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Born in 1955, he grew up in Duesseldorf, the only child of a successful commercial photographer, learning the tricks of that trade before he had finished high school. At Essen, Gursky encountered photography's documentary tradition, a sophisticated art of unembellished observation, whose earnest outlook was remote from the artificial enticements of commercial work. There Gursky learned the ropes of the art world and mastered the rigorous method of Bernd and Hilla Becher, whose photographs had achieved prominence within the Conceptual and Minimal art movements. When Gursky, together with other Becher students, began to win recognition in the late 1980s, his photography was interpreted as an extension of his teachers' aesthetic. But the full range of Gursky's photographic educations has figured in his mature work, enabling him to outgrow all three of them.
Born in 1955, he grew up in Duesseldorf, the only child of a successful commercial photographer, learning the tricks of that trade before he had finished high school. At Essen, Gursky encountered photography's documentary tradition, a sophisticated art of unembellished observation, whose earnest outlook was remote from the artificial enticements of commercial work. There Gursky learned the ropes of the art world and mastered the rigorous method of Bernd and Hilla Becher, whose photographs had achieved prominence within the Conceptual and Minimal art movements. When Gursky, together with other Becher students, began to win recognition in the late 1980s, his photography was interpreted as an extension of his teachers' aesthetic. But the full range of Gursky's photographic educations has figured in his mature work, enabling him to outgrow all three of them.
Born in 1955, he grew up in Duesseldorf, the only child of a successful commercial photographer, learning the tricks of that trade before he had finished high school. At Essen, Gursky encountered photography's documentary tradition, a sophisticated art of unembellished observation, whose earnest outlook was remote from the artificial enticements of commercial work. There Gursky learned the ropes of the art world and mastered the rigorous method of Bernd and Hilla Becher, whose photographs had achieved prominence within the Conceptual and Minimal art movements. When Gursky, together with other Becher students, began to win recognition in the late 1980s, his photography was interpreted as an extension of his teachers' aesthetic. But the full range of Gursky's photographic educations has figured in his mature work, enabling him to outgrow all three of them.
6 Available On-Line through Blind Spot Back Issues Tom Bamberger Max Becher and Andrea Robbins Per Berntsen Jennifer Bolande Marianne Courville James Whitlow Delano Stan Douglas Andy Goldsworthy Gary Green Andreas Gursky Candida Hofer Jin Ming Eric Rondepierre Hiroshi Sugimoto James Wojcik Forward Kim Zorn Caputo Fiction Jeffrey Eugenides Interview James Casebere and Stan Douglas Cover Image by Jin Ming . . 6 Available On-Line through Blind Spot Back Issues Tom Bamberger Max Becher and Andrea Robbins Per Berntsen Jennifer Bolande Marianne Courville James Whitlow Delano Stan Douglas Andy Goldsworthy Gary Green Andreas Gursky Candida Hofer Jin Ming Eric Rondepierre Hiroshi Sugimoto James Wojcik Forward Kim Zorn Caputo Fiction Jeffrey Eugenides Interview James Casebere and Stan Douglas Cover Image by Jin Ming . ..

another becher site: http://www.digital-web.com

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