LAFAYETTE

Dramatis Personae (partial)

Michel LeRoyer - Lafayette
Howard St. John - George Washington
Jack Hawkins - Gen. Cornwallis
Wolfgang Preiss - Baron Kalb
Pascale Audret - Adrienne Lafayette
Orson Welles - Ben Franklin
Vittorio De Sica - Bancroft
Liselotte [Lilo] Pulver - Marie Antoinette
Albert Remy - Louis XVI
Renée Saint-Cyr - Duchesse d'Ayen


Writers
Jean Dréville(Director) * Jean-Bernard Luc * * Jacques Sigurd * * *


Sir Harrison Alfred Andrews is the military advisor to the Society and has extensively written on the subject.

Sir Harry says that becoming an American is simpler than joining the most uncivilised tribe. With the latter you need to learn complex rituals and ettiquette; with the fomer all you need do is act like a boor and behave like a lout.

Lafayette (1963) - Italy / France - (French/English dubbed in)

When the restored Bourbon monarch Juan Carlos of Spain made his first state visit to New York in 1975, city officials offered him the many splendors of the city. His response was a request to visit a monument to the American Revolution in a teeming Brooklyn slum. Startled city fathers were caught unaware of the monument or Spain's role in paying for it or even Spain's participation in the American Revolution.

During the American War, Britain waged war not only against the North American Rebels but eventually against Holland and Spain and France.

Thus it is of no surprise that other countries might produce cinematic literature on the subject. I am unaware of any Holland Dutch or Spanish films dealing with the war. The French however did produce the movie Lafayette, which if not a theatrical masterpiece is well done.

The movie opens in the French court under the ancienne regime.

News of the American Rebellion has tickled the French court, anxious for a little revenge against their old enemy Britain. But as the American Rebels have suffered devastating defeats on the battlefield, the court is unwilling to risk another war against Europe's burgeoning super-power.

Notwithstanding news of horrific American defeats, the American representative at the court, Benjamin Franklin (Orson Wells) touts the Declaration of Independence as something of more significance than the grim results of battle.

At the moment Dr Franklin makes an impression only on the 19 year old Marquis de Lafayette, (Michael LeRoyer) who in the French language version is a young pacifist. Dr Franklin persuades the young Lafayette to takes up the cause.

The film plays with the truth parhaps for the benefit of a war weary French public. The real life Marie-Joseph-Paul-Yves-Roch-Gilbert du Motier, the Marquis de Lafayette, was anything but a pacificist. The offspring of one of the oldest noble families of France, Lafayette was already at 19 a Captain in the celebrated King's musketeers and burning with rage at Britain for the death of his father in the battle of Minden during the previous phase of Britain's 500 year war with France. Lafayette openly spoke of his bitterness.

The movie returns to the truth when it shows the complicity of the American representatives in Lafayette's secretive departure with General De Kalb aboard LA VICTORIE, all contrary to the orders of the French King.

At Philadelphia, Lafayette's presentation of his credentials to Congress raised an uproar. The movie accurately shows the mood in which Congress nearly rejected the three finest officers who ever served the American Army: the heroic DeKalb killed in hand-to-hand combat at Camden, the drillmaster Stuben (von Steuben) and the resourceful Lafayette.

Stung with disappointment, the witty Lafayette wrote Congress with an offer to serve at his own expense and without a command.

To true cynics, the Congress of the movie Lafayette is a nest of wardheelers, swaying in the breeze cheering for one thing one minute and then just the opposite. However while the two scenes in Congress are appropriately humourous, the extras used in assembling this Congress had a distinctive, dignified European bearing. The filmmakers might have used American extras for these scenes or lacking real Americans scraped some beggars and tramps out of any English slum to capture that signature American lack of taste.

Congress relented and Lafayette and the others received their commissions. But time for command would come. Reporting in at the Battle of Brandywine, Lafayette organized soldiers milling around (Cluster F---ing apparently has ancient roots) into a rear guard to break a British onslaught. The action caught Washington's attention. The limitations imposed by Congress on Lafayette's commission were ignored. Lafayette served with distinction at Monmouth, one of Washington's near misses in facing the British in open European combat and decisively defeating them.

The Brandywine-Germantown campaign was fateful. Though the Americans lost both battles and the capitol of Philadelphia as well, their quick recovery from both defeats persuaded the French military that a new war with Britain could be won.

Popular sentiment supporting renewed hostility with Britain stemmed from well-spread reports of Lafayette's heroism. The importance of Lafayette's family in the old chivalric order certainly were a clinching factor.

Fullosia Press Index  : Sir Harry
Sir Harrison Alfred Andrews describes himself as a Briton gone native in a wild, primitive, exotic and dangerous country called the US. Elected Commandant of the RPPS Military Sciences Division, Sir Harry assists in maintaining the RPPS Cultural Service as he says "if it amuses you people to call yourself a culture." His writings often appear in Fullosia Press. (http://rpps_fullosia_press.tripod.com).     


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The movie correctly shows Lafayette's triumphal return to France now an ally in America's War with Britain. After receiving a nominal punishment for violating the King's declaration of neutrality, Lafayette was promoted mestre de camp (colonel).

Back in America, Lafayette was dispatched to Virginia with an elite unit to face the traitor Arnold and marauding Cornwallis. A cat and mouse game ensued culminated in the battle of Yorktown where Lafayette's attack forced British surrender.

The movie ends with the surrender at Yorktown, but records the surrender incorrectly. This is surprising. Yorktown won American independence, but was one of France's few moments of glory in its long wars with Britain.

In the movie the British properly surrender to General Washington who takes their sword and sheaths it.

In actuality the British sent out the Irish General O'Hara who attempted to surrender to the French. The French refused the surrender as did Washington who in turn dismissed General O'Hara and insisted upon a surrender to a subordinate.

The total humiliation of the British would seem to exaggerate the extent of the French victory.

There the movie ends, but the War and Lafayette's life continued.

Later Life: The Revolution Reaches France

The "American Marquis," now "the friend of Washington" and "the hero of two worlds" was all of 24 years old when legislatures voted him US citizenship by acclamation in New York, Maryland and Virginia. Upon his homecoming in 1782, Lafayette was promoted to the rank of marechal-de-camp (major general) in the French Army by Louis XVI in preparation for an expedition to conquer Canada. Admiral Rodney's offencive in 1782 the Carribean destroyed the French fleet and effectively cancelled that invasion.

Yet despite its losses in the war, France gladly took credit for victory over its ancient enemy. Lafayette became a national icon, adored by the court and acclaimed by the public. Lafayette would remain content with indolent adulation only so long. The storm clouds of Revolution were reaching France.

The author of the French Declaration of the Rights of Man which follows Thomas Jefferson's Declaration of the Rights and Privileges of The Inhabitants of Virginia, Lafayette rose to command the new National Guard sworn to uphold the nation, the law and the King. Lafayette would advocate a new distinctly French form of government, a limited monarchy like England's with a written constitution like America's.

Like many who would follow Lafayette in attempting to construct the middle course between England and America throughout France's subsequent history of two wobbly monarchies, two aggrandizing, self- destructive empires and five shaky republics, Lafayette would suffer disappointment, exile and imprisonment.

The monarchy fell and a republic proclaimed. Declared an enemy of the state by the French republic in its feverous blood rage, Lafayette fled the country on his way he hoped to an exile in friendly America. Captured by the Austrian, Lafayette was imprisoned as a dangerous radical.

His imprisonment is commemorated in the Byron Poem Prisoner of Chillon:

My hair is grey, but not with years,
Nor grew it white
In a single night,
As men's have grown from sudden fears:
My limbs are bow'd, though not with toil,
But rusted with a vile repose,
For they have been a dungeon's spoil,
And mine has been the fate of those
To whom the goodly earth and air
Are bann'd, and barr'd--forbidden fare;

Finally relenting to pressure perhaps from the British, the Austrians yielded up Lafayette to the America counsel, as an American citizen.

Refusing the honors and patronage of the Napoleanic Empire Lafayette took up the life of a farmer. Upon his return to the United States in 1824, Lafayette was greeted by unbounded enthusiasm.

At age 70 Lafayette served briefly as an interim President of France, but handed over to an Orleanist restoration in the person of France's last King Louis Phillippe, an unassuming man who preferred the simple cloth of the merchant class rather than robes of state.

At Lafayette's death in 1834, the U.S. Liberty Bell gave a muffled toll. He is buried in Paris in American soil taken from Bunker Hill. His prestige in Europe was so great that even under German occupation, the thiteen starred flag was raised by a honor guard without fail every day.

It might be months, or years, or days--
I kept no count, I took no note--
I had no hope my eyes to raise,
And clear them of their dreary mote;
At last men came to set me free;
I ask'd not why, and reck'd not where;
- - Lord Byron


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