First published in 25 Poems (1936)
I
I, in my intricate image, stride on two levels,
Forged in man's minerals, the brassy orator
Lying my ghost in metal,
The scales of this twin world tread on the double,
My half ghost in armour hold hard in death's corridor,
To my man-iron sidle.
Beginning with doom in the bulb, the spring unravels,
Bright as here spinning-wheels, the colic season
Worked on a world of petals;
She threads off the sap and needls, blood and bubble
Casts to the pine roots, raising man like a mountain
Out of the naked entrail.
Beginning with doom in the ghost, and the pringing marvels,
Image of images, my metal phantom
Forcing forth through the harebell,
My man of leaves and the bronze root, mortal, unmortal,
I, in my fusion of rose and male motion,
Create this twin miracle.
This is the fortune of manhood: the natural peril,
A steeplejack tower, bonerailed and masterless,
No death more natural;
Thus the shadowless man or ox, and the pictured devil,
In seizure of silence commit the dead nuisance:
The natural parallel
My images stalk the trees and the slant sap's tunnel,
No tread more perilous, the green steps and spire
Mount on man's footfall,
I with the wooden insect in the tree of nettles,
In glass bed of grapes with snail and flower,
Hearing the weather fall.
Intricate manhood of ending, the invalid rivals,
Voyaging clockwise off the symboled harbour,
Finding the water final,
On the consumptives' terrace taking their two farewells,
Sail on the level, the departing adventure,
To the sea-blown arrival.
II
They climb the country pinnacle,
Twelve winds encounter by the white host at pasture,
Corner the mounted meadows in the hill corral;
They see the squirrel stumble,
The haring snail go giddily round the flower,
A quarrle of weathers and trees in the windy spiral.
As they dive, the dust settles,
The cadaverous gravels, falls thick and steadily,
The highroad of water where the seabear and mackerel
Turn the long sea arterial
Turning a petrol face blind to the enemy
Turning the riderless dead by the channel wall.
(Death instrumental,
Splitting the long eye open, and the spiral turnkey,
Your corkscrew grave centred in navel and nipple,
The neck of the nostril,
Under the mask and the ether, they making bloody
The tray of knives, the antiseptic funeral;
Bring out the black patrol,
Your monstrous officers and the decaying army,
The sexton sentinel, garrisoned under thistles,
A cock-on-a-dunhill
Crowing to Lazarus the morning is vanity,
Dust be your saviour under the conjured soil.)
As they drown, the chime travels,
Sweetly the diver's bell in the steeple of spindrift
Rings out the Dead Sea scale;
And, clapped in water till the triton dangles,
Strung by the flaxen whale-weed, from the hangman's raft,
Hear they the salt glass breakers and the tongues of burial.
(Turn the sea-spindle lateral,
The grooved land rotating that the stylus of lightening
Dazzle this face of voices on the moon-turned table,
Let the wax disk babble
Shames and the damp dishonours, the relic scraping.
These are your years' recpoders. The circular world stands still.)
III
They suffer the undead water where the turtle nibbles,
Come unto sea-stuck towers, at the fibre scaling,
The flight of the carnal skull
And the cell-stepped thimble;
Suffer , my topsy-turvies, that a double angel
Sprout from the stony lockers like a tree on Aran.
Be by your one ghost pierced, his pointed ferrule,
Brass and the bodiless image, on a stick of folly
Star-set at Jacob's angle,
Smoke hill and hophead's valley,
And the five-fathomed Hamlet on his father's coral,
Thrusting the tom-thumb vision up the iron mile.
Suffer th slash of vision by the fin-green stubble,
Be by the ships' sea broken at the manstring anchored
The stoved bones' voyage downward
In the shipwreck of muscle;
Give over, lovers, locking and the seawax struggle,
Love like a mist or fire through the bed of eels.
And in the pincers of the boiling circle,
The sea and instrument, nicked in the locks of time,
My great blood's iron single
In the pouring town,
I, in a wind on fire, from green Adam's cradle,
No man more magical, clawed out the crocodile.
Man was the scales, the death birds on enamel,
Tail, Nile, and snout, a saddler of the rushes,
Time in the hourless houses
Shaking the sea-hatched skull,
And, as for oils and ointments on the flying grail,
All-hollowed man wept for his white apparel.
Man was Cadaver's masker, the harnessing mantle,
Windily master of man was the rotten fathom,
My ghost in his metal neptune
Forged in man's mineral.
This was the god of beginning in the intricate seawhirl,
And my images roared and rose on heaven's hill.
TOP
This bread I break was once the oat,
This wine upon a foreign tree
Plunged in its fruit;
Man in the day or wind at night
Laid the crops low, broke the grapes's joy.
Once in this wine the sumer blood
Knocked in the flesh that decked the vine,
Once in this bread
The oat was merry in the wind;
Man broke the sun, pulled the wind down.
This flesh you break, this blood you let
Make desolation in the vein,
Were oat and grape
Born of the sensual root and sap;
My wine you drink, my bread you snap.
TOP
Incarnate devil in a talking snake,
The central plains of Asia in his garden,
In shaping-time the circle stung awake,
In shapes of sin forked out the bearded apple,
And God walked there who was fiddling warden
And played down pardon from the heaven's hill.
When we were strangers to the guided seas,
A handmade moon half holy in a cloud,
The wisemen tell me that the garden gods
Twined good and evil on an eastern tree;
And when the moon rose windily it was
Black as the beast and paler than the cross.
We in our Eden knew the secret guardian
In sacred waters that no frost could harden,
And in the mighty mornings of the earth;
Hell in a horn of sulphur and the cloven myth,
All heaven in a midnight of the sun,
A serpent fiddled in the shaping-time.
TOP
To-day, this insect, and the world I breathe,
Now that my symbols have outelbowed space,
Time at the city spectacles, and half
The dear, daft time I take to nudge the sentence,
In trust and tale have I divided sense,
Slapped down the guillotine, the blood-red double
Of head and tail made witnesses to this
Murder of Eden and green genesis.
The insect certain is the plague of fables.
This story's monster has a serpent caul,
Blind in the coil scrams round the blazing outline,
Measures his own length on the garden wall
And breaks his shell in the last shocked beginning;
A crocodile before the chrysalis,
Before the fall from love the flying heartbone,
Winged like a sabbath ass this children's piece
Uncredited blows Jericho on Eden.
This insect fable is the certain promise.
Death: death of Hamlet and the nightmare madmen,
An air-drawn windmill on a wooden horse,
John's beast, Job's patience, and the fibs of vision,
Greek in the Irish sea the ageless voice:
'Adam I love, my madmen's love is endless,
No tell-tale lover has an end more certain,
All legends' sweethearts on a tree of stories,
My cross of tales behind the fabulous curtain.'
TOP
The seed-at-zero shall not storm
That town of ghosts, the trodden womb
With her rampart to his tapping,
No god-in-hero tumble down
Like a tower on the town
Dumbly and divinely stumbling
Over the manwaging line.
The seed-at-zero shall not storm
That town of ghosts, the manwaged womb
With her rampart to his tapping,
No god-in-hero tumble down
Like a tower on the town
Dumbly and divinely leaping
Over the warbearing line.
Through the rampart of the sky
Shall the star-flanked seed be riddled,
Manna for the rumbling ground,
Quickening for the riddled sea;
Settled on a virgin stronghold
He shall grapple with the guard
And the keeper of the key.
Through the rampart of the sky
Shall the star-flanked seed be riddled,
Manna for the guarded ground,
Quickening for the virgin sea;
Settling on a riddled stronghold
He shall grapple with the guard
And the loser of the key.
May a humbling village labour
And continent deny?
A hemisphere may scold him
And a green inch be his bearer;
Let the hero seed find harbour,
Seaports by a drunken shore
Have their thirsty sailors hide him.
May a humble planet labour
And a continent deny?
A village green may scold him
And a high sphere be his bearer;
Let the hero seed find harbour,
Seaports by a thirsty shore
Have their drunken sailors hide him.
Man-in-seed, in seed-at-zero,
From the foreign fields of space,
Shall not thunder on the town
With a star-flanked garrison,
Nor the cannons of his kingdom
Shall the hero-in-tomorrow
Range on the sky-scraping place.
Man-in-seed, in seed-at-zero,
From the star-flanked fields of space,
Thunders on the foreign town
With a sand-bagged garrison,
Nor the cannons of his kingdom
Shall the hero-in-to-morrow
Range from the grave-groping place.
TOP
Shall gods be said to thump the clouds
When clouds are cursed by thunder,
Be said to weep when weather howls?
Shall rainbows be their tunic's colour?
When it is rain where are the gods?
Shall it be said they sprinkle water
From garden cans, or free the floods?
Shall it be said that, venuswise,
An old god's dugs are pressed and pricked,
The wet night scolds me like a nurse?
It shall be said that gods are stone.
Shall a dropped stone drum on the ground,
Flung gravel chime? Let the stones speak
With tongues that talk all tongues.
TOP
Here in this spring, stars float along the void;
Here in this ornamental winter
Down pelts the naked weather;
This summer buries a spring bird.
Symbols are selected from the years'
Slow rounding of four seasons' coasts,
In autumn teach three seasons' fires
And four birds' notes.
I should tell summer from the trees, the worms
Tell, if at all, the winter's storms
Or the funeral of the sun;
I should learn spring by the cuckooing,
And the slug should teach me destruction.
A worm tells summer better than the clock,
The slug's a living calendar of days;
What shall it tell me if a timeless insect
Says the world wears away?
TOP
Do you not father me, nor the erected arm
For my tall tower's sake cast in here stone?
Do you not mother me, no, as I am,
The lovers' house, lie suffering my stain?
Do you not sister me, nor the erected crime
For my tall turrets carry as your sin?
Do you not brother me, nor, as you climb,
Adore my windows for their summer scene?
Am I not father, too, and the ascending boy,
The boy of woman and the wanton starer
Marking the flesh and summer in the bay?
Am I not sister, too, who is my saviour?
AM I not all of you by the directed sea
Where bird and shell are babbling in my tower?
Am I not you who front the tidy shore,
Nor roof of sand, nor yet the towering tiler?
You are all these, said she who gave my the long suck,
All these, he said who sacked the children's town,
Up rose the Abraham-man, mad for my sake,
THey said, who hacked and humoured, they were mine.
I am, the tower told, felled by a timeless stroke,
WHoe razed my wooden folly stands aghast,
For man-begetters in the dryp-as-paste,
The ringed-sea ghost, rise grimly from the wrack.
Do you not father me on the destroying sand?
You are your sisters' sire, said seaweedy,
The salt sucked dam nad darlings of the land
Who play the proper genlteman and lady.
Shall I still be love's house on the widdershin earth,
Woe to the windy masons at my shelter?
Love's house, they answer, and the tower death
Lie all unkowing of the grave sin-eater.
TOP
Out of the sighs a little comes,
But not of frief, for I have knocked down that
Before the agony; the spirit grows,
Forgets, and cries;
A little comes, is tasted and found good;
All could not disappoint;
There must, be praised, some certainty,
If not of loving well, then not,
And that is true after perpetual defeat.
After such fighting as the weakest know,
There's more than dying;
Lose the great pains or stuff the wound,
He'll ache too long
Through no regret of leaving woman waiting
For her soldier stained with spilt words
That spill such acrid blood.
Were that enough, enough to ease the pain,
Feeling regret when this is wasted
That made me happy in the sun,
How much was happy while it lasted,
Were vagueness enough and the sweet lies plenty,
The hollow words could bear all suffering
And cure me of ills.
Were that enough, bone, blood, and sinew,
The twisted brain, the fair-formed loin,
Groping for matter under the dog's plate,
Man should be cured of distember.
For all there is to give I offer:
Crumbs, barn, and halter.
TOP
Hold hard, these ancient minutes in the cuckoo's month,
Under the lank, fourth folly on Glamorgan's hill,
As the green blooms ride upward, to the drive of time;
Time, in a folly's rider, like a county man
Over the vault of ridings with his hound at heel,
Drives forth my men, my children, from the hanging south.
Country, your sport is summer, and December's pools
By crane and water-tower by the seedy trees
Lie this fifth month unstaked, and the birds have flown;
Holy hard, my country children in the world if tales,
The greenwood dying as the deer fall in their tracks,
The first and steepled season, to the summer's game.
And now the horns of England, in the sound of shape,
Summon your snowy horsemen, and the four-stringed hill,
Over the sea-gut loudening, sets a rock alive;
Hurdles and guns and railings, as the boulders heave,
Crack like a spring in vice, bone breaking April,
Spill the lank folly's hunter and the hard-held hope.
Down fall four padding weathers on the scarlet lands,
Stalking my children's faces with a tail of blood,
Time, in a rider rising, from the harnessed valley;
Hold hard, my country darlings, for a hawk descends,
Golden Glamorgan straightens, to the falling birds.
Your sport is summer as the spring runs angrily.
TOP
Was there a time when dancers with their fiddles
In children's circuses could stay their troubles?
There was a time they could cry over books,
But time has set its maggot on their track.
Under the arc of the sky they are unsafe.
What's ne7ver known is safest in this life.
Under the skysigns they who have no arms
Have cleanest hands, and, as the heartless ghost
Alone's unhurt, so the blind man sees best.
TOP
Now
Say nay,
Man dry man,
Dry lover mine
The deadrock base and blow the flowered anchor,
Should he, for centre sake, hop in the dust,
Forsake, the fool, the hardiness of anger.
Now
Say nay,
Sir no say,
Death to the yes,
The yes to death, the yesman and the answer,
Should he who split his children with a cure
Have brotherless his sister on the handsaw.
Now
Say nay,
No say sir
Yea the dead stir,
And this, nor this, is shade, the landed crow,
He lying low with ruin in his ear,
The cockerel's tide upcasting from the fire.
Now
Say nay,
So star fall,
So the ball fail,
So solve the mystic sun, the wife of light,
The sun that leaps on petals through a nought,
The come-a-cropper rider of the flower.
Now
Say nay
A fig for
The seal of fire,
Death hairy-heeled and the tapped ghost in wood,
We make me mystic as the arm of air,
The two-a-vein, the foreskin, and the cloud.
TOP
Why east wind chills and south wind cools
Shall not be known till windwell dries
And west's no longer drowned
In winds that bring the fruit and rind
Of many a hundred falls;
Why silk is soft and the stone wounds
The child shall question all his days,
Why night-time rain and the breats's blood
Both quench his thirst he'll have a black reply.
When cometh Jack Frost? the children ask.
Shall they clasp a comet in their fists?
Not till, from high and low, their dust
Sprinkles in children's eyes a long-last sleep
And dusk is crowded with the children's ghosts,
Shall a white answer echo from rooftops.
All things are known: the star's advice
Calls some content to travle with the winds,
Though what the stars ask as they round
Time upon time the towers of the skies
Is heard but little till the stars go out.
I hear content, and 'Be content'
Ring like a handbell through the corridors,
And 'Know no answer,' and I know
No answer to the children's cry
Of echo's answer and the man of frost
And ghostly comets over the raised fists.
TOP
A grief ago,
She who was who I hold, the fats and flower,
Or, water-lammed, from the scythe-sided thorn,
Hell wind and sea,
A stem cementing, wrestled up the tower,
Rose maid and male,
Or, masted venus, through the paddler's bowl
Sailed up the sun;
Who is my grief,
A chrysalis unwrinkling on the iron,
Wrenched by my fingerman, the leaden bud
Shot through the leaf,
Was who was folded on the rod the aaron
Rose cast to plague,
The horn and ball of water on the frog
Housed in the side.
And she who lies,
Like exodus a chapter from the garden,
Brand of the lily's anger on her ring,
Tugged through the days
Her ropes of heritage, the wars of pardon,
On field and sand
The twelve triangles of the cherub wind
Engraving going.
Who then is she,
She holding me? The people's sea drivves on her,
Drives out the father from the caesared camp;
The dens of shape
Shape all her whelps with the long voice of water,
That she I have,
The country-handed grave boxed into love,
Rise before dark.
The night is near,
A nitric shipe that leaps her, time and acid;
I tell her this: before the suncock cast
Her bone to fire,
Let her inhale her dead, through seed and solid
Draw in their seas,
So cross her hand with their grave gipsy eyes,
And close her fist.
TOP
How soon the servant sun,
(Sir morrow mark),
Can time unriddle, and the cupboard stone,
(Fog has a bone
He'll trumpet into meat),
Unshelve that all my gristles have a gown
And the naked egg stand straight,
Sir morrow at his sponge,
(The wound records),
The nurse of giants by the cut sea basin,
(Fog by his spring
Soakes up the sewing tides),
Tells you and you, my masters, as his strange
Man morrow blows through food.
All nerves to serve the sun,
The rite of light,
A claw I question from the mouse's bone,
The long-tailed stone
Trap I with coil and sheet,
Let the soil squeal I am the biting man
And the velvet dread inch out.
How soon my level, lord,
(Sir morrow stamps
Two heels of water on the floor of seed),
Shall raise a lamp
Or spirit up a cloud,
Erect a walking centre in the shroud,
Invisible on the stump
A leg as long as trees,
This inward sir,
Mister and master, darkness for his eyes,
The womb-eyed, cries,
And all sweet hel, deaf as an hour's ear,
Blasts back the trumpet voice.
TOP
Ears in the turrets hear
Hands grumble on the door,
Eyes in the gables see
The fingers at the locks.
Shall I unbolt or stay
Alone till the day I die
Unseen by stranger-eyes
In this white house?
Hands, hold you poison or grapes?
Beyond this island bound
By a thin sea of flesh
And a bone coast,
The land lies out of sound
And the hills out of mind.
No birds or flying fish
Disturbs this island’s rest.
Ears in this island hear
The wind pass like a fire,
Eyes in this island see
Ships anchor off the bay.
Shall I run to the ships
With the wind in my hair,
Or stay till the day I die
And welcome no sailor?
Ships, hold you poison or grapes?
Hands grumble on the door,
Ships anchor off the bay,
Rain beats the sand and slates.
Shall I let in the stranger,
Shall I welcome the sailor,
Or stay till the day I die?
Hands of the stranger and holds of the ships,
Hold you poison or grapes?
TOP
Foster the light nor veil the manshaped moon,
Nor weather winds that blow not down the bone,
But strips the twelve-winded marrow from his circle;
Master the night nor serve the snowman's brain
That shapes each bushy item of the air
Into a polestar pointed on an icicle.
Murmur of spring nor crush the cockerel's eggs,
Nor hammer back a season in the figs,
But graft these four-fruited riding on your country;
Farmer in time of frost the burning leagues,
By red-eyed orchards sow the seeds of snow,
In your young years the vegetable century.
And father all nor fail the fly-lord's acre,
Nor sprout on owl-seed like a goblin-sucker,
But rail with your wizard's ribs the heart-shaped planet;
Of mortal voices to the ninnies' choir,
High lord esquire, speak up the singing cluod,
And pluck a mandrake music from the marrowroot.
Roll unmanly over this turning tuft,
O ring of seas, nor sorrow as I shift
From all my mortal lovers with a starboard smile;
Nor when my love lies in the cross-boned drift
Naked among the bow-and-arrow birds
Shall you turn cockwise on a tufted axle.
Hands grumble on the door,
Ships anchor off the bay,
Rain beats the sand and slates.
Shall I let in the stranger,
Shall I welcome the sailor,
Or stay till the day I die?
Hands of the stranger and holds of the ships,
Hold you poison or grapes?
TOP
The hand that signed the paper felled a city;
Five sovereign fingers taxed the breath,
Doubled the globe of dead and halved a country;
These five kings did a king to death.
The mighty hand leads to a sloping shoulder,
The finger joints are cramped with chalk;
A goose's quill has put an end to murder
That put an end to talk.
The hand that signed the treaty bred a fever,
And famine grew, and locusts came;
Great is the hand the holds dominion over
Man by a scribbled name.
The five kings count the dead but do not soften
The crusted wound nor pat the brow;
A hand rules pity as a hand rules heaven;
Hands have no tears to flow.
TOP
Should lanterns shine, the holy face,
Caught in an octagon of unaccustomed light,
Would wither up, and any boy of love
Look twice before he fell from grace.
The features in their private dark
Are formed of flesh, but let the false day come
And from her lips the faded pigments fall,
The mummy cloths expose an ancient breast.
I have been told to reason by the heart,
But heart, like head, leads helplessly;
I have been told to reason by the pulse,
And, when it quickens, alter the actions' pace
Till field and roof lie level and the same
So fast I move defying time, the quiet gentleman
Whose beard wags in Egyptian wind.
I have heard many years of telling,
And many years should see some change.
The ball I threw while playing in the park
Has not yet reached the ground.
TOP
I have longed to move away
From the hissing of the spent lie
And the old terrors' continual cry
Growing more terrible as the day
Goes over the hill into the deep sea'
I have longed to move away
From the repetition of salutes,
From there are ghosts in the air
And ghostly echoes on paper,
And the thunder of calls and notes.
I have longed to move away but am afraid;
Some life, yet unspent, might explode
Out of the old lie burning on the ground,
And, crackling into the air, leave me half-blind.
Neither by night's ancient fear,
The parting of hat from hair,
Pursed lips at the receiver,
Shall I fall to death's feather.
By these I would not care to die,
Half convention and half lie.
TOP
'Find meat on bones that soon have none,
And drink in the two milked crags,
The merriest marrow and the dregs
Before the ladies' breasts are hags
And the limbs are torn.
Disturb no winding-sheets, my son,
But when the ladies are cold as stone
Then hang a ram rose over the rags.
'Rebel against the blinding moon
And the parliament of sky,
The kingcrafts of the wicked sea,
Autocracy of night and day,
Dictatorship of sun.
Revel against the flesh and bone,
The word of the blood, the wily skin,
And the maggot no man can slay.'
'The thirst is quenched, the hunger gone,
And my heart is cracked across;
My face is haggard in the glass,
My lips are withered with a kiss,
My breasts are thin.
A merry girl took me for man,
I laid her down and told her sin,
And put beside her a ram rose.
'The maggot that no man can kill
And the man no rope can hang
Rebel against my father's dream
That out of a bower of red swine
Howls the foul fiend to heel.
I cannot murder, like a fool,
Season and sunshine, grace and girl,
Nor can I smother the sweet waking.'
Black night still ministers the moon,
And the sky lays down her laws,
The sea speaks in a kingly voice,
Light and dark are no enemies
But one companion.
'War on the spider and the wren!
War on the destiny of man!
Doom on the sun!'
Before death takes you, O take back this.
TOP
Grief thief of time crawls off,
The moon-drawn grave, with the seafaring years,
The knave of pain steals off
The sea-halved faith that blew time to his knees,
The old forget the cries,
Lean time on tide and times the wind stood rough,
Call back the castaways
Riding the sea light on a sunken path,
The old forget the grief,
Hack of the cough, the hanging albatross,
Cast back the bone of youth
And salt-eyed stumble bedward where she lies
Who tossed the high tide in a time of stories
And timelessly lies loving with the thief
Now Jack my fathers let the time-faced crook,
Death flashing from his sleeve,
With swag of bubbles in a seedy sack
Sneak down the stallion grave,
Bull's-eye the outlaw through a eunich crack
And free the twin-boxed grief,
No silver whistles chase him down the weeks'
Dayed peaks to day to death,
These stolen bubbles have the bites of snakes
And the undead eye-teeth,
No third eye probe into a rainbow's sex
That bridged the human halves,
All shall remain and on the graveward gulf
Shape with my fathers' thieves.
TOP
And death shall have no dominion.
Dead men naked they shall be one
With the man in the wind and the west moon;
When their bones are picked clean and the clean bones gone,
They shall have stars at elbow and foot;
Though they go mad they shall be sane,
Though they sink through the sea they shall rise again;
Though lovers be lost love shall not;
And death shall have no dominion.
And death shall have no dominion.
Under the windings of the sea
They lying long shall not die windily;
Twisting on racks when sinews give way,
Strapped to a wheel, yet they shall not break;
Faith in their hands shall snap in two,
And the unicorn evils run them through;
Split all ends up they shan't crack;
And death shall have no dominion.
And death shall have no dominion.
No more may gulls cry at their ears
Or waves break loud on the seashores;
Where blew a flower may a flower no more
Lift its head to the blows of the rain;
Though they be mad and dead as nails,
Heads of the characters hammer through daisies;
Break in the sun till the sun breaks down,
And death shall have no dominion.
TOP
Then was my neophyte,
Child in white blood bent on its knees
Under the bell of rocks,
Ducked in the twelve, disciple seas
The winder of the water-clocks
Calls a green day and night.
My sea hermaphrodite,
Snail of man in His ship of fires
That burn the bitten decks,
Knew all His horrible desires
The climber of the water sex
Calls the green rock of light.
Who in these labyrinths,
This tidethread and the lane of scales,
Twine in a moon-blown shell,
Escapes to the flat cities’ sails
Furled on the fishes’ house and hell,
Nor falls to His green myths?
Stretch the salt photographs,
The landscape grief, love in His oils
Mirror from man to whale
That the green child see like a grail
Through veil and fin and fire and coil
Time on the canvas paths.
He films my vanity.
Shot in the wind, by tilted arcs,
Over the water come
Children from homes and children’s parks
Who speak on a finger and thumb,
And the masked, headless boy.
His reels and mystery
The winder of the clockwise scene
Wound like a ball of lakes
Then threw on that tide-hoisted screen
Love’s image till my heartbone breaks
By a dramatic sea.
Who kills my history?
The year-hedged row is lame with flint,
Blunt scythe and water blade.
‘Who could snap off the shapeless print
From your to-morrow-treading shade
With oracle for eye?’
Time kills me terribly.
‘Time shall not murder you,’ He said,
‘Nor the green nought be hurt;
Who could hack out your unsucked heart,
O green and unborn and undead?’
I saw time murder me.
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I
Altarwise by owl-light in the half-way house
The gentleman lay graveward with his furies;
Abaddon in the hangnail cracked from Adam,
And, from his fork, a dog among the fairies,
The atlas-eater with a jaw for news,
Bit out the mandrake with to-morrows scream.
Then, penny-eyed, that gentlemen of wounds,
Old cock from nowheres and the heaven's egg,
With bones unbuttoned to the half-way winds,
Hatched from the windy salvage on one leg,
Scraped at my cradle in a walking word
That night of time under the Christward shelter:
I am the long world's gentlemen, he said,
And share my bed with Capricorn and Cancer.
II
Death is all metaphors, shape in one history;
The child that sucketh long is shooting up,
The planet-ducted pelican of circles
Weans on an artery the genders strip;
Child of the short spark in a shapeless country
Soon sets alight a long stick from the cradle;
The horizontal cross-bones of Abaddon,
You by the cavern over th black stairs,
Rung bone and blade, the verticals of Adam,
And, manned by midnight, Jacob to the stars.
Hairs of your head, then said the hollow agent,
Are but the roots of nettles and feathers
Over the groundowrks thrusting through a pavement
And hemlock-headed in the wood of weathers.
III
First there was the lamb on knocking knees
And three dead seasons on a climbing grave
That Adam's wether in the flock of horns,
Butt of the tree-tailed worm that mounted Eve,
Horned down with skullfoot and the skull of toes
On thunderous pavements in the garden of time;
Rip of the vaults, I took my marrow-ladle
Out of the wrinkled undertaker's van,
And, Rip Van Winkle from a timeless cradle,
Dipped me breast-deep in the descending bone;
The black ram, shuffling of the year, old winter,
Alone alive among his mutton fold,
We rung our weathering changes on the ladder,
Said the antipodes, and twice spring chimed
IV
What is the metre of the dictionary?
The size of genesis? the short spark's gender?
Shade without shape? the shape of the Pharaohs echo?
(My shape of age nagging the wounded whisper.)
Which sixth of wind blew out the burning gentry?
(Questions are hunchbacks to the poker marrow.)
What of a bamboo man amomg your acres?
Corset the boneyards for a crooked boy?
Button your bodice on a hump of splinters,
My camel's eyes will needle through the shroud.
Loves reflection of the mushroom features,
Still snapped by night in the bread-sided field,
Once close-up smiling in the wall of pictures,
Arc-lamped thrown back upon the cutting flood.
V
And from the windy West came two-gunned Gabriel,
From Jesu's sleeve trumped up the king of spots,
The sheath-decked jacks, queen with a shuffled heart;
Said the fake gentleman in suit of spades,
Black-tongued and tipsy from salvation's bottle.
Rose my Byzantine Adam in the the night.
For loss of blood I fell on Ishmael's plain,
Under the milky mushrooms slew my hunger,
A climbing sea from Asia had me down
And Jonah's Moby snatched me by the hair,
Cross-stroked salt Adam to the frozen angel
Pin-legged on pole-hills with a black medusa
By waste
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