played HKJ so well that in the end I couldn’t decipher sometimes whether I’m in love with the actor or the character he played. The way he delivered his sometimes cheesy and corny lines with such a straight yet sincere face, the way he displayed his love in such an unassuming and matter-of-fact outright manner, and exhibited his pain without bawling all demonstrated an outstanding actor working his magic on the character.

There was no surprise from KJE’s performance. On the comic front, she fitted the role of the lively TY to the tee. Her expressions, although mostly exaggerated, were funny and she was not afraid
to provide the required comic relief at the expense of looking ugly. My only complaint is how overdone her face is with plastic surgery. You can see her chin folding up and her eyes collapsing. I though it was ironic in one scene in the toilet where TY passed a comment about YA’s surgery, when in facet, KJE is definitely the one with more work done on hers. And because of this reason, I felt that KJE lacked that simplicity that the character TY needed.

I have never seen LDG’s performance prior to “Lovers in Paris”, but I have to say he really looked cool despite playing second fiddle in this kdrama and held his presence against the charismatic PSY. His slender and lanky frame, coupled with this scruffy look, contrasted nicely with the clean-cut and serious HKJ. On the surface, SH had this free spirit and drifter image. But deep within him, he desperately yearned for acceptance in the family. On one hand he depended on KJ, yet on the other hand he wished to break away
from KJ’s shadow. LDG was charming as the ladies' man and he showed
sufficient devastation as the wounded SH who felt abandoned by his beloved uncle (because of TY) and ignored by his mother (because he was a product from Ki Hye’s unhappy marriage to his father). I felt that the writers did a terrible job with SH, and LDG really saved the character with his performance. On one hand, he loved his uncle dearly, yet he was immature enough to blame KJ for all his unhappiness and turned against him over a girl who had never showed any interest in him! The transformation they made SH go through was really far-fetched. And I can’t figure out whether SH was trying to win his uncle back from TY, or TY back from KJ?

The villainess(es) in this kdrama came in the form of Moon Yoon-ah and her mother, who would stop at nothing to win HKJ as the trophy husband/son-in-law (I think Mrs Moon could compete with KJE for the most overdone plastic surgery award). OJE’s performance can be summed up with one word: flat. Yet again, I partly blame the writers for it. She blindly followed her parents’ arrangement to marry HKJ. And she tried all means to break KJ and TY up despite being told off and put down by KJ repeatedly not to waste her time on him. If she were the spoilt rich girl that she was crafted to be, how could she put up with such treatment? OJE also had limited expressions in her
performance, displaying the same look every time she appeared.

And Mrs Moon, with her mould-like face, cement-thick foundation and high-pitched voice... where did SBS find such a hideous-looking woman with a face to match her detestable character?

Beside PSY and KJE, I really like the character of Baek Sung Kyung, HKJ's ex-wife. She was the only character, besides HKJ and KTY that felt remotely normal. She loved KJ, but she divorced him because he was incapable of giving her the love she wante, although she must be dying inside seeing his affection for TY transforming him into the man she had always wanted when they were married. Kim Suh Young was sophisticated as the competent BSK with a mind of her own. KSY was able to display the confidence of a woman in her position. But I felt she was a little deficient in displaying her vulnerabilities
when she witnessed the blossoming romance between KJ and TY.

This kdrama can’t do without me dedicating a paragraph to talk about the wardrobe. PSY had some fancy suits in this kdrama. I read from the forums that a lot of the suits and ties were tailor-made just for his HKJ role. I much preferred his wardrobe in
Paris, as his subsequent suits had some strange color combinations. I love TY's extra small jackets and soft scarf-like belts. They looked really cute on KJE, but again, I felt she looked a little too old and sophisticated to dress that way. Actually her outfits after she got engaged to KJ fitted her better. My favourite was SH's wardrobe. In the T-shirt and torn jeans ensemble topped with tuxedo jackets, he truly looked like a rock star. And when he shaved to transform into the white-collared designer in GD motors, they had the tall slender actor decked out in unconventional suits with thin-looking monotone ties. It gave SH a tad more of a working look without taking away the artistic aura of the character. Noticed that KJ's ties were usually large knotted colorful ones, which was a distinct contrast to SH's work attire. Outstanding job! (See what I meant by packaging)


My Favourites
===========
Every scene of HKJ and KTY
· TY eating KJ’s birthday cake in Paris
· TY chattering non-stop about movies
· KJ staring at TY’s elated expressions as she watched the performances in Moulin Rouge
· KJ pretending to be TY’s boyfriend at the café after she spilled a drink on a GD employee’s girlfriend
· KJ pretending to be TY’s boyfriend at the bar in front of YA
· TY taking KJ to GD Motors to try to retrieve her father’s camera
· TY working overtime on a bad-hair morning avoiding KJ, and KJ
subsequently buying TY cosmetics to freshen up
· TY telling KJ that she couldn't swim and them plunging into the pool
· KJ staying over at TY's after he ran away from his engagement party
· The date where KJ bought the HUGE piggy bank
· Their first kiss after KJ punched his competitor
· KJ serenading TY
· The bus incident and the proposal
· Picking an outfit for their engagement etc
· KJ during business discussions, I love his arrogance!
· KJ’s relationship with his sister, so close and intimate
· SH, TY and KJ going to a Korean sauna
· KJ at SH’s bed after SH’s accident
· The farewell at the airport
· TY’s young cousin

Don't understand
===========
- Why did SH love TY so much and why did he have such a drastic change, AND THEN turn back and decide to let go ???
- Why did Yoon Ah hang on to KJ, and then why did she let go?
- Why did Director Choi set everything up and then let go?
- If Director Choi was the right hand man of the president, why didn't he let KH marry him when she was pregnant with KJ?
- Where was the chairman when KJ had to answer to the board about the plummeting share price of GD Motors?

I hated
=====
· The way SH hurt himself physically when he was sad
· All scenes with YA and/or her mother
· TY’s uncle’s hairstyle

Many people complained about the ending of this kdrama. I personally
thought it was ok, may be a little abrupt and perhaps a feeble attempt by the writers to add some depth/twist to something that was rather commercial all the way. They should have just given the audience what they wanted and not tried to be too smart.

Despite the poorly-structured story and the unbalanced efforts put into building the characters in this kdrama, the outstanding and overpowering chemistry and performances of PSY and KJE override ANY reason NOT to catch this kdrama. The rating for this story would have been a 3 were it not for this couple. Don’t try to think too much or read too much into the kdrama, rather catch this for an entertaining good time! It will not disappoint.

review by : spcnet.tv
 

 

Romance in Paris ("Pari-ui yeonin"). 20 episodes. Written by Kim Eun-sook and Kang Eun-jung. Produced by Shim Woo-chul and Son Jung-hyun. Starring Kim Jung-eun, Park Shin-yang, Lee Dong-gun, Oh Joo-eun, Kim Seo-hyung, Jung Ae-ri, Kim Sung-won, Park Young-ji, Jo Eun-ji. Aired on SBS in Korea from June 12 - August 15, 2004 on Saturday and Sunday nights at 9:55pm
 

Romance in Paris (2004, SBS drama special)

I had yet to watch another 2004 Korea drama production since Stairway to Heaven. For a while, I felt that the genre of Korean dramas had come to be stereotyped and typecast as sappy, romantic, authoritative dramas with each plot made up of repetitive, parallel and analogous storylines.

As I decided to choose a drama production to watch again, I was quite apprehensive on the choice of a drama. But after hearing positive reviews of Romance in Paris and the high ratings that it garnered, I was rather curious about this drama, and wondered if it would be as excellent a drama as others had described it to be.

Romance in Paris is addictive. With its first three episodes showing the landscape of Paris, it is no wonder why the audience would be beheld by the picturesque scenery of the city of Amour. The Eiffel Tower, Seine River and other sights and sounds of Paris are captivating in the opening scenes of this drama. However, this is not the only captivating factor. The drama itself is also alluring and draws viewers in with each subsequent episode.

This is a Cinderella story. Although there is no real prince living in palace with a line of maids and a butler, the male protagonist here could be said to be a reincarnation of one. Suave, rich, smart, he is everything that you could ask for in a guy. Our Cinderella is, as the name suggests, a poor, optimistic, beautiful lady with an enchanting smile that could melt almost any guy.

The actors in this show are excellent. It seems like the roles were tailored just for them. Our prince is Park Shin-yang, who is better known for his movies like A Promise and The Letter, both of which were hits in the 1990s, rather than drama roles. An outstanding actor, he gave an excellent rendition of the role, Han Ki-joo, who is the GM of a multi-national coporation dealing with cars. Initially, after viewing the first two episodes, his acting seemed a little stiff. In fact, I was wondering why the PD chose someone who cannot act to take upon the lead role. But as subsequent episodes were unveiled, I was really impressed with his performance.

Kim Jung-eun, best known for the movie Marrying the Mafia, is the hard-broke girl Kang Tae-young, who is constantly being fired in her part time jobs. Although she had never taken on the leading role in a drama production, Kim shows her own charisma and proved that she also is worthy of becoming an A-list actress. She is the one who provides the soul for the drama with her forgetful character and cutsey performance.

Of course, we should not forget another actor, Lee Dong-gun, who acts as Yoon Su-hyuk, who together with Park Shin-yang is head over heels for Kang Tae-young. It was amazing to see how much Lee Dong-gun has matured in his acting skills. When I first saw him in Ad Madness in 1999, he was still an aspiring singer acting in minor roles in small productions. But his depth in portraying Su-hyuk's inner emotions was overwhelming. At 24, he is definitely an excellent actor to look out for. In fact, after watching his performance in Romance in Paris, I had the urge to view his earlier works such as Sweet 18.

A Cinderella story, but is it a Cinderella ending? If there is one flaw in the drama, it is definitely the ending. After watching the ending, questions marks were flying in my head. It was simply incomprehensible. In fact, I had to re-watch the last episode again to try to understand the ending. But sad to say, another attempt to do that would be futile. My guess would be that the PD would want the audience to comprehend it at their own discretion.

Nice story, nice scenery, great soundtrack, great cast but bad ending. But if you are contemplating which Korean drama to watch, I would still highly recommend this one.      (Review by Kit Lim)

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