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Alexander the Great and his
Courtesans by Akira
Kato March 3, 2001
 Alexander the Great and Olympias:
his beautiful yet powerful mother
Alexander the Great & his
Courtesans |
“Where are we going, Mother?”
Taking Alexander’s hand, Olympias smiled like a
frolicsome girl. “To your bedchamber.”
“Why?” “I’ve got some surprise
for you.” When both approached the
doorway, the chambermaids opened the heavy wooden doors. As
soon as he stepped in, Alexander found the flames of the
numerous candles flooding bright light all over as if under
the brilliant daylight. Then, he stopped suddenly in a shock,
and rubbed his eyes with the back of his hand. Alexander
strained his eyes. “Good heavens! I just can’t believe this!”
To his astonishment, a dozen
captivating women—all stark-naked—lined up along the back
wall. “Mother, what the heck is this
all about?” Most of the curvaceous
women stood like a princess, well-aware of their nudity and
yet self-confident about their beauty. Though some appeared
timid, they revealed their physical charm naively.
“What do you think?” Olympias smiled amusingly.
“This is just … oh, incredible!”
Alexander flicked a sweeping glance at each naked woman, then
turned to his mother. “They are all new faces of the Amazon
squad, aren’t they? Are they taking a bath in my room or
running around as they do during day?”
“They aren’t Amazons. Take a close look, Alex. They are
not suntanned like Dorgina’s girls. Can’t you see?”
Unlike the athletic, robust, well-suntanned
women Alexander had seen in the field, these women appeared
quite feminine. Their skin looked smooth, immaculate, and soft
like well-groomed creamy-white velvet.
“What are these girls?” “They
are all from Athens.” “For what?”
“To see you.”
“To see me? Mother, I’ve never asked you to bring up
those women.” “No, you haven’t, but
I’ve chosen these charming women by myself and brought them up
here all the way from Athens.” “Why?”
“The king needs some attendants and
companions.” “I’ve already got enough
maids and servants.” “These girls are
different from your maids. They are all educated, trained, and
well-mannered.” “So, they are
courtesans.” “Yes, courtesans of the
top-class. Alex, which one do you want to spend the night
with?” “Mother, I don’t think I need
any tonight.” “Why not?”
“I’ve got something else to do.”
“C’mon, Alex. Look at those pretty girls. Aren’t
they so attractive?” “Yes, they are.”
“Then, choose one—or maybe two.”
“Mother, I don’t need their company.”
“What’s the matter with you? I’ve
brought those girls all the way from Athens—just for you!”
“You’ve just overdone it again!”
“Alex, I know, you’re working on some
strategies for the Asian expedition, but you must take a rest
from time to time. You just slow down, and take it easy.”
“Yes, yes, yes, … but not tonight.”
“Ah ha, you are a little bit shy,
because you’ve seen too many beautiful girls. Let me choose
one for you. I know what kind of girl you like.”
Ignorant of his needs completely, Olympias chose
one, and drove out the rest of the girls into the antechamber.
Just before closing the door, she flicked a knowing gaze at
his son, then left the couple alone in his chamber.
| When Olympias as well
as Alexander's advisers attempted to persuade him to
marry and sire a son before his departure for the
Orient, the young king flatly refused to consider the
request, and remarked curtly that he had no time to
celebrate a marriage and await the birth of children.
|
The child's birth, of course, would not have required
Alexander's presence, and his response vexed all of them. In
the past Macedonia had seen many civil wars owing to lack of a
legitimate heir. His decision to embark for Asia without a
royal heir worried his generals—let alone his mother. His
apparent lack of interest in women naturally raised questions
concerning Alexander's attitude toward women and the nature of
his sexuality. Alexander held women
in higher regard than did most of his contemporaries,
including the intellectuals of the Greek-speaking world. His
tutor Aristotle proclaimed the subordinate role of women in
Hellenic culture as ordained by nature: a man's virtue
revealed itself through leading; a woman's, through following.
The philosopher pointed out with some pride, however, that the
Greek, unlike the barbarian, did not treat a woman as if she
were a slave. On the contrary, he boasted, Greek men showed a
genuine appreciation for a woman's beauty, compliance, and
capacity for work. Though recognizing
the Macedonian king's feminine appreciation, many scholars
have assumed that Alexander and his lifelong friend
Hephaestion were lovers, at least during their younger years.
Alexander liked to compare them to Achilles and Patroclus in
the Iliad. Since his contemporaries generally assumed
that this celebrated Homeric relationship turned out
homosexual, Alexander's fancy about Achilles and Patroclus
might indicate a similar bond between himself and Hephaestion.
When he became king, everybody
expected Alexander to produce an heir to the throne. Any
deficiency in this respect became a serious concern to all.
Theophrastus, a disciple of Aristotle, had accompanied the
philosopher to Macedonia and served as his assistant at Mieza.
This disciple came to know that both Olympias and her husband,
Philip, expressed concern over their son's indifference to
women. His parents therefore arranged a sexual encounter
between Alexander and a seductive Thessalian courtesan named
Callixeina. Theophrastus wrote in his journal that “Olympias
often begged Alexander to have intercourse with
Callixeina”—apparently to no avail.
Now back to our story: The chamber
appeared ridiculously bright for just two of them. The woman
stood like a statue. Alexander studied her for a short while.
Aware of his inquisitive gaze, she stooped over
self-consciously. Yet occasionally, she looked at him under
her long lashes. Both eyes met.
“What’s your name?” “Campsaspe, Your
Majesty.” “Campsaspe? Ummm … kind of
rare name, isn’t it?” “Yes, sire.”
“Campsaspe, why don’t you put on
something?” “I don’t have any.”
“No clothes? Where did you take off
your clothes, then?” “In the
antechamber, sire.” “Well, why don’t
you step out and get dressed?” “Yes,
I will, sire.” Naked all alone with the king for some time,
Campsaspe got relieved. As she trotted over to the door, her
shapely buttocks swung as if to invite his caress.
“Oh, Campsaspe.” “Yes …
Your Majesty.” She turned around with her blue eyes wide open.
“Like I said earlier, I don’t need
any company tonight. Once you get dressed, you may go back to
your room, okay?” “But …”
“This is my order, understand?”
“Yes, sire.”
With a sigh of relief, Alexander took the last glimpse of her
pinkish nipples before she closed the doors.
Shrugging off his shoulders, Alexander stepped over to
his bed and sprawled down on his back. Picking up a map from
the night table, he unfolded it and held it up over his face.
His thought flew over the river of
Thrace in the map. In his imagination, forty thousand men
started marching over the bridge. A hundred ships sailed
toward the Dardanelles, carrying all the supplies required for
the troops. “In twenty days, we
should be able to reach Sestos,” Alexander said to himself.
“At Elaious, I’ll pay sacrifice at the tomb of Protesilaus.”
Protesilaus—a Greek hero—set foot on
Asian soil in the days of Homer’s Trojan war. Like
Protesilaus, Alexander planned to step first on Asia’s shore.
He also planned to steer the royal trireme himself. Halfway
across, he would slaughter a bull in honor of the sea god
Poseidon and then pour libations from a golden cup to the
nymphs of the sea. Dressed in full armor, he would move up to
the bows, ready to leap onto Asia’s coast.
Suddenly, Alexander sprang up. Stunned, he almost
screamed the hell out of his lung. “Campsaspe, how come you’re
back?” “I … I’m very sorry, but Her
Majesty told me to return.” “My
mother was still around?” “Yes, Your
Majesty. She told me, I must stay with you tonight. Or else
I’ll be …” Alexander grimaced.
Wearing a chiton, Campsaspe looked like a prisoner who stood
right in front of an executioner. She even shivered miserably.
Alexander could easily imagine how his mother talked her into
returning to his bedchamber. Olympias might have threatened
her with a capital punishment. Her face had turned pale like a
living corpse. “Just take it easy,
Campsaspe. My mother probably told you something awful. I’m
pretty sure she didn’t really mean it. Anyway, you can stay
with me.” Relieved, she started
sobbing. “Oh, don’t cry. Maybe,
you’ve heard about a terrible story about her killing a young
concubine and her baby girl. As long as you stay with me,
you’re going to be all right.” So,
Alexander asked her to go to his bed as he sat down at the
table to study his map.
| The highest excellence
of the fourth century B.C. lay not in literature but in
philosophy and art. In art, as in politics, the
individual liberated himself from the temple, the state,
the tradition, and the school.
|
As patriotic devotion yielded to private loyalties, both
painting and sculpture became increasingly secular. Though
continuing to adorn public buildings with the representation
of gods or noble human types, the painters and sculptors
started working on portrayal of living individuals.
Cnidus, Halicarnassus, and Ephesus could
patronize art on a national scale because they had not
suffered from war. Syracuse also supported art since it had
recovered fairly quickly with rich natural resources.
“Apelles of Cos,” said Ptolemy, who
had recently returned from the exile, “seemingly surpasses all
the other painters.” “Oh?” Alexander
showed interest in his talk.
“Single-handedly, he’s contributed more to painting than
all the others together.” “Is he that
good?” “I think so.”
“Have you see some of his paintings?”
“Yes, I have. Actually, I saw his famous
Aphrodite.” “How does it look?”
“Superb. I wish I could describe its
beauty. It’s really worth taking a look at it.”
Learning that his greatest rival, Protogenes,
lived in poverty, Apelles sailed for Rhodes to visit him.
Protogenes, uninformed, went out of his studio when Apelles
came. An old female servant asked Apelles for his name.
Apelles replied only by taking a brush and tracing on a panel,
with one stroke—an outline of exceeding fineness. Then Apelles
left. When Protogenes came back, the
old woman said in an apologetic tone, “Sir, I had a guest
while you were away.” “What’s his
name?” “I’m sorry, but I couldn’t get
his name. He only drew a line over there and left.”
“Let me see it.” Protogenes stepped over and saw
the outline and noted its delicacy at once. “I know who he
was.” “Do you?”
“Oh, yes. Only Apelles could have drawn that line.”
Then Protogenes drew a still finer
line within that of Apelles. “The
next time the stranger shows up, just show this.”
“Are you going out again, sir?”
“Yes, I’m fairly tied up with a dealer. I just
can’t afford to wait for him.”
Apelles came back an hour later, marveled at the Protogenes’s
skill. He then drew, between the two lines, a third with a
touch of grace and excellence. “Is
Master Protogenes back soon?” “I’m
afraid not.” “Well, I’ll have to sail
back to Corinth, then.” “I’m very
sorry.” Protogenes returned soon
afterward, and missed Apelles by only a couple of minutes.
“Sir, the gentleman added another
line.” “Oh, did he?”
Protogenes dashed to the panel and saw it. With
a groan, he had to admit that Apelles surpassed him. He rushed
to the harbor and welcomed Apelles.
“Apelles used Phryne as a model,” said Ptolemy. “Have you seen
Phryne by any chance?” “No, I’ve
never met her.” “The painting really
captured her beauty. To me, the painting appeared more
attractive.” “If he’s that good, I
want to send for him. Ptolemy, can you arrange it?”
“Certainly.”
In the spring of 345 B.C., a close Greek friend
of Philip’s bought a fine stallion from a Thessalian
horse-dealer, and gave it to Philip as a present. Since Philip
remained tied up with the campaign against Pleuratos, king of
the Illyrians, he left it to the care of a horse-tamer. It
shied and reared. Even the well-experienced tamer couldn’t
mount it. At eleven, Alexander showed
a keen interest in the wild creature since he had just learned
how to ride. Though the tamer told him to stay away from the
wild horse, Alexander watched it carefully at the stable. When
the tamer brought it out, Alexander also observed it at a
distance. Soon he noticed that the wild creature went frantic
whenever frightened of his own shadow.
When Philip returned from the battlefield, the tamer
told him that the stallion remained too wild to be trained.
“Dad, I can ride it.”
The father gazed at the bookish child. “Son,
you’re too small for that critter.”
“No, I’m old enough to ride any horse.”
“But this one is too wild for you.”
“What if I tame it.” “I’ll
give it to you. But I warn you, son. You’ve never mounted a
horse like this. If this damned thing goes wild, it’ll throw
you off. Worse comes to worst, you’re going to be lamed—even
worse, you’re going to be kicked to death. Do you know that?”
“Yes, Dad, I know.” Alexander
brazenly challenged his father to let him attempt what the
adults couldn’t do. “Son, it’s
dangerous.” “I know, but I can ride
it.” Philip clearly expressed some
annoyance at what he took to be youthful arrogance and made
Alexander wager the extraordinary price of the horse against
his own boast. Alexander took the
bet. When the boy approached, the bull-like animal stood on
its hind legs. Every adult around almost screamed their guts
out. Feared—yet determined—Alexander took the rein bravely,
then led the horse into the sun to avoid the shadow, soothing
the wild animal by stroking its neck reassuringly. He then
lightly leaped on to its back, still encouraging its steps,
until the wild creature gradually accepted its rider.
Relieved yet amazed, everybody
clapped his hands. King Philip even wept for joy and told
Alexander, “Son, you must find a kingdom big enough for your
ambitions. Macedonia is too small for you.”
Alexander gave it a name—Bucephalus or Ox-head.
When Apelles showed
up, Alexander asked him to paint Bucephalus.
“It’s a kind of unique name for a woman,
isn’t it?” Smiling gratuitously, the famous painter
gazed at the young king.
|
“It’s not a woman.” His smile faded
away. “I’m sorry, Your Majesty. Please excuse my presumption.
Where is a young man, then?” “It’s
not a young man, either.” Puzzled,
Apelles stared into the solemn-looking king. “Ah … then a
child?” When the king shook his head
firmly, his imagination stopped right there.
In the Greek world, homosexuality became so prevalent
that everybody took it for granted. A poet addressed his poem
to a girlfriend or a boyfriend. So popular were relationships
between men and youths, in which the older man played the
roles of teacher, protector, friend, and lover with varying
emphasis according to each individual case. The Greek men,
however, became equally fond of female company. So their world
genuinely turned into a bisexual society.
Utterly puzzled, Apelles stared into his client’s eyes.
“Your Majesty, who do you want me to paint?”
“My horse.” “Horse?”
“That’s right. Don’t you like to
paint a horse?” Apelles had a hard
time in maintaining his straight face. “Oh, yes, Your Majesty.
I can paint anything. I was thinking of …”
“What?” “Ah … thinking of
painting a female figure.” “Maybe
next time.” So Apelles started
painting Bucephalus. After spending many hours, he showed his
work to the young king. “Ummm … looks
fine, but I don’t like his face.”
“What’s wrong with its face?” “I
think it’s too long.” “Yes, but a
horse has a long face.” “I know, but
this is too much longer.” So Apelles
reluctantly shortened a little bit. After a couple hours, he
presented the corrected panel. “Your
Majesty, I completed it now.” “That’s
good. Let me see it … Ah oh!” “What
is it?” “His nose. It now looks a bit
stubby.” Grimaced, Apelles took a
sigh. “Your Majesty, I don’t like to object your comment,
but to me, it looks perfectly all right.”
“Well, to be fair, I want my horse to decide,
then.” Alexander showed the panel to
his horse, which took a look at it, then whinnied in high
spirits. “See? Your Majesty’s horse
seems to know more about painting than you do.”
“I’ll need a second opinion. Hold on a second.”
After a short while Alexander brought
Campsaspe back with him and show it.
“Oh, marvelous! I like that.” With her eyes sparkling,
Campsaspe watched both the panel and the horse
alternately. Though flattered by her
praise, Apelles appeared rather impressed by her beauty.
Suddenly, inspiration flashed across his mind. “Your
Majesty, could I paint this lady?”
Alexander gave it a thought, looking at the painter and the
courtesan alternately. Then some idea entered into his mind.
Alexander grinned. “Sure, Apelles. Do your best to make a
masterpiece.” So, Apelles painted
Campsaspe in the nude. As he studied her exquisite figure,
Apelles almost fell in love with her. By the time Apelles
completed his painting, he had soaked up deeply in love with
Campsaspe. Yet so great and lovely was the painting that
Alexander gave Campsaspe to the painter as a reward, even
without consulting her wishes.
Alexander hung up the portrait in his royal chamber. When
Ptolemy came, he showed it to him proudly.
“What do you think?” “It’s
gorgeous! But how come you gave Campsaspe to the painter?”
“Reward.” “I
know, but by painting a portrait of a woman or writing a poem
about her, one could possess her. By the time Apelles finished
her portrait, she is his. There is no reason why the person
herself should be his reward.” “Yes,
I know, but I possess his work now. So, I gave Campsaspe in
return.” Suddenly, the heavy wooden
doors opened, and Olympias strode in with her brows knitted.
“Alex, I don’t think you should give
any person away as a gift,” said Olympias.
“Why not?” “Because a person
isn’t an object in the first place.”
“Yes, she was—at least during Apelles was painting her. She
was conceived of as an object. In that portrait, she becomes
objectified. So, it’s quite natural I treat her that way,
isn’t it?” “I thought you were pretty
much in love with her. Don’t you miss Campsaspe?”
“No, I don’t. I have that portrait, instead.”
“The damned thing can’t replace
Campsaspe.” “Yes, it can. Mother,
have you ever heard of the legend of Pygmalion?”
“No, what is that?” “He
was king of Cyprus, and also pretty good at sculpting. One day
he carved an ivory statue of a maiden. The statue appeared so
lifelike, he fell in love with her. Impressed, Aphrodite gave
a life to the statue, which became a woman called Galatea.”
“That’s just a myth, isn’t it?”
“Yes, but the portrait can be more
lifelike than the person, who has many flaws than the perfect
picture that is attained only by art.”
“But the portrait can’t have flesh, can it?”
“Yes, it can. One admirer of ‘Aphrodite
Anadyomene’ actually fell in love with the goddess. He indeed
made love with her. In the morning, another admirer found
stains on the portrait.” “That’s
disgusting. Alex, are you making love with this portrait?”
“Yes, I am.”
“Are you out of mind?” “No, I’m not.
On the contrary, I’m quite serious. I’d love to make love with
this Campsaspe with eyes.” “I didn’t
know you’re such a pervert.” With a grimace, Olympias turned
away, stomping out of the chamber as both men gawked at her
wildly swaying hips. “Alex, tell me
how come you gave Campsaspe?” “I told
you.” “Yes, you did, but that’s not
the true reason, isn’t it? You tricked her into believing it.
But I’m not taken in by your story.”
“Well … this is between you and me.” Alexander smiled at
Ptolemy wanly. “Campsaspe is a nice person. I really mean it,
but she’s too active in bed. Once it starts, I can hardly
control her. If I stay with her, I’ll be completely exhausted
before I hit the road to Asia. I don't like to be a second
Enkidu” Around 2,000 B.C., Gilgamesh,
the Assyrian ruler, had a recurring problem. Enkidu, a wild
warlord, lived in the desert with his warlike bandits who, led
by the barbarian leader, had harassed Assyria for quite some
time. Gilgamesh desperately wanted to subdue the wild hero
Enkidu. One day, therefore, he sent a captivating courtesan to
reduce his enemy’s strength.
Naturally, this charming woman captivated the heart of the
wild beast at once. The ‘Epic of Gilgamesh’ described how
Enkidu lost his power.
|
|
After dinner, when Alexander leafed
through the book about Gilgamesh, he heard somebody knocking
at the door. He had instructed the guards not to bother him at
this late hour. Annoyed, he stood up and strode over to the
door. When he opened the doors, however, Alexander saw an
attractive lady who stood like an Aphrodite clad only in a
sheer veil. Though he wanted to shout at the intruder a little
while ago, Alexander now lost his words, studying her from
head to toe as if to come across with the lady of pleasure
from the Epic of Gilgamesh. Taking a
deep sigh, Alexander stared into her captivating blue eyes.
“So, my mother sent you here, didn’t she?”
The lady nodded, smiling wanly.
“Listen, I don’t want to be another Enkidu.”
Puzzled, the lady gazed at the young king.
“Anyway, come on in.” Alexander let
her in and led her to his desk. “Just read this.”
The lady sat down in a chair and read it while
his eyes traced her shapely body line.
“You must be one of those twelve women. What’s your
name?” “Thais.”
“Listen, Thais. I don’t mean to be rude, but you have
to return to your room.” “Sorry, Your
Majesty, … but your mother told me to stay with you for the
rest of the night. Otherwise, I’ll be …” Stooping over, Thais
started trembling. Frowned, Alexander
watched the lady with a mixed feeling of sympathy and
hopelessness. “Just take it easy. You can stay.” Then he
soothed her, tapping on her shoulder. “But I won’t sleep with
you. Tomorrow morning, make sure, you tell my mother—you slept
with me, all right?” Relieved, Thais
nodded. “You see, I’m troubled by
Mother. She’s preoccupied by the idea of having me sleep with
you and your friends. But I’m not a stallion. As soon as
Campsaspe is gone, you’re now here with me. It looks like my
mother's pimping is never-ending.”
“Your Majesty, I’ve got some ideas to solve your problem.”
“Oh?” “Why
don’t you show this epic to your mother?”
“Well, that’s a good idea, but I don’t think it will
change her mind.” “Then why don’t you
assign each one of us to your friends?”
“Probably, she’ll bring in another dozen from Athens.”
“Then, there’s the last resort.”
Thais smiled like a self-conscious adolescent.
“What is it?” “I think,
I can give birth to your heir.”
Alexander smiled amusingly. “You’re smart. I like that, but no
thanks. Campsaspe tried hard, and I’m exhausted.”
Alexander asked her to go to bed, then sat down
to study his map. Though he didn’t know whether or not
Gilgamesh actually existed sixteen hundred years ago, he
learned that the Empire of Assyria had once stretched out from
Mesopotamia to Egypt some three hundred years ago. The
ambitious ruler at the time might have been a distant
descendant of Gilgamesh. Once he
conquered Asia Minor, Alexander also wanted to advance into
Mesopotamia, and to see what Assyria looked like. Thinking of
possible battles in a vast unknown land, he traced unfamiliar
places on his map—Antioch, Aleppo, Tyre, Damascus, Thapsacus,
Carrhae, Arbela, Kirkuk, Opis … “It’s
Babylon, isn’t it?” Alexander turned
around. Standing behind him, Thais watched the map over his
shoulder. “Yes, that’s right. Have
you been there?” “No, but I once had
a friend from Babylon.”
| Every woman in
Babylon, at least once in her life, had to sit down
openly in the Temple of Aphrodite and to offer herself
to some stranger.
|
The wealthy women, who detested to expose themselves in
public, came in covered chariots to the gates of the temple,
and waited there for a stranger with a bevy of servants
attending at a distance. Most of the women, however, entered
into the temple, sitting down crowned with garlands. Once a
woman had settled down, she must not return home, till some
stranger threw a piece of silver into her lap, and had sex
with her at some distance from the temple. The law forbade any
woman to refuse the first offer. Those women who excelled in
beauty wouldn’t have to wait for long.
“What if,” asked Alexander, “the woman is ugly or
deformed?” “Then, she’ll have to wait
for several weeks—sometimes three or four years before she
fulfills her duty.” “No kidding!”
“That was the law.”
“How did it all happen that way?”
In primitive communities, religious checks and
sanctions governed every aspect of life. This also applied to
sex life, which—if uncontrolled—could cause so much social
disruption. So the ruler placed the sex life of his subjects
under strict regulations designed to set up a workable balance
between what people wanted to do as individuals and what they
had to do as members of the community. Accordingly, the ruler
had to take into consideration two most important aspects in
the life of the community—fertility and defloration.
“For four days before they plant the
seed to the earth,” said Thais, “the husbands in Arbela
remained separated from their wives.”
“Why?” “Because those husbands want
to indulge their passions to the fullest extent on the night
right before planting.” “To assure
their good harvest?” “Yes, a village
chief nearby even appoints a couple to perform their
lovemaking at the very moment when the the village deposit the
first seeds in the ground.”
“Interesting!” “When the bloom will
soon be on the wheat, the husband and his wife visit their
fields by night and make love.” “To
promote the growth?” Thais nodded
with a hint of amusement. Those
fertility rites became communal functions in which the
individuals acted for the common cause. Defloration, on the
contrary, became an event in individual life. So crucial and
irreversible was the act of deflowering a virgin that the
responsibility had become more than the bridegroom could bear.
Therefore, the elders came up with an idea to spread the
burden. Among some of the remote villagers in Assyria, it
became customary for the virgin bride to lie down on a
platform while the men of the tribe formed a line, singing and
dancing, each in turn copulating with her and hence accepting
a share of the burden. In some
villages, a priest or village chief retained the right to
sleep with every newly-wed bride in his domain. Divinely
appointed, he took the full weight of the responsibility on
his shoulders and accordingly spared his subjects entirely.
Taurus, one of the ancient Assyrian kings, pierced the
maidenhead of every virgin in his kingdom.
“Then a sage came up with an even better idea,” said
Thais, “Why risk your fellow tribesmen? Why endanger your
king? A stranger could do the job. He is not subject to your
gods. Even when something goes wrong, he may escape unscathed
from the ordeal. In any case, his fate is no concern of yours.
So the villagers welcome a stranger to the virgin’s bed.”
“That’s how the women in Babylon sit
down at the temple for a stranger?” asked Alexander.
“Yes.” “Are
they all virgins?” “Yes, originally,
but now it seems to have turned into a kind of religious
rite—like a pilgrimage. Women sit for a stranger at least once
in her life.” “What if a woman sits
for many strangers?” “The money goes
to the temple as an offering—unless she cheats.”
“So, the next step would be the professional
sitters, I suppose,” said Alexander.
“Yes, sire, some girls serve those strangers on behalf of the
remainder, just as the priests performed their functions as
representatives of the community as a whole. Towns or villages
recruit girls on a permanent basis. Those girls become the
brides of the deity, renouncing earthly husbands. And now
virginity has become purely symbolic.”
“So that’s how temple prostitutes came into being,
isn’t it?” “Yes, I suppose so.”
“Quite interesting. Well, Thais, it’s
getting late. Let’s go to bed.” Led
by Alexander, Thais, clad only in a sheer veil, stepped over
to the royal bed. Both stood face to face across the four-post
bed. Smiling like a newly-wed bride, Thais took off her veil,
and lied down between the sheets. After a hesitation,
Alexander stripped himself, and slid down beside her. Both
stared at the ceiling. An awkward silence soon filled the
chamber. “Your Majesty …” Thais
turned to the young king. “What?”
Alexander looked into her imploring eyes.
“I wonder if you want me to stay like this from now
on.” “Well … I’d love to have your
company, but I’d rather stay alone.”
“Am I talking too much?” “No, you
aren’t. Don’t get me wrong, Thais. I like you. The thing is, I
don’t want any distraction. I must concentrate on the plan of
my expedition to Asia.” “What am I
supposed to do, then? I was instructed to sleep with you.”
“Listen, Thais. Don’t worry about my
mother. I’ll introduce you to Ptolemy. He is a nice chap.”
“What is he?”
“Ptolemy is a close friend of mine. And he is a history
buff. I think, you two are getting along pretty well.”
With a sigh, Thais looked up at the
ceiling. Though tempted to get closer to her, Alexander turned
away from Thais and closed his eyes. His inner voice told him,
“Stay away from her, Alex. You shouldn't act like Enkidu.”
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Hmm, it's interesting!
Another good
story/information article! ^_^
- Caroline
Seawright |
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Copyright Akira
Kato About this author: - Educated both in
Canada and Japan - Traveled extensively in Europe, Far East,
and North America - Worked as management consultant,
computer systems analyst, college instructor and freelance
writer.
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