Compared to the art of the middle ages, the art of the renaissance is
more
visually accurate and secular. This is due to the source of funding for the
arts, revival of Greco-Roman style, humanism and the invention of new artistic
techniques.
            The addition of visual accuracy in art, such as the inclusion of
perspective, vanishing point and shading were brought
about by humanism, influence of Greco-Roman artistic style and invention.
Humanism indicated that humans were capable, positive beings, so depicting
them realistically, even glorifying them, was no longer taboo, as is seen in
Michelangelo's David. | |
Ancient statues of people were often realistic nudes, a
theme copied by renaissance artists, such as Mantegna. |
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Invention and
scientific discovery also led to realism. Anatomical study led to accuracy in
depicting humans, such as the sketch for the Libyan Sibyl on the Sistine
Ceiling. | |
Bellini began using brighter,
stronger colors and oil paints led to
subtle color and shading differences. These were used by artists to show
natural outdoor lighting and shadowing accurately.
The discovery of a
vanishing point led to linear and aerial perspective and more natural
interaction between figures and backgrounds, such as the softening of contours. The figures related to each
other and the background both proportionally and rationally; objects
further away were smaller, less distinct and less sharply colored compared
to medieval art. |
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Mantegna opened the
walls and ceilings
into one of his frescos, making the real and painted worlds difficult to
separate. Painting became viewed as a representation of the natural world.
Painters then felt responsible to study and correctly portray landscape
scenes.
Having a realistic background at all was new to renaissance art when
compared to medieval art. | |
The
depiction of natural and architectural
backgrounds indicates not only realism, creativity and appreciation of physical nature on
the part of the artist, but that the purpose of the art was decoration and
self-expression, unlike the middle ages, when art was used to illustrate and
convey church stories for the illiterate masses. |
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Depictions of battle scenes,
such as the Bayeux Tapestry, were
nearly the only secular art works during the
middle ages.
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Artists were seen less like artisans who created skilled or
unskilled pieces, and more like poets who expressed their own interests and
feelings in their work.
            The fact that the art of the middle ages is almost
exclusively religious and
that secular themes are abundant in the art of the renaissance is due to
source of funding, Greco-Roman influence and humanism.
During the
renaissance, patrons of the arts were wealthy individuals, not just the
church. They demanded portrayals of themselves and other non-religious
motifs. | |
Architecture also changed;
instead of the gothic cathedral spires
which connected heaven and earth for people in the middle ages, renaissance
architecture revived Roman structural elements such as arches, vaults and
domes. The classical columnar system was revived by Brunelleschi, who
developed linear perspective and designed the octagonal dome of the Florence
Cathedral. Alberti, who publicized ancient and contemporary
practices in his theoretical works on painting, sculpture, and architecture,
designed a flattened temple-front system for the Santa Maria Novella façade
in Florence. |
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When an artist was able to choose their subject matter, the practice of
creating secular art enabled them to have more freedom, because they no longer
assumed that their art had to be religious. The idea of arête, a life focused
on creating art and beauty, indicates that art was no longer seen exclusively as a means
to express faith in Christianity, but also an end within itself.
Italian artists
were surrounded by Greco-Roman art, and the revival of classical ideals led them to portray pagan scenes,
such as the birth of Venus. | |
Humanism condoned the depiction of individuals
that was popularized through the patronage of wealthy persons.
            Secular funding, Greco-Roman influence, humanism and
the development of new
artistic techniques, caused the art of the renaissance to be less focused on
the church and more realistic than the art of the middle ages.