First published in 18 Poems (1934)



I See the Boys of Summer

I I see the boys of summer in their ruin Lay the gold tithings barren, Setting no store by harvest, freeze the soils; There in their heat the winter floods Of frozen loves they fetch their girls, And drown the cargoed apples in their tides. These boys of light are curdlers in their folly, Sour the boiling honey; The jacks of frost they finger in the hives; There in the sun the frigid threads Of doubt and dark they feed their nerves; The signal moon is zero in their voids. I see the summer children in their mothers Split up the brawned womb’s weathers, Divide the night and day with fairy thumbs; There in the deep with quartered shades Of sun and moon they paint their dams As sunlight paints the shelling of their heads. I see that from these boys shall men of nothing Stature by seedy shifting, Or lame the air with leaping from its heats; There from their hearts the dogdayed pulse Of love and light bursts in their throats. O see the pulse of summer in the ice. II But seasons must be challenged or they totter Into a chiming quarter Where, punctual as death, we ring the stars; There in his night, the black-tongued bells The sleepy man of winter pulls, Nor blows back moon-and midnight as she blows. We are the dark deniers, let us summon Death from a summer woman, A muscling life from lovers in their cramp, From the fair dead who flush the sea The bright-eyed worm on Davy’s lamp, And from the planted womb the man of straw. We summer boys in this four-winded spinning, Green of the seaweeds’ iron, Hold up the noisy sea and drop her birds, Pick the world’s ball of wave and froth To choke the deserts with her tides, And comb the country gardens for a wreath. In spring we cross our foreheads with the holly, Heigh ho the blood and berry, And nail the merry squires to the trees; Here love’s damp muscle dries and dies, Here break a kiss in no love’s quarry. O see the poles of promise in the boys. III I see you boys of summer in your ruin. Man in his maggot’s barren. And boys are full and foreign in the pouch. I am the man your father was. We are the sons of flint and pitch. O see the poles are kissing as they cross.
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When Once the Twilight Locks No Longer

When once the twilight locks no longer Locked in the long worm of my finger Nor damned the sea that sped about my fist, The mouth of time sucked, like a sponge, The milky acid on each hinge, And swallowed dry the waters of the breast. When galactic sea was sucked And all the dry seabed unlocked, I sent my creature scouting on the globe, That globe itself of hair and bone That, sewn to me by nerve and brain, Had stringed my flask of matter to his rib. My fuses timed to charge his heart, He blew like powder to the light And held a little sabbath with the sun, But when the stars, assuming shape, Drew in his eyes the straws of sleep, He drowned his father’s magics in a dream. All issue armoured, of the grave, The redhaired cancer still alive, The cataracted eyes that filmed their cloth; Some dead undid their bushy jaws, And bags of blood let out their flies; He had by heart the Christ-cross-row of death. Sleep navigates the tides of time; The dry Sargasso of the tomb Gives up its dead to such a working sea; And sleep rolls mute above the beds Where fishes’ food is fed the shades Who periscope through flowers to the sky. When once the twilight screws were turned, And mother milk was stiff as sand, I sent my own ambassador to light; By trick or chance he fell asleep And conjured up a carcass shape To rob me of my fluids in his heart. Awake, my sleeper, to the sun, A worker in the morning town, And leave the poppied pickthank where he lies; The fences of the light are down, All but the brisket riders thrown, And worlds hang on the trees.
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A Process In the Weather of the Heart

A process in the weather of the heart Turns damp to dry; the golden shot Storms in the freezing tomb. A weather in the quarter of the veins Turns night to day; blood in their suns Lights up the living worm. A process in the eye forwarns the bones of blindness; and the womb Drives in a death as life leaks out. A darkness in the weather of the eye Is half its light; the fathomed sea Breaks on unangled land. The seed that makes a forest of the loin Forks half its fruit; and half drops down, Slow in a sleeping wind. A weather in the flesh and bone Is damp and dry; the quick and dead Move like two ghosts before the eye. A process in the weather of the world Turns ghost to ghost; each mothered child Sits in their douible shade. A process blows the moon into the sun, Pulls down the shabby curtains of the skin; And the heart gives up its dead.
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Before I Knocked

Before I knocked and flesh let enter, With liquid hands tapped on the womb, I who was shapeless as the water That shaped the Jordan near my home Was brother to Mnetha’s daughter And sister to the fathering worm. I who was deaf to spring and summer, Who knew not sun nor moon by name, Felt thud beneath my flesh’s armour, As yet was in a molten form, The leaden stars, the rainy hammer Swung by my father from his dome. I knew the message of the winter, The darted hail, the childish snow, And the wind was my sister suitor; Wind in me leaped, the hellborn dew; My veins flowed with the Eastern weather; Ungotten I knew night and day. As yet ungotten, I did suffer; The rack of dreams my lily bones Did twist into a living cipher, And flesh was snipped to cross the lines Of gallow crosses on the liver And brambles in the wringing brains. My throat knew thirst before the structure Of skin and vein around the well Where words and water make a mixture Unfailing till the blood runs foul; My heart knew love, my belly hunger; I smelt the maggot in my stool. And time cast forth my mortal creature To drift or drown upon the seas Acquainted with the salt adventure Of tides that never touch the shores. I who was rich was made the richer By sipping at the sine of days. I, born of flesh and ghost, was neither A ghost nor man, but mortal ghost. And I was struck down by death’s feather. I was a mortal to the last Long breath that carried to my father The message of his dying christ. You who bow down at cross and altar, Remember me and pity Him Who took my flesh and bone for armour And doublecrossed my mother’s womb.
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Light Breaks Where No Sun Shines

Light breaks where no sun shines; Where no sea runs, the waters of the heart Push in their tides; And, broken ghosts with glow-worms in their heads, The things of light File through the flesh where no flesh decks the bones. A candle in the thighs Warms youth and seed and burns the seeds of age; Where no seed stirs, The fruit of man unwrinkles in the stars, Bright as a fig; Where no wax is, the candle shows its hairs. Dawn breaks behind the eyes; From poles of skull and toe the windy blood Slides like a sea; Nor fenced, nor staked, the gushers of the sky Spout to the rod Divining in a smile the oil of tears. Night in the sockets rounds, Like some pitch moon, the limit of the globes; Day lights the bone; Where no cold is, the skinning gales unpin The winter’s robes; The film of spring is hanging from the lids. Light breaks on secret lots, On tips of thought where thoughts smell in the rain; When logics die, The secret of the soil grows through the eye, And blood jumps in the sun; Above the waste allotments the dawn halts.
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The Force That Through The Green Fuse Drives The Flower

The force that through the green fuse drives the flower Drives my green age; that blasts the roots of trees Is my destroyer. And I am dumb to tell the crooked rose My youth is bent by the same wintry fever. The force that drives the water through the rocks Drives my red blood; that dries the mouthing streams Turns mine to wax. And I am dumb to mouth unto my veins How at the mountain spring the same mouth sucks. The hand that whirls the water in the pool Stirs the quicksand; that ropes the blowing wind Hauls my shroud sail. And I am dumb to tell the hanging man How of my clay is made the hangman's lime. The lips of time leech to the fountain head; Love drips and gathers, but the fallen blood Shall calm her sores. And I am dumb to tell a weather's wind How time has ticked a heaven round the stars. And I am dumb to tell the lover's tomb How at my sheet goes the same crooked worm.
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My Hero Bares His Nerves

My hero bares his nerves along my wrist That rules form wrist to shoulder, Unpacks the head that, like a sleepy ghost, Leans on my mortal ruler, The proud spine spurning turn and twist. And these poor nerves so wired to the skull Ache on the lovelorn paper I hug to love with my unruly scrawl That utters all love hunger And tells the page the empty ill. My hero bares my side and sees his heart Tread, like a naked Venus, The beach of flesh, and wind her bloodred plait; Stripping my loin of promise, He promises a secret heat. He holds the wire from this box of nerves Praising the mortal error Of birth and death, the two sad knaves of thieves, And the hunger’s emperor; He pulls the chain, the cistern moves.
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Where Once the Waters of Your Face

Where once the waters of your face Spun to my screws, your dry ghost blows, The dead turns up its eye; Where once the mermen through your ice Pushed up their hair, the dry wind steers Through salt and root and roe. Where once your green knots sank their splice Into the tided cord, there goes The green unraveller, His scissors oiled, his knife hung loose To cut the channels at their source And lay the wet fruits low. Invisible, your clocking tides Break on the lovebeds of the weeds; The weed of love’s left dry; There round about your stones the shades Of children go who, from their voids, Cry to the dolphined sea. Dry as a tomb, your coloured lids Shall not be latched while magic glides Sage on the earth and sky; There shall be corals in your beds, There shall be serpents in your tides, Till all our sea-faiths die.
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If I Were Tickled By the Rub of Love

If I were tickled by the rub of love, A rooking girl who stole me for her side, Broke through her straws, breaking my bandaged string, If the red tickle as the cattle calve Still set to scratch a laughter from my lung, I would not fear the apple nor the flood Nor the bad blood of spring. Shall it be male or female? say the cells, And drop the plum like fire from the flesh. If I were tickled by the hatching hair, The winging bone that sprouted in the heels, The itch of man upon the baby’s thigh, I would not fear the gallows nor the axe Nor the crossed sticks of war. Shall it be male or female? say the fingers That chalk the walls with green girls and their men. I would not fear the muscling-in of love If I were tickled by the urchin hungers Rehearsing heat upon a raw-edged nerve. I would not fear the devil in the loin Nor the outspoken grave. If I were tickled by the lovers’ rub That wipes away nor crow’s-foot nor the lock Of sick old manhood on the fallen jaws, Time and the crabs and the sweethearting crib Would leave me cold as butter for the flies, The sea of scums could drown me as it broke Dead on the sweethearts’ toes. This world is half the devil’s and my own, Daft with the drug that’s smoking in a girl And curling round the bud that forks her eye. An old man’s shank one-marrowed with my bone, And all the herrings smelling in the sea, I sit and watch the worm beneath my nail Wearing the quick away. And that’s the rub, the only rub that tickles. The knobbly ape that swings along his sex From damp love-darkness and the nurse’s twist Can ever raise the midnight of a chuckle, Nor when he finds a beauty in the breast Of lover, mother, lovers, or his six Feet in the rubbing dust. And what’s the rub? Death’s feather on the nerve? Your mouth, my love, the thistle in the kiss? My Jack of Christ, born thorny on the tree? The words of death are dryer that his stiff, My wordy wounds are printed with your hair. I would be tickled by the rub that is: Man be my metaphor.
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Our Eunuch Dreams

I

Our eunuch dreams, all seedless in the light, Of light and love, the tempers of the heart, Whack their boy’s limbs, And, winding-footed in their shawl and sheet, Groom the dark brides, the widows of the night Fold in their arms. The shades of girls, all flavoured from their shrouds, When sunlight goes are sundered from the worm, The bones of men, the broken in their beds, By midnight pulleys that unhouse the tomb.

II

In this age the gunman nad his moll, Two one-dimensional ghosts, love on a reel, Strange to our solid eye, And speak their midnight nothings as they swell; When cameras shut they hurry to their hole Down in the yard of day. They dance between their arclamps and our skull, Impose their shots, showing the nights away; We watch the show of shadows kiss or kill, Flavoured of celluloid give love the lie.

III

Which is the world? Of our two sleepings, which Shall fall awake when cures and their itch Raise up this red-eyed earth? Pack off the shapes of daylight and their starch, The sunny gentlemen, the Welshing rich, Or the drive the night-geared forth. The photograph is married to the eye, Grafts on its bride one-sided skins of truth; The dream has sucked the sleeper of his faith That shrouded men might marrow as they fly.

IV

This is the world: the lying likeness of Our strips of stuff that tatter as we move Loving and being loth; The dream that kicks the buried from their sack And lets their trash be honoured as the quick. This is the world. Have faith. For we shall be a shouter like the cock, Blowing the old dead back; our shots shall smack The image from the plates; And we shall be fit fellows for a life, And who remain shall flower as they love, Praise to our faring hearts.
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Especially When The October Wind

Especially when the October wind With frosty fingers punishes my hair, Caught by the crabbing sun I walk on fire And cast a shadow crab upon the land, By the sea's side, hearing the noise of birds, Hearing the raven cough in winter sticks, My busy heart who shudders as she talks Sheds the syllabic blood and drains her words. Shut, too, in a tower of words, I mark On the horizon walking like the trees The wordy shapes of women, and the rows Of the star-gestured children in the park. Some let me make you of the vowelled beeches, Some of the oaken voices, from the roots Of many a thorny shire tell you notes, Some let me make you of the water's speeches. Behind a pot of ferns the wagging clock Tells me the hour's word, the neural meaning Flies on the shafted disk, declaims the morning And tells the windy weather in the cock. Some let me make you of the meadow's signs; The signal grass that tells me all I know Breaks with the wormy winter through the eye. Some let me tell you of the raven's sins. Especially when the October wind (Some let me make you of autumnal spells, The spider-tongued, and the loud hill of Wales) With fists of turnips punishes the land, Some let me make you of the heartless words. The heart is drained that, spelling in the scurry Of chemic blood, warned of the coming fury. By the sea's side hear the dark-vowelled birds.
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When, Like A Running Grave

When, like a running grave, time tracks you down, Your calm and cuddled is a scythe of hairs, Love in her gear is slowly through the house, Up naked stairs, a turtle in a hearse, Hauled to the dome, Comes, like a scissors stalking, tailor age, Deliver me who, timid in my tribe, Of love am barer than Cadaver’s trap Robbed of the foxy tongue, his footed tape Of the bone inch, Deliver me, my masters, head and heart, Heart of Cadaver’s candle waxes thin, When blood, spade-handed, and the logic time Drive children up like bruises to the thumb, From maid and head, For, sunday faced, with dusters in my glove, Chaste and the chaser, man with the cockshut eye, I, that time’sjacket or the coat of ice May fail to fasten with virgin o In the straight grave, Stride through Cadaver’s country in my force, My pickbrain masters morsing on the stone Despair of blood, faith in the maiden’s slime, Halt among eunuchs, and the nitric stain On fork and face. Time is a foolish fancy, time and fool. No, no, you lover skull, descending hammer Descends, my masters, on the entered honour. You hero skull, Cadaver in the hanger Tells the stick, ‘fail’. Joy is no knocking nation, sir and madam, The cancer’s fusion, or the summer feather Lit on the cuddled tree, the cross of fever, Nor city tar and subway bored to foster man through macadam. I damp the waxlights in your tower dome. Joy is the knock of dust, Cadaver’s shoot Of bud of Adam through his boxy shift, Love’s twilit nation and the skull of state, Sir, is your doom. Everything ends, the tower ending and, (Have with the house of wind), the leaning scene, Ball of the foot depending from the sun, (Give, summer, over), the cemented skin, The actions’ end. All, men my madmen, the unwholesome sind With whistler’s cough contages, time on track Shapes in a cinder death; love his trick, Happy Cadaver’s hunger as you take The kissproof world.
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From Love’s First Fever To Her Plague

From love’s first fever to her plague, from the soft second And the hollow minute of the womb, From the unfolding to the scissored caul, The time for breast and the green apron age When no mouth stirred about the hanging famine, All world was one, one windy nothing, My world was christened in a stream of milk. And earth and sky were as one airy light. From the first print of the unshodden foot, the lifting Hand, the breaking of the hair, From the first secret of the heart, the warning ghost, And to the first dumb wonder at the flesh, Th sun was red, the moon was grey, The earth and sky were as two mountains meeting. The body prospered, teeth in the marrowed gums, The growing bones, the rumour of manseed Within the hallowed gland, blood blessed the heart, And the four winds, that had long blown as one, Shone in my ears the light of sound, Called in my eyes the sound of light. And yellow was the multiplying sand, Each golden grain spat life into its fellow, Green was the singing of the house. The plum my mother picked matured slowly, The boy she dropped from darkness at her side Into the sided lap of light grew strong, Was muscled, matted, wise to the crying thigh And to the voice that, like a voice of hunger, Itched in the noise of wind and sun. And from the first declension of the flesh I learnt man’s tongue, to twist the shapes of thoughts To shade and knit anew the patch of words Left by the dead who, in their moonless acre, Need no word’s warmth. The root of tongues ends in a spentout cancer, That but a name, where maggots have their X. I learnt the verbs of will, and had my secret; The code of night tapped on my tongue; What had been one was many sounding minded. One womb, one mind, spewed out the matter, One breast gave suck the fever’s issue; From the divorcing sky I learnt the double, The two-framed globe that spun into a score; A million minds gave suck to such a bud As forks my eye; Youth did condense; the tears of spring Dissolved in summer and the hundred seasons; One sun, one manna, warmed and fed.
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In the Beginning

In the beginning was the three-pointed star, One smile of light across the empty face; One bough of bone across the rooting air, The substance forked that marrowed the first sun; And, burning ciphers on the round of space, Heaven and hell mixed as they spun. In the beginning was the pale signature, Three-syllabled and starry as the smile; And after came the imprints on the water, Stamp of the minted face upon the moon’ The blood that touched the crosstree and the grail Touched the first cloud and left a sign. In the beginning was the mounting fire That set alight the weathers from a spark, A three-eyed, red-eyed spark, blunt as a flower; Life rose and spuoted from the rolling seas, Burst in the roots, pumped from the earth and rock The secret oils that drive the grass. In the beginning was the word, the word That from the solid bases of the light Abstracted all the letters of the void; And from the cloudy bases of the breath The word flowed up, translating to the heart First the characters of birth and death. In the beginning was the secret brain. The brain was celled and soldered in the thought Before the pitch was forking to a sun; Before the veins were shaking in their seive, Blood shot and scattered to the winds of light The ribbed original of love.
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Light Breaks Where No Sun Shines

Light breaks where no sun shines; Where no sea runs, the waters of the heart Push in their tides; And, broken ghosts with glow-worms in their heads, The things of light File through the flesh where no flesh decks the bones. A candle in the thighs Warms youth and seed and burns the seeds of age; Where no seed stirs, The fruit of man unwrinkles in the stars, Bright as a fig; Where no wax is, the candle shows its hairs. Dawn breaks behind the eyes; From poles of skull and toe the windy blood Slides like a sea; Nor fenced, nor staked, the gushers of the sky Spout to the rod Divining in a smile the oil of tears. Night in the sockets rounds, Like some pitch moon, the limit of the globes; Day lights the bone; Where no cold is, the skinning gales unpin The winter’s robes; The film of spring is hanging from the lids. Light breaks on secret lots, On tips of thought where thoughts smell in the rain; When logics die, The secret of the soil grows through the eye, And blood jumps in the sun; Above the waste allotments the dawn halts.
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I Fellowed Sleep

I fellowed sleep who kissed me in the brain, Let fall the tear of time; the sleeper’s eye, Shifting to light, turned on me like a moon. So, planing-heeled, I flew along my man And dropped on dreaming and the upward sky. I fled the earth and, naked, climbed the weather, Reaching a second ground far from the stars; And there we wept, I and a ghostly other, My mothers-eyed, upon the tops of trees; I fled that ground as lightly as a feather. ‘My fathers’ globe knocks on its nave and sings.’ ‘This that we tread was, too, your fathers’ land.’ ‘But we tread bears the angelic gangs, Sweet are their fathered faces in their wings. ‘These are but dreaming men. Breathe, and they fade.’ Faded my elbow ghost, the mothers-eyed, As, blowing on the angels, I was lost On that cloud coast to each grave-grabbing shade; I blew the dreaming fellows to their bed Where still they sleep unknowing of their ghost. Then all the matter of the living air Raised up a voice, and, climbing on the words, I spelt my vision with a hand and hair, How light the sleeping on this soily star, How deep the waking in the worlded clouds. There grows the hours’ ladder to the sun, Each rung a love or losing to the last, The inches monkeyed by the blood of man. An old, mad man still climbing in his ghost, My fathers’ ghost is climbing in the rain.
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I Dreamed My Genesis

I dreamed my genesis in sweat of sleep, breaking Through the rotating shell, strong As motor muscle on the drill, driving Through vision and the girdered nerve. From limbs that had the measure of the worm, shuffled Off from the creasing flesh, filed Through all the irons in the grass, metal Of suns in the man-melting night. Heir to the scalding veins that hold love's drop, costly A creature in my bones I Rounded my globe of heritage, journey In bottom gear through night-geared man. I dreamed my genesis and died again, shrapnel Rammed in the marching heart, hole In the stitched wound and clotted wind, muzzled Death on the mouth that ate the gas. Sharp in my second death I marked the hills, harvest Of hemlock and the blades, rust My blood upon the tempered dead, forcing My second struggling from the grass. And power was contagious in my birth, second Rise of the skeleton and Rerobing of the naked ghost. Manhood Spat up from the resuffered pain. I dreamed my genesis in seat of death, fallen Twice in the feeding sea, grown Stale of Adam's brine until, vision Of new man strength, I seek the sun.
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My World is Pyramid

I Half of the fellow father as he doubles His sea-sucked Adam in the hollow hulk, Half of the fellow mother as she dabbles To-morrow's diver in her horny milk, Bisected shadows on the thunder's bone Bolt for the salt unborn. The fellow half was frozen as it bubbled Corrosive spring out of the iceberg's crop, The fellow seed and shadow as it babbled The swing of milk was tufted in the pap, For half of love was planted in the lost, And the unplanted ghost. The broken halves are fellowed in a cripple, The crutch that marrow taps upon their sleep, Limp in the street of sea, among the rabble Of tide-tongued heads and bladders in the deep, And stake the sleepers in the savage grave That the vampire laugh. The patchwork halves were cloven as they scudded The wild pigs' wood, and slime upon the trees, Sucking the dark, kissed on the cyanide, And loosed the braiding adders from their hairs; Rotating halves are horning as they drill The arterial angel. What colour is glory? death's feather? tremble The halves that pierce the pin's point in the air, And prick the thumb-stained heaven through the thimble. The ghost is dumb that stammered in the straw, The ghost that hatched his havoc as he flew Blinds their cloud-tracking eye. II My world is pyramid. The padded mummer Weeps on the desert ochre and the salt Incising summer. My Egypt's armour buckling in its sheet, I scrape through resin to a starry bone And a blood parhelion. My world is cypress, and an English valley. I piece my flesh that rattled on the yards Red in an Austrian volley. I hear, through dead men's drums, the riddled lads, Strewing their bowels from a hill of bones, Cry Eloi to the guns. My grave is watered by the crossing Jordan. The Arctic scut, and basin of the South, Drip on my dead house garden. Who seek me landward, marking in my mouth The straws of Asia, lose me as I turn Through the Atlantic corn. The fellow halves that, cloven as they swivel On casting tides, are tangled in the shells, Bearding the unborn devil, Bleed from my burning fork and smell my heels. The tongues of heaven gossip as I glide Binding my angel's hood. Who blows death's feather? What glory is colour? I blow the stammel feather in the vein. The loin is glory in a working pallor. My clay unsuckled and my slat unborn, The secret child, I shift about the sea Dry in the half-tracked thigh.
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All All and All the Dry Worlds Lever

I All all and all the dry worlds lever, Stage of the ice, the solid ocean, All from the oil, the pound of lava. City of spring, the governed flower, Turns in the earth that turns the ashen Towns around on a wheel of fire. How now my flesh, my naked fellow, Dug of the sea, the glanded morrow, Worm in the scalp, the staked and fallow. All all and all, the corpse's lover, Skinny as sin, the foaming marrow, All of the flesh, the dry worlds lever. II Fear not the waking world, my mortal, Fear not the flat, synthetic blood, Nor the heart in the ribbing metal. Fear not the tread, the seeded milling, The trigger and scythe, the bridal blade, Nor the flint in the lover's mauling. Man of my flesh, the jawbone riven, Know now the flesh's lock and vice, And the cage for the scythe-eyed raver. Know, O my bone, the jointed lever, Fear not the screws that turn the voice, And the face to the driven lover. III All all and all the dry worlds couple, Ghost with her ghost, contagious man With the womb of his shapeless people. All that shapes from the caul and suckle, Stroke of mechanical flesh on mine, Square in these worlds the mortal circle. Flower, flower the people's fusion, O light in zenith, the coupled bud, And the flame in the flesh's vision. Out of the sea, the drive of oil, Socket and grave, the brassy blood, Flower, flower, all all and all.
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