RAGE AGAINST SNL
It would have been another thing if the show was really funny. But I could eat a bowl of alphabet soup with orange juice and shit out better skits than I saw that night. "
-Brad Wilk, drummer for RATM (from Oct. `96 SPIN)
When RATM appeared on SNL for a special politically orientated special episode of Saturday Night Live...things didn't go as planned....
The August 1996 article in RIP Magazine summed this event up well.
LIVE FROM NEW YORK, IT'S... UH, UMMM...
SNL CENSORS RAGE AGAINST THE MACHINE
In the words of Tom Morello
THURSDAY - REHEARSAL
Immediately there are problems. We planned on playing "Bulls on Parade" and "Bullet in the Head," but there's "objectionable" language in each of those songs. We assumed that Saturday Night Live would be fully prepared to bleep it out. However, that was not enough because Steve Forbes, the billionaire, ex-Presidential candidate, was hosting the show and had friends and family in the studio. SNL insisted on muting the languager during the performance within the studio itself, because they claimed they had to run a "tighter" show due to Forbe's appearance.
During rehearsal, our crew hung two American flags upside down on the grilles of the bass and guitar amplifiers. No big deal. We thought that it was appropriate, especially in the election year, to demonstrate that, in our opinion, American democracy is inverted when your only choice is between weathly representatives of the priviliged classes. We weren't tearing up pictures of the Pope (as Sinead O'Connor did), just a couple of upside-down flags. We already had to endure some of the Steve Forbes skits in which he incessantly promoted his flat tax. As the Republican Convention draws near, he just wanted to keep that on the agenda, and the show was on April 15th--Tax Day.
So anyway, they start throwing a little pissy fit when they see the flags. At this point they're completely up-front;they say we can't have the flags onstage because it will "offend our corporate sponsors. They have to come down. Steve Forbes is on the show." And we're like, that's absolutely ridiculous, they promised eight minutes to play what we play and do what we do and this is what we do. We argue and hassle about it and had a little conferance among ourselves. It's about 5pm and we say, "Okay, we'll take the flags down. WINK."
SATURDAY - DAYTIME DRESS REHEARSAL
The dress rehearsal goes off without a hitch. The flags are not there; we're waiting for the actual performance, the live performance that night. (At this point) there's plently of time in the show for both our songs.
During dress rehearsal , we played both songs and came out at the end. They show you exactly where you stand; Steve Forbes stands at the front, you flank him on the side. He's looking straight ahead and we're glaring away. I thought, I'm just going to break the ice here, and I complimented him on a particular joke during the opening monologue. He responded like and good candidate does-- he smiled that crooked grin. Peopl were laughing their heads off at my "ice-breaker".
SATURDAY NIGHT - LIVE
Show time. We're standing onstage thirty seconds before we're going to being performing "Bulls on Parade." Steve Forbes is waiting to introduce us: 25 seconds, 20 seconds....Our roadies unfurl the upside-down flags. There's a panic among the SNL stagehands who rush the stage to get the flags down. They're yelling, "Take the flage down!" The countdown is 15, 14, 13....A melee ensues onstage where our crew is grappling with their crew over the duct tape on the flags. They're successful in removing the flags as the time ticks down to five, four, three, two, seconds. Steve Forbes introduces us. We play "Bulls on Parade"
As soon as we're offstage, the show's producer (Marcie) Klien, Calvin Klien's daughter, informs our tour manager that there will be no second song, no cozy wave "goodnight" at the end, no hugging Steve Forbes. It's just, "Get out of the building right now." Tim Bob is so incensed that he takes down one of torn-down U.S. flags, shreds it up, charges into Steve Forbe's dressing room and hurls it at his entourage. The backstage area floods with Secret Service people because in addition to being a great comedic actor, is also a billionaire and ex-Presidential candidate. Some of us are escorted from the building and others manage to hide out long enough to meet up with our friends afterwards.
As an aside, it should come as no surprise that General Electric, which owns NBC, would find the second song we were going to play that night, "Bullet in the Head," objectionable. It's a song which is in part about the media manipulation of public opinion during the Gulf War, and GE was a major manufacturer of war planes that were used to commit war crimes in the Gulf, specifically the bombing of hydroelectric dams, killing thousands of Iraqui civilians.
SATURDAY NIGHT - LATER That's not the end of the incident. Later, outside of the NBC studios I was approached by several members of the cast and crew - to protect them from retribution by the network, they'll remain nameless - who expressed their solidarity with us and felt really embarassed about what NBC and SNL had done, and thought it was shameful.
The time that we were going to play the second song only, like, ten minutes after the first song. They were shrieking at our manager Brigitte Wright and out A&R guy Michael Goldstone: "Get them outta here! there's no fuckin' way they're gonna play another song!" If the real reason was, as they falsely claimed in their press release, that the show ran too long, then why weren't we at the end waving good-bye? Because we had been kicked out of the building! That just sort of heaps shame upon shame on Saturday Night Live, to lie about a fact like that.
Compared with some of the things we'd considered doing during our promised eight minutes onstage, hanging two flags upside-down flags seemed pretty pale. They should be writing us thank-you letters for only doing that!
-end of article
back
Email: rothb@powernet.net