Topic: Tony Sandate Inspired by the writings of Mystical/Spiritual Theologian Thomas Merton, this incredible nylon string solo guitar album will surely put the listener in a peaceful and contemplative space, opening our hearts to the wonderful and loving spirit of God.
Topic: Anne Trenning Instrumental pianist Anne Trenning titled her third recording Watching For Rain, as a metaphor indicating a time of hopeful anticipation. “As our world continues to face the challenges of economy, war and the environment, we find ourselves looking toward new opportunities, for rain to come and refresh the earth, and for growth and positive change to occur.” Trenning strongly believes in the ability of music to communicate and promote the ideas of peace, love, and friendship. The music on her second album, ALL ONE WORLD, reflects her hopes and concerns for all civilizations around the globe. Trenning lives in Charlotte, North Carolina, but grew up in Barrington, Illinois (a suburb of Chicago), where she began her musical instruction taking organ lessons at the age of seven. Earliest musical memories from this time include “learning sheet music from the Big Band era, with a lot of bossa nova and fox trot songs thrown in.” When she was 12-years-old piano became her primary focus and she studied through high school with the talented Helen Velleuer. Church and choir also shaped her earliest musical memories. Her father encouraged practicing and a love of four-part harmony by paying her a dollar for every hymn she learned to play from a Presbyterian hymnal passed down from her grandmother. “My entrepreneurial spirit insured that I learned to play every hymn in that worn and well-loved collection.”
John Barry Biography Topic: John Barry BUY BARRY BIO BOOK THE great film music of Oscar-winning composer John Barry has long been admired by Derby banker Gareth Bramley. "The first Barry record I purchased was the Persuaders TV theme single which I bought from Selectadisc in Nottingham in the mid-1970s – and from that moment I was a fan," says Gareth. John Barry, best known for his music for the James Bond films, has also composed classic scores for movies such as Dances With Wolves and Out of Africa. Full Story
Ray Conniff remembers Now Playing: WTIC Radio Podcast link Topic: Ray Conniff Ray recalls his early days in Boston playing trombone with the Society Bands, including Dan Murphy’s Musical Skippers, performing in New York with Bunny Berrigan, Artie Shaw, and Bob Crosby and his eventual glory years at Columbia records...
Topic: Benny Goodman Here is another post of a radio big band remote by the Benny Goodman Orchestra. A broadcast from 6 November 1937 at the Madhattan Room down in the basement of the Hotel Pennsylvania in New York City...
California Melodies Now Playing: episode 44 Topic: David Rose Faust WaltzAmapolaI Guess It's Better That Way MAXINE GRAY sings There'll Be Some Changes MadeVienna Waltz OFFENBACH Orpheus In The Underworld MAXINE GRAY sings It All Comes Back to Me NowIndefinate Ryhthm
Composer John Barry at 75 Topic: John Barry John Barry turns 75. The composer of "Somewhere In Time", "Out of Africa," "Dances With Wolves," "Born Free," "Midnight Cowboy" and "The Lion in Winter" -- as well as such iconic James Bond themes as "Goldfinger," "You Only Live Twice" and "Diamonds Are Forever" -- is believed to be the sole Brit to have won as many as five Academy Awards.
Topic: Ray Ellis Conductor/arranger Ray Ellis, who arranged such classics as "Chances Are" by Johnny Mathis, "Splish Splash" by Bobby Darin and "Standing on the Corner" by the Four Lads, died Monday, 27 October 2008, in Encino of complications from melanoma. He was 85. During a career that spanned almost 65 years, the Philadelphia native also arranged for acts including Tony Bennett, Doris Day, the Drifters, Connie Francis, Judy Garland and Ray Price.
California Melodies Now Playing: episode 43 Topic: David Rose My Heart at Thy Sweet Voice DELIUS Dance for HarpsichordCarry Me Back to Old VirginnyDo I Worry? vocalist Maxine Gray Cari Mia Rhumba RUBINSTEIN Melody in FCome Down To Earth, My Angel Maxine Gray Plantation Moods
Neal Hefti (born October 29, 1922, Hastings, Nebraska Died October 11, 2008)
...American jazz trumpeter, composer, tune writer, and arranger. He began arranging professionally in his teens, when he wrote charts for Nat Towles. He became a prominent composer and arranger while playing trumpet for Woody Herman; while working for Herman he provided new arrangements for "Woodchopper's Ball" and "Blowin' Up a Storm," and composed "The Good Earth" and "Wild Root." After leaving Herman's band in 1946, Hefti concentrated on arranging and composing, although he occasionally led his own bands. He is especially known for his charts for Count Basie such as "Li'l Darlin'" and "Cute". The wikipedia bio goes on...In the 1960s and later he composed and arranged mainly for movies and television. He wrote the background music for movies such as Sex and the Single Girl, How to Murder Your Wife, Synanon, Boeing Boeing, Harlow, Lord Love a Duck, Duel at Diablo, Oh Dad Poor Dad Mama's Hung You in the Closet and I'm Feelin' So Sad, and Barefoot in the Park. His best-known contributions of this period are the themes for the TV series Batman and The Odd Couple.
Johnny Green birth centennial Topic: Johnny Green Johnny Green was born October 10, 1908, in New York. He entered Harvard at age 15, and while there, played piano and saxophone and led the Gold Coast Orchestra. Guy Lombardo heard the band and hired Green to write arrangements for his own band. This he did during summer vacations while eventually earning a master’s degree in English literature, and it was while working for Lombardo that he wrote his first hit song, “Coquette”. At his father’s insistence, Green got a job as a stockbroker, but soon left Wall Street to pursue a full time music career. In the early 30's, he worked as an accompanist for Ethel Merman, Gertrude Lawrence and James Melton, and also worked as a pianist for Leo Reisman. He was pianist and assistant conductor for Buddy Rogers, spent much of 1933 in London writing for musical productions at the London Hippodrome and for the BBC, then had his own band back in the U.S. (1933-41). With this band, he frequently appeared on radio, on his own show as well as the shows of Ruth Etting (1934), Ethel Merman (1935), Jack Benny (1935-36), Fred Astaire (1936-37) and the Philip Morris Show (1939-40). Beginning in 1942, he settled into the Hollywood studios, and was musical director for MGM from 1949 into the 60's. He won an Oscar in 1968 for his work on the movie Oliver!. As chairman of the music branch of the Academy of Motion Pictures Art and Sciences, he conducted the orchestra for 17 Oscar telecasts. He also guest conducted several symphony orchestras. Among the songs he wrote are “Body and Soul”, “Out of Nowhere”, “I Cover the Waterfront”, “Weep No More My Baby”, “You’re Mine You” and “I Wanna Be Loved”. He died in 1989.
Now Playing: NBC Radio recalls the big band era Topic: BIG BAND PODCASTs Big band remotes were a very popular form of radio programming through the 40s and in this collection we have quite a few. These were recorded off-the-air or archived from transcriptions made by NBC radio. This program from 1956 was part of a retrospective series aired on NBC Radio to commemorate 30 years of broadcasting by the network...NBC Logos.
Now Playing: California Melodies 42 Topic: David Rose JuanitaYears From Now SIBELIUS: Valse TristeCantcha Tell with vocalist Maxine Gray La PalomaRubyFrenesi with Maxine Gray Opus 6, Number 6 aka Jitterbug Fantasie
The papers of legendary conductor, arranger and broadcaster Andre Kostelanetz have been donated to the Library of Congress by his estate. Kostelanetz died in 1980. The gift is a veritable treasure trove for students of 20th century music and broadcasting. The archive of Kostelanetz' personal property, papers, clippings, letters, sound recordings, posters, and photographs spans some 73 crates. It documents in detail the career of one of America's most remarkable men of music. The gift from Kostelanetz' estate will complement the gift of scores and parts for many of his arrangements Kostelanetz made to the Library of Congress. His papers will join those of George and Ira Gershwin, Richard Rodgers and Oscar Hammerstein, Lorenz Hart, Frederick Loewe, Alan Jay Lerner, and Irving Berlin, among others in the Library's collection of material belonging to eminent American musicians.
Now Playing: California Melodies 41 Topic: David Rose FLOTOW's MarthaDeserted CityWalking By The River with vocalist Maxine Gray The Old Oaken Bucket RAVEL's PavanneAll I Desire with Maxine Gray Ukelele Finale Melody on notes G C E A Boomp3.com
Topic: The Three Suns Three Suns were a popular musical group of the mid-twentieth century (1940s - 1960s) whose soft, intimate style was the result of their unusual (for the time) basic instrumentation of guitar, Hammond organ, and accordion. Although the instrumentation and line-up of the group changed over the years, the original personnel consisted of brothers Al (1915 - 1965) and Morty (1917 - 1990) Nevins and their cousin, Artie Dunn (1922 - 1996), on guitar, accordion, and organ, respectively. Their theme song, "Twilight Time," summed up the group's sound perfectly: Quiet, intimate, and easy to dance to. Other hits included "Hindustan" and "Peg O' My Heart." The group was at the height of its popularity in the 1950s, when Al Nevins, perhaps the most musically astute of the three (he had trained as a concert violinist and later became a major figure, before his early death, as an arranger/producer or such artists as Neil Sadaka), stepped behind the scenes to serve as the group's arranger and producer.
Burt Bacharach's official press biography is effusive, impressive, overwhelming - and almost beside the point. The 14-page document dutifully lists the tangible signs of recognition given to the 80-year-old composer. There are chart-toppers and megahits, Grammys, Oscars and other awards, tributes from fellow legends - and even a placing on People Magazine's Sexiest Men Alive list as recently as 2000. But Bacharach's importance can't possibly be measured in statues, statistics and statements. What matters, in the end, is the groundbreaking level of sophistication he brought to pop music.---Bernard Perusse, Montreal Gazette Published: Thursday, September 25